Category Archives: Travel

A Glorious silver jubilee of harmony

Bengaluru:

City-based Glorious Festival of Harmony is set to celebrate 25 years of harmony singing on July 30 and 31. From its quiet start in 1996, Glorious is a much-awaited festival today.

“When we started, it was difficult to put together six choirs from the city because there were no choirs then and nobody was excited about harmony singing. It is starkly different today, with harmony singing being a part of mainstream music. Every year, when schools and college reopen we have students waiting for the festival,” says Regi Chandy, co-founder of the festival, in which over 1000 people participate every year.

This year, the silver jubilee celebrations include performances by the city’s best schools, colleges, churches and even children’s choirs. Besides independent choir Astrophels, from Kottayam in Kerala, a performance by popular singer-songwriter Sheldon Bangera from Mumbai is another highlight.

For Chandy, harmony singing is more than just a music performance. “It is not about giving prominence to only one singer. It’s a performance where every voice comes together to make beautiful music,” says Chandy.

The 25th Glorious Festival of Harmony will be held on July 30 and 31, 5.30pm to 9.30pm, in Dr B R Ambedkar Bhavan, Vasanthnagar.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Bangalore / TNN / July 29th, 2016

R.K. Narayan’s nephew and grandson visit Writer’s Yaadavagiri house

Memorabilia brought from Chennai being arranged for display at the Museum.

MCC Commissioner Dr. C.G. Betsurmath is seen displaying the Padma Bhushan Award Certificate of late R.K. Narayan at the writer’s house in city this morning. Others seen are Corporator D. Nagabhushan, MCC Superintending Engineer Suresh Babu, RKN’s grandson Karthik Krishnaswamy and nephew R.S. Jayaram.
MCC Commissioner Dr. C.G. Betsurmath is seen displaying the Padma Bhushan Award Certificate of late R.K. Narayan at the writer’s house in city this morning. Others seen are Corporator D. Nagabhushan, MCC Superintending Engineer Suresh Babu, RKN’s grandson Karthik Krishnaswamy and nephew R.S. Jayaram.

Mysuru :

With the renovation work of Novelist late R.K. Narayan’s house on Vivekananda Road in Yadavagiri reaching completion, the arrangement of the writer’s memorabilia brought from Chennai commenced this morning at the house turned museum, which will be inaugurated soon. The memorabilia include RKN’s cot, chair, table, watch, glasses, books, medals, awards and certificates won by him.

The photographs and paintings that adorned the walls of the house earlier too have been brought back.

RKN’s nephew R.S. Jayaram and grandson Karthik Krishnaswamy have arrived in city from Bengaluru to inspect and guide the arrangement of memorabilia. Incidentally, Jayaram too had been living in the same house and was very familiar with the arrangements of all items.

MCC Commissioner Dr. C.G. Betsurmath, Superintending Engineer Suresh Babu, Assistant Executive Engineer Manjunath, Development Officer Jagadish and Corporator D. Nagabhushan were supervising the arrangements at the museum.

Speaking on the occasion, Dr. Betsurmath said that MCC had spent Rs. 29 lakh for renovating the house and another Rs. 5 lakh for landscaping.

He pointed out that the building has been renovated to the original looks including the colour of the paint and wood structures to bring back the memory of yesteryears. He added that the maintenance aspects have to be worked out in future.

Speaking to Star of Mysore, Jayaram recalled the nostalgic memories of his stay in the house and his association with his uncle RKN. He expressed happiness in conversion of the house into a memorial keeping the heritage intact.

Dr. Betsurmath has requested people who are in possession of any memorabilia of RKN to pass it on to MCC which could be exhibited at the Museum.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / July 21st, 2016

Book Talk : A. Kiran Subbaiah

City’s Multifaceted Sculptor

SculptorBF26jul2016

Title : Bahumukhiya Shilpi Sarvabhouma A. Kiran Subbaiah

Author : N.B. Kaverappa

Pages : 100 (including 20 pages of pictures)

Price : Rs. 100

Publisher : Ila Mudrana, Bengaluru

by Dr. Prakash Padakannaya

Recently I attended a book release function at Kalamandira where a Kannada book entitled ‘Bahumukheeya Shilpa Sarvabhowma A. Kiran Subbaiah’ was introduced and officially released in the presence of several artists, Academy officials, and art lovers of Mysuru. The book was authored and designed by N.B. Kaverappa, a well-known artist and founder of Bharani Art Gallery in the city. Karnataka Shilpakala Academy, Bengaluru, celebrating its 20th anniversary, is the publisher of this unique book.

I am not an expert on sculpture art but I was curious about the book and also the sculptor as I had heard many remarkable things about Kiran Subbaiah’s work from the author. After the function, I bought a copy of the book availing 50% discount offered on the book releasing day.

The book, though runs into only 71 pages, is very well designed with attractive cover page and several illustrative quality pictures without which the descriptions would have been incomplete. The editorial comments by L. Shivalingappa and preface by the author provide the necessary background for the book. The author, who knew A. Kiran Subbaiah personally for the past three decades, has been very successful in presenting the life and work of this extraordinarily talented sculptor and his magnificent sculpture in a lucid yet scholarly way.

The book has been divided into two parts. The first part, ‘inside the sculptor’s life’ deals with the life sketch of Mr. Kiran Subbaiah while the second part, ‘inner turmoil beneath the external looks of sculptures’ describes major works of the sculptor with illustrations. The first part narrates the innate aptitude that Mr. Subbaiha had from childhood for sculpturing; and his extraordinary and eventful yet dedicated saga of what he has accomplished in the field so far.

His passion for sculpturing was ignited when he visited Beluru-Halebidu temples during his college days. His prodigious skill was exemplified by the fact that he could master the entire syllabus of five year diploma course in sculpture at Chamarajendra Technical Institute, Mysuru, in just one year. It is irony that such a prodigy was forced to leave the Institute after three years of basic training (he was not allowed to go for advanced course by his supervisor though the same teacher in later years pleaded him to apply for the lecturer’s vacancy, which Mr. Subbaiah turned down). Such incidents also testify how creativity and dedication triumph over all odds.

Mr. Subbaiah’s perseverance and diligent experimentation in sculpturing with all kinds of stones made him probably one of the greatest contemporary sculptors of our land. Hailing from Kodagu, today he owns a museum of sculpture ‘Shilpanikethan’ in Mysuru, which houses hundreds of wonderful stone sculptures carved by him.

The author makes a sincere attempt at highlighting the sculptures sculpted by Mr. Subbaiah, in terms of both breadth and depth of sculptor’s creativity, in the second part of the book.

The illustrations of his work presented in the book demonstrate that Mr. Subbaiah is as proficient with traditional style as with contemporary and modern style. Normally a sculpture has only a front view. But Mr. Subbaiha has mastered the art of carving multifaceted or many-sided sculptures using a single stone (the same piece may depict one image when seen from front and a different image when seen from sides or back). It is like four different sculptors carving four different sculptures on four sides of a stone! This is an astounding feat by any standard!

Mr. Kaverappa describes the way Mr. Subbaiah goes about creating these multisided sculptures. It seems when Mr. Subbaiah has a piece of stone in front of him ideas keep running and he visualises them in his mind first. Then he makes a rough sketch directly on the stone and begins carving. When he has multiple ideas and icons in his mind’s eye, he first whittles all of them coarsely on the stone. Then, he starts the fine work simultaneously on all of them till they attain their proper shapes. Again, at the end he would start fine finishing work concentrating on one of them at a time.

The book also gives an account of a master piece in making, the most wonderful work of art by Mr. Subbaiah, the stone sculpture of ‘Lord Adishesha’ displaying 135 hoods with a special pedestal. When completed, this pedestal will also depict 45 snake Gods with different poses carved on it. Presently, Adishesha deity at Pashupathinatha temple in Nepal holds the world record with 108 hoods. Adishesha that Mr. Subbaiah is making with 135 hoods a height of 4 feet and 3 inches without the base (5 feet and 1.5 inches with the base) shall get that name and fame. Shree Yanthra, Om Yanthra, and Gayathri Manthra have been engraved on the back side of this unique statue. This statue carving took three years till now. It seems another 6-8 months’ hard work is required to finish the intricate carving of the main statue and the pedestal. According to Mr. Subbaiah, once he starts this arduous task, he has to devout at least 8-10 hours per day for this work for several months!

The author of the book has sprinkled some of his own observations on the work of Mr. Subbaiah throughout the book. One of them is related to the artists who have influenced Mr. Subbaiah. Kaverappa has mentioned the influence of Henry Moore, one of the greatest modern sculptors of 20th century, in Mr. Subbaiah’s creations. He has also rightly observed that five-sided sculptures (five in one) are not viable as a visual treat as it actually disturbs the composition of the sculpture as a whole. One cannot miss ubiquitous presence of ‘shringar rasa’ (flavour of erotic/ romantic love) in most of the contemporary sculptures of Mr. Subbaiah.

Editor of the book, L. Shivalingappa, in his foreword comments that depiction of shringar rasa theme in Mr. Subbaiah’s sculptures is a lot more powerful than words can explain. Mr. Subbaiah himself acknowledges that ‘…the female nude form…from time immemorial… has caught the fancy, imagination, liking and admiration of a vast majority of mankind, artists, sculptors and writers’ (page 19). Mr. Subbaiah is no exception!

The book gives us a list of multisided sculptures done by the sculptor since the year 2008, list of recognitions conferred, and a list of glossary along with the direct contact address of the sculptor at the end for the benefit of readers and art lovers. Some of the colour reproductions of original work are also excellent.

When I finished reading the book, I felt that there is a genius sculptor, probably one of the best in the country, living amongst us in ‘namma Mysuru’ without getting due recognition (may be it does not matter to Mr. Subbaiah). I do hope that this book will help people of Karnataka to know and feel proud of the genius sculptor in Appaneravanda Kiran Subbaiah. Both Karnataka Shilpakala Academy and N.B. Kaverappa should be commended for their great service to the art and culture of Karnataka by introducing this master sculptor and his works to the public. It is a must read book to all those interested in sculpture art.

About the author of the book

Author of this book, Nellamakkada B. Kaverappa (in pic.) is an eminent senior artist of Kodagu living in Mysuru. He is well-known as the founder of Bharani Art Gallery, the first private art gallery in the city that he established in 1994 with a noble purpose of promoting visual art. Artists who like to exhibit their work are given the gallery for free of rent and also an independent guest room to stay (also free) for the duration of the expo. Artists from neighbouring States as well as other countries such as Australia and Finland have exhibited their paintings in Bharani Art Gallery.

Mr. Kaverappa has immense interest and actively involved in creative visual art (multihued) and literature. As an artist, he has been part of many Karnataka Kala Melas. He exhibited his ‘Creation’ series of oil paintings at Ahmedabad, Gujarat and ‘Dance of Kodavas’ at India International Centre, New Delhi. He has been honoured by Karnataka Kodava Sahitya Academy (in art field), Kodava Samaja Bangalore and Kodava Samaja, Mysuru. His oil portrait of legendary ‘Haradas Appacha Kavi’ is the most authentic one and is displayed at Kodava Samaja Bangalore as a gift. He is also a frequent writer in Kannada and Kodava periodicals. He has translated two books for Karnataka Lalithakala Academy.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / July 20th, 2016

In her shoes

Special Arrangement / The Hindu
Special Arrangement / The Hindu

The fascinating story of Anu Vaidyanathan, the first Asian woman to compete in Ultraman Canada.

As someone who goes to bed praying the morning papers will publish findings that pizza is good for weight loss, two questions popped up when I read Anywhere but Home: Adventures in Endurance, written by Anu Vaidyanathan, “the first Asian female to have competed in Ultraman Canada”. It sounds suspiciously like auditioning for a superhero movie set in Nova Scotia, but what is it really? The answer is easy enough, as it exists in the finite and definable realms of sport and mathematics: a 10-km swim, a 420-km bike ride, and an 84.4 km run. (Four weeks later, again in Canada, Vaidyanathan switched her allegiance to a different superhero: Ironman. This time, a 3.8 km swim, a 180-km bike ride, a 42.2 km run.) I then asked the tougher question, the answer to which lies in the diffuse dimensions of metaphysics: Why?

I get why people climb the Everest. It sounds like something you’d want on your obituary note, or at least your Facebook post. But what glories can swimming, running and biking bring? As it turns out, Vaidyanathan is searching for a “why” too.

Despite the broad motivational-poster nature of the narrative (sample quote: “If it were easy, it wouldn’t be worth doing”), Anywhere but Homeis also an intimate portrait of a single woman in India — “a quintessential Tamilian Brahmin — five times a year at least, during Pongal, Nombu, Ganapathi Chaturthi, Krishna Jayanti and Deepavali” — brushing off the “when are you going to settle down?” question, training on bad roads, without much money for equipment, putting her body through unimaginable stress, all because… Because… The answer, finally, comes from writer and Holocaust survivor Victor Frankl. What athletes do with their goal-setting “frees them up from commerce or the meaningless pursuit of goals that depend on other people’s validation.” The other reason: “the grand challenges of survival were absent because we were children of luxury.” Hence the transformation of life into a hurdle race with a series of self-imposed challenges.

Vaidyanathan writes like a runner — breathlessly, without getting sidetracked. The pages seem to pant. The prose is observant (“watching dark grey clouds tease the distance between them and my rear-view mirror”), if sometimes too cute (a chapter is titled “An Inheritance O’Floss”). And often very funny, in the way everything circles back to running, even romance. About an early boyfriend, she writes, “I think I was in love. You would have to be, with a boy who took you on a 13-km run through the woods on a first date.” Later, she writes about dating a tall, soft-spoken German boy who did not understand why a ride was so much more exciting than a movie. “Miffed with his lack of understanding, I took off on a long run.”

I must say I saw the German boyfriend’s point. Vaidyanathan is quite a character, someone whose idea of a memorable Thursday includes a 3.5-km swim, a two-hour run, an hour of commuting on the bike, and 30 minutes of upper-body weights. (One can only imagine what her idea of a perfect Valentine’s Day is.) She never seems to rest. If she’s not working towards a PhD in Electrical Engineering, she is at home in Bangalore plunging into a start-up.

Anywhere but Home is mostly the story of a solitary pursuit but filled with family and friends. We meet the people Vaidyanathan leaves behind when she goes off on her runs and bikes and swims, the people she yearns to be with while living out of suitcases. We get to know her roommates and boyfriends (though we never seem to know when the relationships ended). We meet members of the running community, people who seem to think nothing of scrounging up enough money to fly off to exotic locations (Brazil! China!) for endurance events. And everyone is so giving. During a run, when Vaidyanathan was suffering from dehydration, sleeplessness and worries about an unsupportive crew, “Lena held my hand for nearly two kilometres, running alongside me, reminding me to never give up.”

The last chapter deals with another sort of hand-holder, finding “someone crazy enough to marry me”. And we sense a calming down, especially after the birth of Vaidyanathan’s son. “Giving birth brought with it a moment of great clarity. There was magic beyond what any class in engineering, science or objective observation had taught me. However, to sustain that magic past the endorphin rush of birth would involve a great deal of humility… Overnight, I went from being someone’s daughter to being someone’s mother.”

The epiphany lasted about six weeks. Soon, Vaidyanathan was back on the road, participating in a 10 km race. It wasn’t easy, but she finished, “just for the pleasure of having my son know that his mother embraced life’s challenges.”

Anywhere But Home: Adventures in Endurance; Anu Vaidyanathan, Harper Sport, Rs. 350.

source: http://www.thehindu.com / The Hindu / Home> Books> Literary Review / by Baradwaj Ranjan / July 23rd, 2016

Kolkata Metro to chug on Bengaluru-made wheels

Rail Wheel Factory gets nod to supply wheels to Kolkata Metro
Rail Wheel Factory gets nod to supply wheels to Kolkata Metro

Bengaluru :

The Rail Wheel Factory (RWF) in Yelahanka has been given the green signal to supply wheels to Kolkata Metro Rail Corporation. This marks the first time any Metro Rail in the country has opted for cast wheels for coaches, opening up a whole new market for the factory.

The clearance was given on Monday by the Research Design and Standards Organisation, Lucknow, an organisation under the Ministry of Railways, Rajeev Gupta, General Manager of RWF, told Express.

“We will be providing wheel sets (wheels and axles) for the coaches of the Kolkata Metro, which are being readied at the Integral Coach Factory in Chennai. They will initially be supplied for the trial runs of three coaches of a Metro train, which would be 24-wheel sets,” the GM said.

This followed three months of negotiations and paper work between the Kolkata Metro and RWF. The trial runs could take place over a year since it is a whole new experiment being undertaken of using cast iron wheels for Metro coaches. “When it is successful, we will be permitted to supply wheels. We could bag an order to supply between 500 and 1000 wheels,” Gupta said.

When asked about the chances of it passing the trial runs, he said, “We will sail through it. We have successfully conducted the Finite Element Analysis test, which is a simulation test done emulating a train running at high speed.” The fastest Metro trains run at a speed ranging between 60 to 70 kmph. “Our wheels run at 110kmph regularly and all Rajdhani trains have them. They can touch up to 130 kmph,” Gupta said.

RWF, the country’s largest manufacturer of wheels sets, had approached Delhi Metro Rail Corporation and Bangalore Metro Rail Corporation in connection with the supply of wheels. “However, since Metro trains only use forged iron wheels which are imported, RWF was not able to convince them to make it a wheel-supplier.” It has the capacity to manufacture nearly 2 lakh wheels and 72,000 axles by casting technology.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by S. Lalitha / July 22nd, 2016

A Home in Malgudi …

Writer R.K. Narayan’s house in Yadavgiri, Mysuru, which is being developed into a memorial on the lines of Shakespeare’s house in Stratford-on-Avon in England.
Writer R.K. Narayan’s house in Yadavgiri, Mysuru, which is being developed into a memorial on the lines of Shakespeare’s house in Stratford-on-Avon in England.

by June Gaur

Brand Mysore is set to get a fillip with the restoration of R.K. Narayan’s Yadavagiri bungalow opening up exciting possibilities not just for tourism but also for scholarship, part of the city’s raison d’ etre. Ironically, this comes at a time when Mysureans are locked in a battle to save Chamundi Hill, foremost among “the really worthwhile things” in the city as listed by R.K. Narayan (RKN).

One Vijayadashami, prodded by his grandmother, RKN pulled out a brand new notebook and wrote down the first sentence about his town. ‘It was a Monday and the train had just arrived at Malgudi station.’ India’s best-known fictional town was born.

From this home in Lakshmipuram, he sallied forth every day without fail into “the loved and shabby streets” (Graham Greene) of Malgudi (Mysore). The city of talkers yielded rich material for his characters. His destination was the town centre at K.R. Circle and Srinivasa Stores, from where he got a special kind of lavanga without which he couldn’t write, and M. Krishnaswamy & Sons on Sayyaji Rao Road, who supplied him with the tools of his craft. He made several stops along the way, antennae on the alert for stories. There was always time for stimulating conversation with the people he met. Indeed, as he notes in his 1974 memoir, My Days, many pressing issues of the day, “were settled on the promenades of Mysore.”

A backbencher at the Maharaja’s College from where he graduated, Narayan honed his writing skills and powers of observation working as a stringer for a Madras newspaper, The Justice. The joint family he lived in shored him up financially. When he decided he wanted to be a full-time writer of fiction in English, Narayan knew he was opting for a vocation that had not been heard of in India. In the 1930s, there was no literary tradition he could fall back on; no publisher or audience waiting to receive his first novel, Swami and Friends.

For years the manuscript sat on various publishers’ desks in England. A despondent Narayan gave up hope of ever finding a home for his “ugly orphan” as he called it. Yet somebody other than his grandmother believed in him. That was Kittu Purna, a friend from Mysore studying at Exeter College, Oxford. Purna disregarded Narayan’s entreaty that he “weight the manuscript with a stone and drown it in the Thames.” He did go to London however, and, with a phenomenal heave of the imagination, landed the manuscript, not in the Thames but at the door of one of England’s great writers: Graham Greene. Charmed out of his skin by the sheer theatre of Narayan’s little provincial town and its delightful people, Greene saw to it that Swami and Friends was published in England.

A series of wonderful novels, 14 to be exact, and scores of Narayan’s short stories written over a period of 60 years, are set in Malgudi. For many, the town, nestling somewhere between the forested Mempi Hills and the Sarayu River, is the real hero in his fiction. In its creator’s lifetime, speculation about Malgudi’s exact location fuelled an industry of research and never failed to amuse him. A New York researcher even went so far as to compile a map of Malgudi, a cartographic fiction of course, which pleased the author and was published in his 1981 collection, Malgudi Days.

Did Mysore inspire Malgudi? Most of Narayan’s contemporaries, among them Dr. M.N. Srinivas and H.Y. Sharada Prasad, thought so. Ramchandra Guha thinks it’s the town of Nanjangud while former ambassador A. Madhavan sees typical Mysore signposts of the 1960s in the Boardless Hotel, a popular eating joint of those times, and the ubiquitous jutkas, then the undisputed kings of the road.

While the exercise of matching up Malgudi with Mysore continues to draw the nerds, RKN himself was always non-committal on the subject. Though he did take a BBC crew around Mysore to familiar landmarks such as the Chamarajapuram Railway Station, where his story apparently began, he insisted that Malgudi existed only in his imagination and, therefore, he was free from the constraints that chronicling an actual place would impose. “I wanted to be able to put in whatever I liked and wherever I liked – a little street or school or a temple or a bungalow or even a slum, a railway line, at any spot, a minor despot in a little world. …..I began to be fascinated by its possibilities; its river, market-place, and the far-off mountain roads and forests.”

Despite the ambivalence here, there can be little doubt that many of RKN’s memorable characters were inspired by the real life people he met in Mysore. Syd Harrex, the Australian poet and Narayan scholar, once told me he’d met Cheluva Iyengar, undoubtedly the model for Mr. Sampath, at the writer’s Yadavagiri house for an interview recorded in 1972. Syd recalled that RKN had gifted Cheluva Iyengar a copy of Mr. Sampath – the Printer of Malgudi and had inscribed it so – ‘To Sampath the original.’

Cut to the present and the mammoth task confronting the authorities with regard to converting RKN’s home in Yadavagiri into a fitting memorial for the writer. Ten years ago, when the Sahitya Akademi held a seminar in Mysore to mark Narayan’s birth centenary, scholars visited this intriguing double-storied, cream-coloured house. In the semi-circular first floor study with its eight windows and criss-cross grills, they lingered to let imagination take wing, picturing the bird-like figure of the writer hard at work spinning the Malgudi magic that brings the world to Mysore’s doorstep.

The recent centenary celebrations have reinforced Mysore’s reputation as a University town. No doubt the decision to involve the University in establishing a Research Centre for archival and scholarly materials pertaining to R.K. Narayan will also involve Dhvanyaloka, the Centre for Literature and the Arts set up by the late Prof. C.D. Narasimhaiah (CDN). R.K. Narayan, scholars from India and around the world have always homed onto Dhvanyaloka where Prof. CDN guided countless numbers painstakingly through their research. The tradition has continued with CDN’s family, all English teachers, and CDN’s pupils from the University of Mysore who pioneered research into Indian Writing in English, having picked up the baton.

Among the resources which should be available here are T.S. Satyan’s priceless photographs of the writer, including one of him playing cricket in the compound of his Lakshmipuram house. A Trust run by Satyan’s family now takes care of all his work. However, one hurdle which will somehow have to be circumvented is the fact that all the writer’s manuscripts are with the Boston University Library, preserved in air-conditioned lockers. Only recently, in an expression of goodwill, the US has returned precious artefacts to India. Surely, Boston University can be persuaded to part with at least a fraction of the Malgudi man’s work from their archives. And hopefully, we’ll be able to take good care of this gift.

However, Mysureans looking to perpetuate RKN’s legacy please be a

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / July 13th, 2016

MCC gets ‘Centre for Science & Environment Clean City Award’

MCC Commissioner Dr. C.G. Betsurmath is seen receiving the award from Union Minister for Urban Development Venkaiah Naidu in New Delhi.
MCC Commissioner Dr. C.G. Betsurmath is seen receiving the award from Union Minister for Urban Development Venkaiah Naidu in New Delhi.

Mysuru :

The ‘Centre for Science and Environment Clean City award’ instituted by the Centre for Science and Environment was received by Dr. C.G. Betsurmath, MCC Commissioner from Venkaiah Naidu, Union Minister for Urban Development at a function held at India Habitat Centre on Lodhi Road in New Delhi yesterday.

Praveen Prakash, Joint Secretary, Ministry of Urban Development, MCC Assistant Commissioner Satyamurthy and Health Officer Dr. Nagaraj were present on the occasion.

Speaking to Star of Mysore, Dr. Betsurmath said that the award was in recognition of good zero waste management units and segregation of waste and has been given by the Union Ministry of Urban Development to three cities — Panaji (Goa), Aleppey (Kerala) and Mysuru (Karnataka). He added that the award was declared after a thorough study of cleanliness, education and tourism facilities in 20 cities and expressed happiness in receiving the award for city.

A book ‘Not in My Backyard’ was released on the occasion.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / July 12th, 2016

Interview of the week ….: “Mysuru has never had a dynamic Politician to protect its tourism interest ,” says Hotelier P.V. Giri

The Hospitality Industry is a burgeoning one and Mysuru, which has always been dotted with eateries, has now become a destination for some of the finest resorts and spas. However, there is one person who is really a trendsetter in this direction, which has led him to building a powerful brand in the hotel industry. He is the suave, very thinking, unassuming, private individual P.V. Giri, who started Hotel Siddharta, is also the Chairman of The Windflower Group.

GiriBF10jul2016

Watching the Falls as the water cascades at city’s Windflower Resort near Race Course, Giri, who has transformed very dry, ordinary looking places into something very magical, reveals to Star of Mysore, how an open well has been transformed into a valley-like swimming pool. Speaking about the Windflower chain of Hotels, he dwells on his foray into the Hotel Industry, the avenues he has explored, the tourism scenario in Mysuru and his family support. Excerpts. —Ed

by N. Niranjan Nikam, Senior Journalist

SOM: Mysuru is not only the cultural capital of Karnataka but also a culinary delight. As old-timers recall the taste eating idlis, vadas, dosas in hotels like Indra Bhavan, Raju Hotel, Anand Bhavan, Durga Bhavan, Mylari, GTR, Galli hotel, the taste still lingers. What made you take up the challenge of setting up Hotel Siddharta in 1982, as a complete outsider?

P.V. Giri: If you recall those days Dasaprakash Hotel was the only hotel which was equally strong in restaurants and lodging and to a certain extent Indra Bhavan Boarding and Lodging. Hence, there was a space, especially in tier two cities. Since the land was available in the heart of the city we started to build Hotel Siddharta. The hotel’s proximity to many important tourist destinations like the Mysore Palace, Zoo, Museums, Chamundi Hill, also helped.

We wanted to make this a vegetarian hotel because serving non-veg food and having a bar was a taboo those days and it was also not considered good for honeymoon couples to stay in hotels which had a bar and served non-veg food. Then we came up with the idli and dosa food festivals and then we started serving the menu that suited the current tastes as time passed.

SOM: How much has Mysuru changed from a tourism perspective?

P.V. Giri: Mysuru has not changed much as a tourist location in spite of numerous representations by various bodies. For instance, there is no parking facility at the Zoo, which sees lakhs of tourists coming in buses and cars.

SOM: What is the reason for this kind of neglect?

P.V. Giri: It probably needed the intervention of a very dynamic local politician to provide tourism requirements and persist in following it to its logical end, which has never happened. Take the Mysuru-Bengaluru road. If the roads were broader and wider, the travel time could be reduced by at least an hour and the discomfort of travel by at least 50 per cent.

SOM: One of the toughest industries is the Hotel Industry, which requires a lot of manpower. What changes have you seen in the industry since you started till now?

P.V. Giri: The question has to be rephrased in the sense the main deterrent is the capital cost. As far as manpower is concerned, in Mysuru it is very difficult to get skilled manpower, but we had started the process and slowly the acceptance of the staff to move from other cities to Mysuru began because of the pay packets and the opportunity to move up the ladders. Much also depends on how the management treats the staff and as we look after them well and are treated like family and the personal rapport we have with them, the attrition rate in our organisation is one of the lowest in the industry.

SOM: Diversification is the key. Many big business families, especially in Mysuru have failed because they did not diversify. When did you get the idea of diversification?

P.V. Giri: We diversified only in our own industry. We did not move out of our area of specialisation except in the broad area of hospitality. As the double income families increased in metros and they wanted to have short breaks and that too for people who always insist on star hotels, we provided them big rooms, different types of menu and relaxation facilities in abundance. This is the slot that was empty and we moved in.

SOM: You have been in the hospitality business for a long time. You were not happy with just one Siddharta or a Joy Ice-Cream. You forayed into Resorts and Spa and the result is the Windflower chain. How did this happen?

P.V. Giri: As I told you earlier, the space was there and we spotted it. As I sat in my office in Siddharta, I noticed that travellers were seeking a more resort-like ambience, but had to do with city business hotels because of a lack of choice. It was this observation which led to the conception of Windflower. I already owned a successful open air restaurant Olive Garden, located at the foot of Chamundi Hill and saw the potential to convert the extra land around this into a small, quiet retreat.

I also realised that what Mysuru lacked was a spa which could be an excellent value addition, given that this city attracted several thousand yoga students and health travellers every year. I worked closely with my close friend Ramesh Rao (who had been instrumental in incubating Café Coffee Day as a brand) and after several brainstorming sessions, we arrived at the name Windflower as it evoked a certain outdoorsy feel and a closeness to nature which was what the resort is all about.

At the time Windflower was being conceptualised, my vision was to build a hotel chain and I envisioned that a time would come when the upcoming middle class family would want to take their new car out for a long drive and combine it with a holiday. After the huge success of Windlflower Mysuru, the second location chosen was Windlflower Coorg. This quickly followed by Windflower Vythiri, Bandipur and Pondicherry.

SOM: Some of the properties that you have mentioned are world class. I believe you create magic out of nothing. What inspires you?

P.V. Giri: First of all, the location inspires me. Second, it is the support from my son Tharun Giri, who is the Managing Director. We both have travelled a lot and we see what is suitable for the location and the customs. A lot of landscaping was done by horticulturist Rukmini Devi, who did it at the Olive Garden in its earlier stages.

One decision we took was that every room should have a view, since 90 per cent come from the cities and they are used to seeing only their neighbours windows. We kept in mind the location of the guest rooms that had to be as close to nature as possible.

For example, in Pondicherry all the rooms have a view of the beach and in Coorg of the coffee plantation. This is an essential thing for the customer as he needs to relate to nature which he does not have at home.

SOM: You have said that the Hotel Industry is a high risk, capital intensive business. In spite of this, you always look cheerful and calm. What is the secret?

P.V. Giri: When we started building the Windflower we used the experience we had in the construction industry and the expertise to get furniture imported to lower the costs and we kept the cost of land low by going a little interior into the towns and cities. This gave us the advantage of effectively building resorts at low costs. A little bit of planning on all fronts and anticipating the economic situation and preparing for it also helps.

A lot of responsibility at the home front was taken care of by my wife Rukmini Giri because of my hectic travelling schedule. She brought up the children and took care of my parents. Hence, the credit also goes to her.

SOM: Mysuru has always been a tourist destination. It has always been a Smart City nearly 100 years ago as the most benevolent rulers, the Wadiyar dynasty with the welfare of the people in mind built roads, provided water, electricity and created jobs. What is it that we are lagging now?

P.V. Giri: Mysuru has only been a tourist centre and there is very little industrialisation. It could have grown more if the connection between Mysuru and Bengaluru had been given importance. This would have resulted in much more industrialisation. Hence, it is poor connectivity which has stopped Mysuru from growing.

SOM: You were a part of Mysore Agenda Task Force (MATF). What happened to that?

P.V. Giri: It was set up when S.M. Krishna was the Chief Minister. A lot of things happened. We put together a very good report as to what needs to be done in Mysuru. A huge data was supplied to the government to really improve Mysuru. Unfortunately, the MATF did not have the power to implement or execute whatever was put on paper. Now the report has gone into cold storage.

SOM: Your father, late P. Vardarajan was a very spiritual person. How much did he motivate you to take up social service activities?

P.V. Giri: He was actually the backbone for setting up three hospitals in Kesare. My son and me are continuing to support them as part of our CSR (Corporate Social Responsibility) activities. Whenever the hospital staff is in trouble, we make sure that we keep rules and regulations aside and go out of our way to support them. Both, my son Tharun and daughter Mahalakshmi, keep visiting these hospitals set up by their grandfather and it has kept them grounded.

Also, to a large extent we are a very religious family. In fact the family never steps out of the house everyday without the puja being complete. Even when I leave the house at 4 in the morning, my wife finishes the puja and only then I go out. Even my daughter-in-law Shruti Giri, who is now a Syndicate Member of University of Mysore, follows this practice and tradition.

SOM: Tharun Giri, your son who has a Hotel Management degree from Switzerland and Master’s from USA, is playing a key role in your ventures. What is the relationship like between the father and son?

P.V. Giri: The relationship when it comes to business is very professional. We make it a point to discuss issues and when there is something very important, we both drive in the same car and talk about it. Tharun has brought in a lot having worked abroad. All operations are directed by him on a day-to-day basis. We have Vice-Presidents who report to him and there are other different portfolios. But major decisions like choice of locations, or architects are jointly discussed. There is bound to be some arguments back and forth after which decisions are arrived at. But the entire team works 24X7.

We always keep thinking of ways to satisfy the palate of the customers. Take for instance the Military Counter we have introduced. For breakfast we are showcasing the non-vegetarian popular dishes like Nati Koli curry with Thatte Idli, chicken khurma with idiaappam etc. The other is the Healthy Selection: At breakfast all resorts have a healthy section consisting of vegetable shooters, a salad with leafs, sprouts and dressing, whole wheat breads with diet preserves etc. There is also the rice fish that is available in paddy fields during the harvesting time. It is shallow fried in olive oil and served with tartar sauce. Such things make a lot of difference.

SOM: What are the challenges you have faced?

P.V. Giri: Challenges have always been slow in appearing. The government has not come out with a single policy from conceptualisation to execution to operation. The number of licences, the time taken to get them are all mind-boggling. Hotel by itself is very difficult to sustain. Why should the government not come out with a policy. We have been crying hoarse about the exorbitant road tax for tourist buses and cars. If this is reduced, then tourism will definitely grow.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / July 10th, 2016

Down the memory lane : A pious and honest hotelier N. Munshilal

Rise & Fall following True Values of Life

Left: 1) N. Munshilal (died in 1970). / Right : 2) Munshilal with Gandhiji's grandson Dr. Kantilal Harilal Gandhi and his wife Saraswathi Gandhi of Kerala (standing behind) in Mysore. In the centre is the then city's popular Dr. Annajappa, Physician and on the extreme left standing is his young son Parameshwar Dayal. (Photos: Parameshwar Dayal's album)
Left: 1) N. Munshilal (died in 1970). / Right : 2) Munshilal with Gandhiji’s grandson Dr. Kantilal Harilal Gandhi and his wife Saraswathi Gandhi of Kerala (standing behind) in Mysore. In the centre is the then city’s popular Dr. Annajappa, Physician and on the extreme left standing is his young son Parameshwar Dayal. (Photos: Parameshwar Dayal’s album)

by K. Vijaya Kumar, Former Jt. Director of Information & Publicity

Migrating from UP (Bulandshahr) in mid- twenties to Mysore, late N. Munshilal at his young age of around 25 showed Mysoreans what a real hotel meant for. This is the story of a pious and honest hotelier, who founded the earliest hotel Sri Krishna Bhavan between 1925-30 (just opposite to Dufferin Clock Tower in a portion of present Visvesvaraya Building) and later adding a chain of hotels rising to great heights and going down for following true business ethics in running his hotels.

His son M. Parameshwar Dayal

Remembering late Munshilal, as his son M. Parameshwar Dayal and myself were classmates in Yuvaraja’s College in 1954-56 becoming very close friends and tasting Munshilal’s hospitality while experiencing the fatherly-love shown to me in the company of his son, how can I forget the taste of the ghee dosa personally prepared by him and fed to us on our return from the college.

Close contacts with Palace

Munshilal’s fame and the delicious pure ghee sweets brought him close to the Royal family and he became the caterer for the Palace functions and weddings. Carrying choicest sweets in big steel plates as gift during birthday celebrations to the Palace received the personal attention of Jayachamarajendra Wadiyar who liked the sweets as well as Munshilal. When the Maharaja came to know that Munshilal had to shift his hotel to give way for the construction of Visvesvaraya building, he even offers help to provide a new place for him which Munshilal politely declined, his son tells me. Who knows, if both were alive today, he would have been the caterer for the recently held Royal Wedding in the Palace !

Chain of hotels, next

Probably, the shifting of Krishna Bhavan to a new place — the present Indra Cafe Building on Sayyaji Rao Road — opened a new vista for Munshilal to establish a chain of hotels starting with Chamundeshwari Bhavan on Shivarampet Road, next to Gayatri Bhavan on Dhanvantri Road and later a hotel in Bangalore. It is interesting to know he grew to own even Rajkamal Theatre, Shivarampet, in the beginning with a partner one B.K. Gupta. He also opens a Departmental Store at that time itself.

Late Badri Prasad of Indra Bhavan Hotel and late Revati Prasad of Bombay Anand Bhavan were his contemporaries.

A Gandhian

Following Gandhiji’s ideals in life, he had close contacts with Gandhians of that time like H.C. Dasappa and others. Gandhiji’s first grandson Kantilal Harilal Gandhi was studying MBBS in Mysore and he came in contact with Munshilal, who introduced him to his physician Dr. Annajappa, a popular doctor of those times. I am told even Dr. Rajendra Prasad in his early days during a visit to Mysore had tasted the hospitality of Munshilal.

Did following ethics in his running of hotel business bring him down having reached such heights? Yes, partially, his son, my friend Parameshwar Dayal tells but more on believing and depending with good faith on his own staff, so much so one of his Managers occupies a position as partner of his father.

Parameshwar Dayal, now living in Channapatna with his wife Mithilesh and children, is doing well with his sweet stall business popularly known as Dayal Sweets. [Mobile: 94487- 40008].

e-mail: kumarkv59@gmail.com

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / July 10th, 2016

New script to save Everest

Yogi Kshatriya, owner of Everest Theatre at Fraser Town, wants to reinvent the 10,000 sq. ft. space. Photo: K. Murali Kumar
Yogi Kshatriya, owner of Everest Theatre at Fraser Town, wants to reinvent the 10,000 sq. ft. space. Photo: K. Murali Kumar

The iconic Everest Talkies could soon be repurposed from a single-screen theatre to a cultural space

It could turn out to be a David vs. Goliath story, with a modern twist. At a time when single-screen theatres are being gobbled up by multiplexes, the young proprietor of the iconic Everest Talkies, in Fraser Town, Bengaluru, has a new survival concept for his theatre.

Yogi Kshatriya (29) wants to repurpose his single-screen theatre into a cultural space. This idea that has been in “incubation” since 2015, is now taking shape. He is in talks with an interested party to begin a joint venture, which could turn the 10,000 sq.ft space, run by three generations of Kshatriyas, into a profitable enterprise next year.

His idea is simple: build a stage, but retain the screen. The space can then be thrown open to jazz jam sessions, stand-up comedy gigs, product launches, poetry readings or screenings of international films. “With proper investment on board… maybe an F&B space,” he says.

Limited choices

“When I studied in the U.K. in 2009-10, there were multiple things to do every weekend. I remember a huge warehouse, with second-hand sofas lying around; we just bought a ticket and lounged around. But here, our options are limited; we go either to a bar, pub, a café or restaurant. I want to hold events,” he says.

In spite of overhead costs cutting into profits at Everest, Mr. Kshatriya joined up with Vikalp, a network of documentary filmmakers in India, in 2014, to screen documentaries every fourth Thursday of the month at the theatre. The goal: to have a constant audience and to make the sessions interactive.

“My condition was that it should be free and an educational experience,” says Mr. Kshatriya, who studied Imaging and Communication at Goldsmiths, University of London, and is making a documentary film himself.

A donation box has been placed at the theatre entrance for contributions. After the screening, there is a Q & A session with the director or anyone associated with the film. “We now have 40 to 50 regulars who come for the viewing. This has been a test for me,” says Mr. Kshatriya, who views the screenings as the first step towards the theatre’s transition to an event hub.

Stiff competition

Two landmark single screens Tribhuvan and Kailash shut down in April in the city, and Mr. Kshatriya has been approached by big builders.

“My heart won’t let me sell it. I can’t put a lock on this iconic place. I ran around here as a child and watched the spools unwind. We still have an audience. But, just 1 km away a multiplex with six screens is about to open,” he says, ruefully.

But the show must go on… And this time next year, we could be lounging on sofas laughing at a stand-up comedian at Everest Talkies.


 

  • Yogi Kshatriya, current owner of the theatre is in talks to begin a joint venture
  • He wants to throw the space open for jazz jam sessions, stand-up gigs, among others

 



 

  • Documentaries are screened every fourth Thursday of the month at the theatre
  • Afterwards, there is a Q & A with the director or anyone associated with the film

 



 

  • Two landmark single screens Tribhuvan and Kailash shut down in April in the city
  • ‘My heart won’t let me sell it. I can’t put a lock on this iconic place’
  •  __________________________________

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Litta Jacob / Bengaluru – July 08th, 2016