Monthly Archives: January 2012

City’s NISHAT BAGH all set to become a Tourist spot

Gazebo (pavilion) also known as the Band Stand with a painted glass dome is the main attraction of Nishat Bagh.

Nishat Bagh, popularly known as Sunnada Kuppanna Park in Nazarbad in city, is all set to attract tourists, visitors and general public as the park is being renovated to make it a tourist destination.

The Bagh is yet another regal place in Mysore that is seeing hard times. Nishat Bagh — that is its original name — was conceived by the illustrious of all the Maharajas of Mysore — Krishna-raja Wadiyar IV. His visit to the Mughal garden of the same name on the sides of Dal Lake in Srinagar was his inspiration. The Maharaja wanted one such in Mysore too.

The park is an example for late King Krishnaraja Wadiyar IV’s love of parks and gardens.

Earlier, Nishat Bagh was a sprawling park, but modernisation eventually took its toll. Expansion of roads, a sewage canal, a bus stop in the corner, all chopped the park to its present size. Even then, it is a big park covering about 10 acres. Somewhere down the line, the park came be called as Kuppanna Park.

Three other parks are very close to Nishad Bagh. They are, People’s Park towards its north-west, Gandhi Vana (Horticulture / Horticultural Park) towards its south and Curzon Park towards its west. The Nishat Bagh has been encircled by hotels in ‘L-shape’ on two of its sides.

The main attraction of Nishat Bagh is the gazebo (pavilion) with a painted glass dome. This is also known as the Band Stand because the Police Band used to perform there. The painted glass dome that one sees today, used to be the old glass dome of the Palace if one is to go by the then Palace Executive Engineer H.F.Marker’s letter dated September 23, 1918.

It is learnt that the glass dome of the Band Stand was adorned with classic paintings which was redecorated by artist Srihari, the grandson of the artist who had given the classical touch earlier. The paintings on the glass dome depict mythical themes. The ornamental works for the pillar were designed by E.W. Fritchley, who also designed Lalitha Mahal Palace.

The park is now being given a face-lift. The developmental works of the park which began in the year 2009 and moving in a snail’s pace, will be completed soon. The park is being developed at a cost of Rs.100 crore from the Chief Minister’s Fund.

A rock garden, an amphitheatre, a restaurant and a musical fountain is coming up in Nishat Bagh. The developmental works of the park is taken up by B.G.E. Associates, Bangalore, at a cost of Rs.89 lakh. Trees and ornamental plants have already been planted. Works on the rock garden is going on. Walking path and stone benches have been constructed.

A musical fountain at the cost of Rs. 43 lakh has been installed and the trial run completed. Three high mast lamps have been erected to illuminate the park attractively during night. Entry fee to the park has been fixed and ticket counters constructed. The developmental works is in its last stages and the park will be opened to the public soon. Nishat Bagh, once renovated, will be the ‘Jewel in the crown’ of the heritage city, Mysore.

All attempts to reach the concerned officials over phone proved futile as those who could be contacted passed the buck to other officials who did not respond.

source: http://www.StarofMysore.com / Feature Articles / by S. Kenneth Shishir / January 16th, 2012

MCC to set up Biogas Plant with Swedish know-how

Mysore: Jan. 16:

Mysore, after gaining recognition as the country’s second cleanest city and the most sought after destination of south India by the foreign tourists, is poised to become a pollution-free city too, devoid of carbon in its atmosphere.

To attain this objective, Sweden has come forward to provide its technical know-how and funding through a Swedish private company. As the first step of this project, the Mysore City Corporation (MCC) has launched global e-tender process to launch the project on a Private Public Partnership (PPP) basis to install a bio-gas plant in the city. The project is estimated to cost Rs. 50 crore. After getting the project approved at the MCC Council, the project proposal will be sent for final approval to the State Government, MCC Commissioner K.S. Raikar told SOM recently.

A team of technical experts from Eskilstuna in Sweden will be arriving in city to identify a suitable location for the bio-gas plant, said Raikar, adding that the proj-ect needs to get the government approval before the team’s arrival. Completion time of the proj-ect is expected to be June 2012.

The gas generated from the biogas plant using all the wastes of the city will be used as fuel for the MCC vehicles and later for the KSRTC buses. Once completed, the project will be doubly beneficial to the city — the garbage will be disposed off and alternative fuel for running government vehicles will be produced.

According to statistics provided by the project’s technical officer Shanthala, about three lakh cubits of biogas can be produced from 6,600 tonnes of garbage which will be drenched in water and treated in the plant.

The biogas produced from 20 rotting banana peels can produce enough biogas for a car to run a kilometer, said Shanthala and one litre oil can be obtained from one kg of plastics. More than 1,500 units of energy can be generated from 2,500 tonnes of compost, she said.

source: http://www.StarofMysore.com / General News / by Kiran Kumar / January 16th, 2012

 

“GOKAK’S Works Depicted Creativity, Intellectuality”


Jnanpith Rangothsava : Day-5

Caption: Students viewing the library books of the eight Jnanpith awardees which was arranged by one of the lecturers of SDM College as part of Bahuroopi seminar which was held at the college yesterday.

Mysore : Jan.19:

Former Chairman of Karnataka Sahitya Academy Prof. M.H. Krishnaiah has opined that the works of Jnanpith awardee late Dr. V.K. Gokak were unique as they portrayed creativity, intellectuality and equality.

He was speaking after inaugurating a seminar on the thoughts of V.K. Gokak oragnised as part of Bahuroopi festival at SDM Women’s College in Krishnamurthypuram here yesterday.

“The play Jananayaka of Gokak very well depicted the atrocities of the then province heads and jahagirdars which seems quite relevant to today’s mining barons and politicians. Similarly the play Yuganthara clearly drove the point that happiness is not achievable through anything but is an entity to qualify one’s own contentment,” he said.

“During my tenure as the Academy Chairman, it was proposed to bring out a 16-volume collection on Gokak but it could not be accomplished. Now two volumes are ready and the rest are it the process which may be through soon,” added Prof. Krishaiah.

Prof. A.S. Jayaram, Prof. H.L. Pushpa and others presented opinions and discussed on the works of Gokak.

Gokak’s son Anil Gokak, Rangayana Director Dr. B.V. Rajaram, litterateur Prof. Chandrashekar Patil, College Principal Prof. M. Balachandre Gowda and others were present.

source: http://www.StarofMysore.com / General News / January 19th, 2012

 

‘MAASTI’ was a Writer with Humanitarian Concerns’

Jnanpith Rangothsava : Day-6

 

Caption: Dr. Hampa Nagarajaiah, President, Kuvempu Prathishtan, Koppal, speaking on Maasti Venkatesh Iyengar at the seminar organised as part of Bahuroopi at Maharaja’s College here this morning. Others seen are Maharaja’s College Principal Dr. C.B. Ramachandrappa, Dramatist Prof. H.S. Shiva Prakash and Rangayana Director Dr. B.V. Rajaram. Picture shows a section of the participants attending the seminar.

 

 

 

 

 


Mysore: Jan. 19:

Maasti Venkatesh Iyengar was a great writer with a lot of humanitarian concerns, said Dr. Hampa Nagarajaiah, President, Kuvempu Prathishtan, Koppal, here this morning.

Inaugurating the seminar on Maasti Venkatesh Iyengar as part of the 6th day’s programme of Bahuroopi National Theatre Festival at the Centenary Hall of Maharaja’s College in city, he described Maasti as a big hearted writer who loved even his critics.

Recalling the broadmindedness of Maasti, Nagarajaiah said when A.N. Krishnarao, who had critised Maasti, passed away, Maasti covered the chest portion of Krishnarao’s body to protect it from mosquitoes and flies.

Dwelling upon the nature of Venkatesh Iyengar, Hampana recalled how Maasti had reacted to Gopalakrishna Adiga’s comment during the 75th Kannada Sahitya Sammelana that he had not been paid sufficiently by saying “Becoming the President of the Sammelana itself was a big prize.”

Rangayana Director Dr. B.V. Rajaram, in his address, said that a Sahitya Sanchike will be released on the works of Maasti and lauded the services of Maasti Venkatesh Iyengar in the field of literature.

KSOU Vice-Chancellor Dr. K.S. Rangappa and Dramatist Prof. H.S. Shiva Prakash were the chief guests.

Maharaja’s College Principal Dr. C.B. Ramachandrappa, AO Latha K. Biddappa and Student Welfare Committee Chairperson Chethana were among those present.

Poet Prof. H.S. Venkatesh Murthy, Dr. N.S. Taranath and Dr. Nataraj Honavalli presented lectures on Maasti which was presided over by Kannada & Culture Jt. Director K.T. Chikkanna.

Winners: Gajendra, Vijay and Venkatesh won the first three prizes respectively in the essay writing competition on the works of Maasti Venkatesh Iyengar.

source: http://www.StarofMysore.com / General News / January 19th, 2012

 

Workshop on ‘BioEnergetics and Energy Medicine’

Mysore: Jan. 21:

Vijay Foundation and Global Alliance on Traditional Health Systems (GA-THS), Mysore have organised an introductory talk and workshop on ‘Bioenergetics and Energy Medicine to enhance our wellness’ at Rotary Centre on JLB Road in city.

A free introductory talk will be held on Jan. 23 at 6.30 pm and the workshop will be held on Jan. 24 from 10 am to 1 pm. CEOs and HODs of hospitals /nursing homes, medical practitioners, pranic healers, holistic ther-apists, yoga masters and others in related disciplines can participate.

Dr. Krishna Madappa, Co-founder, Institute for Science, Spirituality and Sustainablity, USA, Dr. T.M. Srinivasan, Dean, Sri Vivekananda Yoga Anusan-dhana Samsthana, Bangalore and Dr. B.R. Pai, Managing Trustee, Vijay Foundation, will be the speakers. For details contact, Vijay Foundation, # 429, Hebbal Industrial Area, Mysore-570026 or call Ph: 2412284.

source: http://www.StarofMysore.com / General News / January 21st, 2011

 

Seminar on Karnad

Mysore, Jan. 16

Bahuroopi Day -3

“Girish Karnad’s contribution to modern Kan-nada literature is immense and his texts captivates the readers,” said My-sore University Vice-Chancellor Prof. V.G. Talwar here this morning.

He was speaking after inaugurating the day-long seminar on “Girish Karnad’s thoughts” at JSS Women’s College, Saraswathipuram, organised as part of Bahuroopi National Theatre festival, which entered the third day today.

“Girish Karnad’s plays in Kannada have been translated into many European languages including German, Spanish, and Polish. His Hayavadana play earned widespread acclamation in Germany while his other famed play Nagamandala was received well in Australia. Apart from scripting plays, he has also acted and directed movies in Kannada and Hindi,” he pointed out and added that he had done yeoman service to the theatre while serving as Director at Pune Film Institute and also at National School of Drama (NSD), Delhi.

M. G. Sadanandaiah, Deputy Director, JSS Mahavidyapeetha’s Publication Division, who was the chief guest, said “Karnad was such a great playwright that he created reality through illusions. He was very clear in this thoughts with no ambiguity. One amongst his many specialities was to depict two faces in a single role and this can be seen in his Anjumallige play. His plays leave the audience much to think about.”

Rangayana Director Dr. B.V. Rajaram, in his keynote address, said Karnad was exposed to travelling theatre groups in his school days. Stressing the need for modern day youth to study Karnad’s works, he said his plays were refreshing, providing mental relief. Karnad’s excellence can be seen in his play Yayati in which one of the dialogue reads as ‘one can walk even in darkness. But no one can walk in the path that has no dreams,’ he pointed out and added that Karnad deserved all the awards that he has been conferred in his long career spanning 3 decades.

source: http://www.StarofMysore.com / General News / January 16th, 2012

Music Programme Marks Birth Anniversary PT. Mallikarjun Mansur

Kannada and Culture Commissioner Manu Baligar inaugurating the music programme marking the birth anniversary of late Mallikarjun Mansur at Kalamandira on Saturday. Suttur Seer Sri Shivaratri Deshikendra Swamiji, MLC Thontadarya, Priyadarshni Kulkarni, Singer Neela Kodali and others are seen.

Mysore, Jan. 16

“Late Pandit Mallikarjun Mansur was a scholar par excellence for his contribution to music with his inimitable style of infusing emotion to music,” opined Suttur Seer Sri Shivarathri Deshikendra Swamiji.

He was gracing the occasion at a music programme organised jointly by Samvahana Trust, New Edge Foundation, Pune and Department of Kannada and Culture to commemorate the birth anniversary of late Mallikarjun Mansur at Kalamandira here on Saturday.

“Mansur stole the hearts of Mysoreans by rendering the invocation at the World Kannada Sahitya Sammelan in city. He gave music a new form with passion and emotion thus carving a niche for himself in the field of Hindustani music,” the Seer said.

Inaugurating the programme, Kannada and Culture Commissioner Manu Baligar pointed out that Mansur also took Dasa Sahitya to a pinnacle to become a role model for others.

Mansur’s daughter and singer Neela Kodali, MLC Thontadarya, Samvahana Trust President D.N. Lokappa, Secretary D. Nagendrappa and others were present.

R.K. Padmanabha presented a Karnatic vocal recital, Pt. Biswajit Roy Choudhary, a Sarod programme and Priyadarshini Kulkarni, a hindustani vocal recital.

However, the audience strength was quite poor probably owing to weekend and a holiday to follow.

source: http://www.StarofMysore.com/ General News / January 16th, 2012

A medley of dazzling colours

‘Bengaluru Habba’

The Bengaluru Habba has never failed to disappoint the art and culture lovers of the City. Generally, a good mix of dance, music and drama, the habba offers something new every year. This time, the new edition to the habba was a fashion show held by Prasad Bidapa at the spacious Prince of Wales Lawn, The Taj Westend.

Despite the chilly weather, none of the guests were complaining as they enjoyed the show to the fullest. Prasad was the warm host for the evening and was all praises for

Bengaluru Habba and the people behind it.  The first round of the fashion show paid a tribute to the well-known Bangladeshi designer — Bibi Russell.

The models walked the ramp in clothes with artistic designs in shades of white, black and saffron. The showstoppers of this round wore bright saffron outfits and stood out even in the dark of the night. The second show for the evening was a bridal round sponsored by Tamanna, the wedding wear store and Neelkanth Jewellers. Called ‘Bollywood Bling’, this had several rounds showcasing the saris, ghagras and salwars of Tamanna. Rich Indian shades of red, blue and pink took everyone by storm as the female models presented gorgeous wedding wear coupled with the gleaming ear and neckpieces by Neelkanth.

The men donned dazzling sherwanis in black, gold, cream and maroon. The showstopper of ‘Bollywood Bling’ was Ninja Singh, the Ford Supermodel Of The World — India, who showcased a lovely ghagra in peacock blue.

Prasad even called Padmini Ravi and Nandini Alva, the two ladies behind the habba and thanked them personally for their efforts. “We try to innovate events in such a manner every year that the City remains interested in them. For instance, this year we have a scriptwriting and poetry workshop for aspiring writers,” said Nandini Alva. While Padmini Ravi promised, “This year we may have organised things in a hurry. But next year, we promise there will be plenty of time for you all to enjoy each show.”

The art-lovers were not left out either as a number of beautiful paintings by various popular artists from across the country were put on display at The Art Corridor. Manisha, an artist from Assam now settled in Bangalore, had showcased two of her sculptures — two faces. “Each one of us has two eyes, one nose and a mouth but all of us look different. This concept interested me and I decided to make sculptures of the same,” she explained. “It took me a day to make this and it’s a pleasure to be associated with Bengaluru Habba,” she added.

source: http://www.DeccanHerald.com / Home> Supplements> Metrolife / DHNS / January 18th, 2012

Good-old temple wedding

Nobody who’s grown up on a steady diet of Hindi films from the ’80s and ’90s can be completely immune to the romance of a temple wedding. A young runaway couple, an ancient pile of stone and exquisite sculpture, black clouds lowering in the sky, some vermilion to mark the bride as one’s own (blood will do), and a genial temple priest (actually even that’s not strictly on the list; in some cases the weddings are refreshingly DIY)…

Many young couples today are opting for exactly that – minus all the drama. They want to get married in a place that has more character and charm than a hotel ballroom can provide in a thousand years, and they are willing to brave a few logistical issues to get just such a wedding.

Take for instance the Bhoganandishwara temple. Situated on the foothills of Nandi Hills and at a very convenient distance of some 50-odd km from Bangalore, this ninth century temple is increasingly a niche wedding venue that remains a closely guarded secret among a few people. Bangaloreans who regularly drive down to Nandi Hills to get away from the city may have noticed a turn that marks the way to the temple, but few actually visit it.

The temple was built around 810AD, according to an ASI board on the premises. It has an unusual mixture of different architectural styles, including those used mainly during the Chola, Hoysala and Vijayanagara periods. Legend says the temple was commissioned by Queen Manikabbe, also known as Ratnavalli, who was the consort of the Bana King Vidhyadhara. There are three main shrines in the temple dedicated to the deities Bhoganandishwara, Arunachaleshwara and Umamaheshwara. Attached to the small shrine of Umamaheshwara is the kalyanamantapa, where most modern weddings are held. The temple is a ‘live’ one, which means besides being of considerable historic and architectural interest, it is used for actual worship.

The temple pond is a beautiful sunken structure surrounded by shallow steps that lead down to it. All around are gorgeous carved pillars, small shrines and covered awnings. There are plenty of open spaces within the temple to host a decent-sized wedding, but since there are no overnight stay options at the temple it has to be vacated by evening.

Contact: Sri Bhoganandishwara Swami Devalaya Nandigrama, Nandi Village, Chikkaballapur.

Trek and get married

The trend of choosing unusual and historic locations for weddings is catching on. Everyone wants a memorable, unusual wedding and a considerable number of people are rejecting the hotel ballroom or lawn kind of venues that are generic and have nothing unique to offer. In and around Bangalore, venues such as The Tamarind Tree, Temple Tree, Ganjam Mantapa and the Bhoganandishwara Temple are becoming more popular. Even though this temple can be considered out of the way, and doesn’t have much to offer in terms of modern conveniences, it is ideal for those who are willing to make that trek for a wedding venue that has so much beauty and character.

source: http://www.timesofindia.indiatimes.com / City> Bangalore / Home> City> Bangalore / TNN / by Shrabonti Bagchi / January 15th, 2012

Joyous celebration of diversity in unity

When Gen Y from across India congregates at Mangala Stadium here for the 17th National Youth Festival which kicks off on Thursday, they will see why chief minister D V Sadananda Gowda reposed such faith in the Dakshina Kannada district administration to pull off such a mega event. For, no stone has been left unturned to make the five-day event a grand success.

While the city wears a festive look with lights and decorations, citizens are getting ready to savour the rich cultural diversity of Karnataka as well as the rest of the country during NYF 2012, which starts with a 4-km procession at 3pm. They’ll also get a taste of India during the ceremony.

NYF, which began in 1995 as a major activity under the National Integration Camp (NIC), propagates national integration, communal harmony, brotherhood, courage and adventure among the youth. NYF 2012 has a mix of competitive, non-competitive and performances and shows and events are aimed at fostering teamwork, leadership, etc. among participants.

K Jairaj, additional chief secretary, says the state will showcase the strength of Karavali as a centre for learning, youth and a place of unity in diversity. Asked ‘Why Mangalore?’, Jairaj quipped, “Why not Mangalore?” He added, “It’s the Gateway to Karnataka. The state capital has had enough and more exposure. The last edition of NYF was at Udaipur and the same logic is at work here.”

While Udaipur NYF’s mascot was Teengur, the tiger which represented enthusiasm and excitement of youth, this festival’s mascot Yakshi conveys unity, diversity, strength, love and social nature.

It’s a fun-loving elephant sporting Yakshagana headgear. While last year’s theme was Sabse Pehle Bharat striving to generate the right attitude among the youth, the theme this year is ‘Celebrating Diversity In Unity’.

Mohan Alva, procession and stage in-charge, said the inaugural procession will be a knock-out. “Whatever Mangaloreans have heard or seen on a small scale will be amplified here. Various cultural aspects of the state like Kombu, Chende, Dholu, Huli Vesha, Keelu Kudure, Karaga Nritya, Yakshagana, both Tenkathittu and Badagathittu varieties, Veerabhadra Kunita, Aati Kalenja, Kamsale, Kalladka dolls, Kerala Chende, Kangeelu Kunita, Suggi Kunitha, Goravara kunita, Veeragase, Patada kunita, Tashe, band sets from Chitradurga, Honnavara, Alike, Daff, Mara kaalu kunita, Dudi kunita, will be part of the procession,” he said.

The procession starts from AB Shetty Circle and after traversing through the thoroughfares via KS Rao Road and PVS, it’ll reach Mangala Stadium where delegates will join in.

source: http://www.articles.timesofindia.indiatimes.com / City> Mangalore/ Home> Collections>  Cultural Diversity / TNN / by Stanley Pinto & Jaideep Shenoy / January 12th, 2012