Artistes and writers paying tributes to artist T.B. Solabakkanavar at Gotagodi in Haveri district.
Artist T.B. Solabakkanavar, who was a follower of Mahatma Gandhi, not only showed how to lead a self-reliant life through fine arts but also set an example for others to follow, Sri Fakira Siddarama Swami of Fakireshwar Samsthan Mutt, Shirahatti, has said.
He was speaking at Nudi Namana, a programme organised at the Janapada Mandir of Utsav Rock Garden at Gotagodi in Haveri district on Monday to pay tribute to artist and chairman of Karnataka Bayalata Academy T.B. Solabakkanavar who passed away recently.
The swami said that through his art works and cement sculpture and his work to promote traditional folk form, Bayalata, Solabakkanavar brought a name to North Karnataka and had left behind sculptures that convey social message. He said that apart from leading a self-reliant life through fine arts, Solabakkanavar also showed the other artists how to live for art and also make it a source of livelihood.
Artist Kariyappa Hanchinamani, writer Sankamma Sankannavar, Somaling Ulligeri, Srishail Huddar, Suata Akki, Siddappa Biradar, artist Parimala Jain, M.S. Malawad, Fakiresh Kondayi and several others recalled their association with the late artist and also spoke on his contribution.
Basavaraj, Viresh Badiger and Sharif Makapur paid a musical tribute to the artist by singing folk songs. On Monday, several political leaders, including the former Minister Rudrappa Lamani, the former MP Manjunath Kunnur, and others paid their tributes.
On Monday night, Home Minister Basavaraj Bommai met the family members of the artist and paid tributes to the artist. Mr. Bommai recalled his father’s association with Solabakkanavar and said that the same association had continued with him too.
Recalling the artist’s contribution to the field of art and folklore, he said that by establishing the Utsav Rock Garden at Gotagodi, Solabakkanavar had placed the village on the tourist map of the State permanently. He hoped that his family members would implement several projects that Solabakkanavar had envisaged. The government would extend necessary help, he added.
Director of Rock Garden Prakash Dasanur, curator Vedarani Dasanur, artist Rajaharsha Solabakkanavar and other family members were present.
source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Hubballi – November 24th, 2020
Bengaluru-based singer-songwriter Frizzell D’Souza’s début single is about a relationship on the cusp of feeling jaded
For this fourth-year student of RV College of Architecture in Bengaluru, success as a singer-songwriter was something she stumbled upon by accident.
“Growing up, my sister and I were encouraged to learn music,” says 21-year-old Frizzell D’Souza, over phone from Mangaluru. “She had piano lessons, while I learnt the violin for eight years. However, I took to the guitar and ukelele a few years ago, on my own.
“I started doing music about two-and-a-half years ago, with covers of some of my favourite artistes such as Ed Sheeran, Frank Sinatra, Michael Jackson and Eric Clapton. When Prateek Kuhad himself shared my rendition of his ‘Cold/Mess,’ it boosted my confidence and my viewership.”
Frizzell D’Souza – New (Official Lyric Video)
It was only in the thick of the lockdown, that she began meeting independent artistes online who had started going live. “Established musicians such as Ehsaan sir (of Shankar Ehsaan Loy fame) and others kept encouraging musicians to use the time to work on their own music.” That was when she began working on creating an original number.
“I did not have any real experience writing before; I’m not even much of a reader,” she admits candidly. “When I saw others trying their hand at composing lyrics, I realised I couldn’t go on singing covers forever. Writing my songs was the next step up.”
Frizzell began by writing a few lines every day and would keep honing it till she was satisfied. “When I finished ‘New,’ a few of my friends encouraged me to put it out there.”
Frizzell says that over the course of the lockdown, she not only came up with the music and lyrics for ‘New,’ but also got down to producing it. “It was pretty challenging to produce it on your own especially when you are restricted to working from home. The Urban Weaver, an artist collective, helped me with it, and they released ‘New’ in August.”
Apart from online classes for her semester, Frizzell says she has been working on her music and is set to release another single. “When I’m not drawing or drafting for class or working on my music, I do a lot of painting.”
Her next track ‘Drown Away’ is about her childhood memories of Goa and will be released shortly.
source: http://www.thehindu.com / The Hindu / Home> Entertainment>Music / by Ruth Dhanraj / November 25th, 2020
City-based singer Soundarya Jayachandran on crooning her first Hindi song for Netflix’s new show Mismatched, which also features renditions by popular names like Prateek Kuhad and Ritviz .
Soundarya Jayachandran
Bengaluru :
Fresh off its Friday release, Netflix’s new show, Mismatched, is all about teenage love and dreams, set in the scenic locales of Rajasthan. But besides winning hearts, the show – which stars Rannvijay Singha, Prajakta Kohli and Rohit Saraf – also offers an array of foot-tapping music, featuring songs by well-known names like Prateek Kuhad, Nikita Gandhi and Ritviz. Joining this lineup is city-based singer Soundarya Jayachandran, who lent her voice for the song Jaana.
Jayachandran recalls this collaboration as things just falling in place at the right time. “Nigel Rajarathnam, who has produced the song, and I had worked together previously. When he got to know that Jasleen Royal, who has written the song, was looking for a voice for the song, he got in touch with me. He felt my voice will fit the song,” says Jayachandran, who adds that the song has a mellow yet dark tune.
Mostly known for her English songs – original and covers – she does get nervous about singing in Hindi. “It’s just that I am too critical about my Hindi pronunciation. But I do love singing Hindi ballads, since I have been trained in Carnatic classical music for 10 years,” says Jayachandran, confessing that she still finds it a little difficult to write songs in Hindi.
Apart from being trained in Indian classical music, the singer, who is in her mid-twenties, is also trained in guitar from Trinity College of Music, London, and learnt western classical vocals from AR Rahman’s KM Music Conservatory in Chennai.
Jayachandran also recently launched her first album, Riding Daylight, which has 11 songs. “It’s a visual concept album where every song has an abstract video. The first song, In The Middle, is out now and on the 11th of every month, I am going to drop the other songs,” she says.
She is also working on her own firm, Catiko Productions. “It will take care of content creation, ad films, set design, etc. The last six months have been tough. Through this production house, I look forward to financial stability,” says the singer.
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Monika Monalisa / Express News Service / November 24th, 2020
From being an Army man to an entrepreneur, Captain Gopinath speaks about his life and the events that inspired the latest Suriya-starrer ‘Soorarai Pottru’.
Air Deccan founder Captain GR Gopinath (L) and Kollywood actor Suriya (Photo | PTI and YouTube Screengrab)
Bengaluru :
Captain Gopinath’s phone has not stopped buzzing with congratulatory messages ever since the release of Tamil movie Soorarai Pottru, which is based on his life and stars actor Suriya in the lead role. However, he still finds fame awkward.
While Gopinath is quite happy with the way the movie has turned out, he tells CE that Girish Karnad was the first person to convince him that his journey should be made into a movie.
“After reading my book Simply Fly: A Deccan Odyssey, he told me, ‘Captain, you have village, army, politics, helicopter, airplane… your story is so visually fascinating. It should be made into a movie’, but I was shy. He later told my wife Bharghavi too that if I am ready to give the rights, he is ready to wear the greasepaint,” laughs Gopinath, as he recalls the conversation that took place in 2017, two years before Karnad passed away.
Even when the film’s director Sudha Kongara approached him to get the rights of his book for a movie, Gopinath was still not sure.
It was when Guneet Monga, the co-producer of the movie, who has critically acclaimed movies like Gangs of Wasseypur, The Lunchbox, Masaan, Period. End of Sentence to his credit, reached out that something changed in Gopinath.
“Guneet Monga said the story held a special place for her because the first flight she ever took was Air Deccan. Then I researched her work and felt it would be good to give the rights of the movie,” says Gopinath, who was well aware that the makers would take creative liberty.
“My concern was that the message should not be lost. While there is masala, there is also meat beneath it. I am happy the message is loud and clear in the film,” emphases the 68-year-old, who shuttles between Bengaluru and his village Gorur in Hassan district, and remains busy with “writing, and mentoring inspiring entrepreneurs”.
Gopinath was also all praises for the makers for portraying the female lead as a “strong support than a subordinate”.
He says it was important to show the female lead playing his wife’s character as someone who had her own dream. “When there is a success story, there is usually a team behind it. My wife is that support for me,” adds Gopinath, whose wife still runs her bakery, Bun World Iyenger Bakery, which currently has four branches in Bengaluru, the oldest being the one in Malleswaram that was opened 25 years ago.
Talking about the scene in which Nedumaaran Rajangam (played by Suriya) asks Bommi (the wife, played by Aparna Balamurali) for financial help, Gopinath says no such thing happened in real life. “It was like a metaphor. Though I never asked for any financial help, she was my strongest support,” says Gopinath.
Thinking of a low-cost airline at a time when flying was still a luxury, he admits, was an audacious step. “One day, I was driving to my village and I came across a computer training centre, which was a new thing. It seemed like a new country, one with hungry consumers, where people had refrigerators and other electronic items displayed in their living rooms,” he says.
“It’s not always hard work and perseverance that brings success, it’s also optimism. It is important that you wake up and believe that things will work out.”
source: http://www.newindianexpress.com / The New Indian Express / Home> Entertainment> Tamil / by Monika Monalisa / Express News Service / November 23rd, 2020
Elephant expert Ajay Desai (right) with a forest guard.
He was a pioneer in the study of elephant movements using radio collar and a consultant to some State governments
Field biologist and wildlife conservation expert Ajay Adrushyappa Desai passed away in Belagavi on Thursday night. He was 62.
Family sources said he suffered a heart attack in his sleep. Mr. Desai is survived by wife and two children.
Fondly known as “Elephant Man”, he spent decades in the research of species specific behaviour of Asiatic elephants. He was a consultant to World Wildlife Fund and some State governments in resolving man-animal conflicts.
Mr. Desai’s family hailed from Konnur in Bagalkot district but had settled in Belagavi decades ago. After schooling in Belagavi, he joined the Bombay Natural History as a researcher. Mr. Desai spent years studying elephant track formation and herd leadership in Mudumalai and in Sri Lanka.
Mr. Desai was a pioneer in the study of elephant movements using radio collar. His studies included problems such as elephants entering agricultural fields and pastures. Based on scientific research, he argued that deforestation and destruction of wildlife habitations were forcing elephants to come to villages and towns seeking food and water. He advocated a holistic approach towards conserving nature and wildlife, along with forest areas. He also served as chairman of the elephant expert committee of the International Union of Conservation of Nature. “He was a wildlife photographer, scholar, and a conservation activist. But more than that, he was a great human being. His passing is a great loss to the cause of wildlife conservation,” said Jaideep Siddannanavar, wildlife photographer and a long-time friend.
‘A great loss’
Mysuru Special Correspondent reports:
Conservationists and wildlife activists described Mr. Desai’s understanding of elephant behaviour and ecology as monumental.
Sanjay Gubbi, a wildlife biologist and who along with Mr. Desai, was the member of the State Board for Wildlife said he was a true conservationist by heart and stood firm for wildlife issues.
His knowledge of elephants was unfathomable and Mr. Desai’s death was a great loss to conservation, Mr. Gubbi said.
Praveen Bhargav of Wildlife First recalled working with Mr. Desai on many committees of National Tiger Conservation Authority (NTCA) and how his explanation and analysis of animal behaviour in general and elephants in particular provided insight to other members of the committee to formulate policy measures.
He also gave a report to NTCA on the imperatives of further investment to reclaim the Srisailam Tiger Reserve which was recovering from naxalism.
Human-elephant conflict
He was also working on policy guidelines to mitigate human-elephant conflict under the National Elephant Action Plan (NEAP) which was to be submitted in due course and the conservation community had lost a great friend in his demise, said Mr. Bhargav.
source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Belagavi – November 21st, 2020
Former Planetarium director studies stone inscriptions to understand past celestial events
Bengaluru :
Looking at the stone and understanding the sky is what she does. And she is leaving no stone unturned to understand the celestial events of the past. The celestial world has always fascinated B S Shylaja. And therefore, opting for astrophysics to understand the astronomical occurrences and phenomena was not at all surprising. In 1994, she joined as an educator in Jawaharlal Nehru Planetarium, Bengaluru. Till her retirement in 2017 as the Director of Planetarium, she taught basics of astronomy and astrophysics to graduate students.
But now she is busy studying inscription stones to know how much ancient people knew about celestial occurrences and how they followed and recorded some rare and common events. Usually Indian stone inscriptions are edicts for grants and donations of land and kind to individuals or temples. The tradition of getting edicts recorded on stone can be traced back to 3rd century BCE. Stone inscriptions have been studied, translated and published right from 19th century by Indian epigraphists, British scholars and is now continued by the Archaeological Survey of India.
However, these inscriptions also provide records of eclipses, solstices and planetary conjunctions, Shylaja informs. She has studied not only Indian inscriptions but extended her studies to South and South East Asia – Cambodia, Sri Lanka, Myanmar, Nepal and Thailand. This has thrown light on many new aspects such as the evolution of calendars independently from the influence of Indian system of time measurement as early as the 3rd century BCE.
Shylaja says, “We find a wealth of information on planetary positions in a limited geographical region. The words that are used to describe vary from place to place and from time to time. It must be possible to find many more records in India and nearby countries by a detailed scrutiny. Many interesting records of planetary conjunctions are also available.” This voluminous exercise has involved scrutiny of 38,000 inscriptions from 6th to 17th century and gathering of 1,100 useful information about celestial events.
The result of her effort has led to deciphering records of solar and lunar eclipses, solstices, equinoxes and planetary conjunctions. In all these cases, the dates and timings are meticulously written down while the details on the positions of planets are also available. She has also traced Kannada inscriptions to far off regions like Myanmar. She was assisted by Geetha K G (project assistant/co-researcher) for some discoveries in 2016.
Data was sorted out using software but was not an easy task. Astro-information was hidden as an adjective or as a simile in the long texts on praise of a donor/awardee. Shylaja explains, “The event descriptions are very long, phrases are hidden, language tough with many technical terms. Simple phrases were hidden, difficult to scoop out. We undertook to scrutinize all inscriptions which require knowledge of astronomy and language command.
Our minute study has been useful in understanding observational tools and methods for eclipse predictions.” In the 2016 studies, Shylaja and Geetha mainly dealt with inscriptions found in and around Karnataka. Shylaja says, “A good number of Kannada inscriptions are found in AP, TN, Maharashtra and Goa. Many are bi-lingual. All inscriptions in Tirupati are in Kannada, Sanskrit and Telugu and at times, Tamil.
Three volumes from Tirupati cover 15-17th century — the peak period of Vijayanagar empire. During Krishnadevaraya reign, every auspicious event was used as an opportunity to offer gifts and donations.”
Most inscriptions begin with information about dates. In some, an eclipse is mentioned in the beginning of the text or at the end. The earliest stone inscription of total eclipse in 754 CE has been found in Pattadakal. In fact, European visitors learned the procedures of calculations from Indians. Records of total eclipses have made for an exciting study for Shylaja.
The mentions of totality in eclipse records have provided data for understanding the variation of the speed of rotation of earth over centuries. Now how has ‘time’ been marked on inscriptions? They are recorded as Saka Year, Samvatsara (a cycle of 60 years), lunar month, tithi (the phase of the moon) and Vara (the week day). “We see examples of the naksatra citation (each day is associated with a star, naksatra, the one closest to the moon among the 27), while in some examples, lagna, the ascendant zodiacal sign is cited, giving the time of the day,” Shylaja says.
GROUPING OF 6 PLANETS There is one prominent mention of planetary grouping in 1665 when there was a solar eclipse. This is recorded as śadgraha yóga – grouping of six planets. They are sun, moon, descending node (Kétu) considered as planet and the other three planets. This occasion was used to donate special grants called “tulāpurushadāna”, which means gold of weight equivalent to the weight of the king was disbursed. This particular record pertains to the then Mysore Maharaja.
LANGUAGES USED Languages used in earliest inscriptions are Pali, Prakrit, Nagari and Sanskrit. Subsequent ones are in Kannada, Tamil, Telugu and Persian. Earliest Kannada inscription dated back to 450 CE.
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Meera Bharadwaj / Express News Service / November 22nd, 2020
Still reliving the experience of acting alongside Alec Baldwin in his debut film, B’luru boy Rohan Gurbaxani is now looking forward to three more Hollywood releases.
Bengaluru :
Even after acting alongside big names in Hollywood, Rohan Gurbaxani feels shy when people ask him about what it means to him to be living his Hollywood dream. The Bengaluru boy, after all, has shared screen space with Alec Baldwin, Malin Akerman and Bella Thorne in Chick Fight, the action comedy that was released last week.
Ask him about acting alongside Baldwin and he says it was a “surreal” feeling, with him soaking the same excitement that any of the star’s fans would have. “This was my first film, and he has done many. But we had this common ground where he also went to NYU and one of his professors taught me too. That was a nice conversation-starter with him. I, of course, observed him a lot, and learnt from him. He was such an approachable person,” says the 23-year-old.
The newbie is now looking forward to his next film, Knuckledust, which is an action thriller releasing in December. It stars Moe Dunford and Gethin Anthony. The ball doesn’t stop rolling here. In 2021, he has two releases – RED 48, featuring John Malkovich and Tyrese Gibson; and Confession, starring Sarah Hay. Gurbaxani may be currently living the life many dream of, but for him, acting in Hollywood was never the goal. “My initial dream, since I was in Class 8, was to go to New York.
I still don’t know why I picked the city. I never even participated in plays, but it was just a far-fetched dream,” says Gurbaxani, who has a Bachelors in Fine Arts from New York University’s Tisch School of the Arts. He has also trained at the Lee Strasberg Theatre & Film Institute, Stonestreet Studios, and attended the Tisch Stanislavsky and Brecht program in Berlin.
While he continues to revel in the experience, it was not easy for him to live away from home, “in isolation”. Luckily, he says, by the third month, the shoot for RED 48 had begun. “It was an interesting experience as we underwent three Covid tests every week. By the end, I had around taken 10 tests. There were Covid supervisors on the sets,” says Gurbaxani, who was a part-time Covid supervisor as well.
He calls it unsettling to be based in two cities – New York and Bengaluru – but now Gurbaxani is back home after two years and is glad he could spend Deepavali with his family here. And the young lad is all praise for the city he grew up in.
“In Bangalore, I studied in two schools. I initially started off in a public school and then Class 8 onwards, I moved to an international school. I loved to dance and got a chance to join troupes. I don’t think my life would have been the same if any of these things had not happened,” explains Gurbaxani, who is currently also looking at projects back home.
source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Monika Monalisa / Express News Service / November 19th, 2020
Tanya’s debut pop-rock album ‘Battlefield’ is about teenage experiences
Shanker wrote a song about her mother, ‘Thank You Mum’, when she was 10. It fetched over 20,000 views within a fortnight. Tanya was elated. It was a small validation of the little girl’s talent. Four years later, she has released her first album — another significant step in her nascent career. Battlefield, released on November 14, is about the experiences and emotions that teenagers like her deal with. “The title is a metaphor for the mental chaos and conflicts,” she explains.
Tanya, understandably, is excited about releasing her début album. She started training when she was nine. “My parents were into music. So, I was inclined towards it. One of my early music teachers told me I could pursue a career in music. That is when I entertained the idea. It was crazy to see my single get 20,000 views,” she says.
Tanya now trains with her mentor-manager, Richard Andrew of Moksha Academy. “When I saw her five years ago, I felt she was talented but needed a lot of practice. She has improved a lot ever since. She is one of the few talents that gives me joy as a producer,” says Andrew.
Tanya has performed with several independent musicians, including Girish Pradhan and the Chronicles, Perfect Strangers, Carlton Braganza, and Ritwik Bhattacharya.
source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Praveen Sudevan /November 18th, 2020
Editor of Hai Bengaluru, Ravi Belagere | Photo Credit: The Hindu Photo Library
Noted journalist and Kannada writer Ravi Belagere, 62, died of a cardiac arrest in the wee hours of Friday.
Owner and editor of a Kannada tabloid Hai Bangalore, Ravi Belagere was also a novelist and translator. He also started Prarthana, a noted school in South Bengaluru.
Ravi Belagere’s tabloid was widely read for its extensive coverage of the underworld. His columns such as Love Lavike, Khaas Baat and Paapigala Lokadalli were popular. Many of them were brought out as books. Hailing from the border district of Ballari, he also translated several Telugu works.
Ravi Belagere authored over 70 books in all, many if which were best sellers.
Constantly finding himself in the middle of controversies, he was pulled up in 2017 by the Karnataka Assembly for his “defamatory writings” against Congress MLA B.M. Nagaraj and BJP MLA S.R. Viswanath. He eventually got relief by the Karnataka High Court in the case. He was also imprisoned in connection with the attempt to killing of a journalist Sunil Heggaravalli.
source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Bengaluru – November 13th, 2020
