Category Archives: Historical Links, Pre-Independence

Bangalore’s sacrifices

Peace-loving Bangaloreans even planted bombs, burnt police stations and post-offices and threw stones at the men in Khaki. When Britons used cavalry, Bangaloreans strewed ragi (millet) on the roads to make the horses trip.

Bangalore City has geared up to celebrate 60th Independence Day. Sale of the Tricolour was brisk. Manekshaw parade ground will witness a colourful march-past and cultural show by various contingents and schoolchildren. Politicians will unfurl the Indian flag, while busy bees have a holiday this week.

On this occasion, Deccan Herald dug into the past to explore the role played by the city in the freedom movement. Getting the information was a tough task. However, H Sreenivasaiah, a freedom fighter, who is a ready reckoner when it comes to giving the history of the freedom struggle, offered a lot of details to this paper.

It is amusing to imagine the ‘cosmo city’ in swadeshi mode, when khadi was the dress code (unofficial) and Vande Mataram was the hit song. Peace-loving Bangaloreans even planted bombs, burnt police stations and post-offices and threw stones at the men in Khaki. When Britons used cavalry, Bangaloreans strewed ragi (millet) on the roads to make the horses trip.

Some freedom fighters brought out underground newspapers. Interestingly, the newspaper was typed at a Commerce Institute that was right above the police station in Malleswaram and the police, unknowingly, guarded the publication office. Students used to drop the newspapers in houses after 11 pm to ensure that they were not caught by the police. Law provided for three years’ rigorous imprisonment if caught for the offence, says Sreenivasaiah, who brought out underground newspapers.

Some students, who worked in government offices as temporary clerks, stole rubber stamps from the offices to dispatch the newspaper to government offices. 
The freedom fighters also had their own underground radio station in a village near Kengeri. Some engineers, who worked at Government radio stations, had helped to set it up and operate. Mahatma Gandhi’s call for non co-operation in 1920 had received good response. Schools and factories started by British were closed.
Mr Sreenivasaiah, who is also Chairman of Karnataka Gandhi Smaraka Nidhi, recalled that National college, Basavanagudi, was started as a swadeshi college.

During Quit India Movement (1942), when most of the senior leaders were put behind the bars, students held the reins. Bangalore was no exception. Students and labourers held rallies, processions and public meetings.
Chikkalalbagh (Tulsi Tota), Bannappa Park, Malleswaram Grounds and a school compound in Ulsoor were the usual meeting places for the young feedom fighters, recalls C N Narasimhaiah, another freedom fighter.

K Hanumanthaiah, H S Doreswamy, Vasanthaiah, Kunthala, K S Krishna Iyer and many more came forward to lead the movement. Students used to gather at Central College (near the Tower) in the presence of the police and used to sing Vande Mataram and other patriotic songs. Today’s Bangalore Education Society (school in Malleswaram) was among the usual places for flag hoisting. There was a tall flag pole at today’s KSRTC Bus Station at Majestic (then Dharmambudi Tank and later Subhashnagar), says N Kasturi Rangan (Neelathahalli Kasturi), a freedom fighter.

Firings and lathi charges were common scenes during those days. Many went to jail and many sacrificed their lives. The freedom movement gained the momentum in Bangalore after the police firing at Binny Mill, killing four workers in 1926, freedom fighter M Somashekaraiah recalls.

Many leaders including Mahatma Gandhi, Sardar Patel, Acharya Kriplani, Ashok Mehta and Rajendra Prasad visited Bangalore. Mahatma had come to the city 14 times. In 1934, Mahatma Gandhi was on ‘Harijan Tour’ to mobilise funds. At Malleswaram ladies club, he just touched his ears, nose and hands, when ladies touched his feet. And, in response to it, all the ladies, removed their jewellery and donated them to him. Kumara Park was Gandhi’s prayer meeting venue and today’s Gandhi Bhavan was the place where he used to take a walk. He stayed at Nandi Hills for over two months and at Kumara Krupa Guest House for over a month.

Gandhi Jayanti was celebrated in a big way in 1942 at Bangalore and unspent Rs 125 was used for setting up Gandhi Sahitya Sangha with 25 books. It has 10,000 books on Gandhian and national literature today, Mr Sreenivasaiah says.

AT A GLANCE
According to Karnataka State gazetteer, 10 people died in police firings at City post office, Balepet circle and Cottonpet in 1942. Tippaiah (15), Appaiah (16), H R Srinivasan (16), Narayanachar or Narayana Das (35), Subbasing Ramasingh (25), Ponnuswamy (16) and four others died in the incident.

In another firing, Thimmanna Das died near Mysore Bank Square. According to freedom fighters still alive, there were many more deaths in Bangalore during the freedom struggle. But most of them were not recorded.

source: http://www.archives.deccanherald.com / Deccan Herald / Home> City> Detailed Story / Wednesday – August 15th, 2014

Anglo-Indian Heirloom Cuisine Festival at Taj-Connemara

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Chennai :

It’s an heirloom Anglo-Indian cuisine food festival at the Vivanta by Taj-Connemara, a top chef said, proudly showing a 108-year-old notebook containing recipes of a bygone era.

“The deciphering of the handwritten recipes in the notebook was the only challenge we faced while bringing back to life the dishes mentioned in it,” Arzooman Irani, executive chef at Vivanta by Taj-Whitefield Bangalore, told IANS here.

He was here to host the “Chronicles of Whitefield” Anglo-Indian food festival at Vivanta by Taj-Connemara Chennai located on the Binny Road here at The Verandah restaurant Aug 22-31.

The Made in Austria note book contains the recipes of around 120 dishes.

“It was the family recipe book handwritten by Harry Blake, one of the original settlers of Whitefield near Bangalore. The notebook was handed over to us by his granddaughter,” Irani said as he served a ginger wine.

The non-alcoholic drink surprised one with its sweetness – and the ginger flavour that followed.

What is unique about the dishes is that they are not very spicy nor are they bland. The dishes are very tasty, flavourful, mild and light on the stomach.

The only spicy item is the fried masala prawn which Blake himself has termed spicy prawn.

“The dishes are made with locally available ingredients. While Blake made his fish curry with the fish caught in the local lake/pond, the prawns came from Madras (Chennai),” Irani said.

He said the whereabouts of Blake’s granddaughter are not known as she has shifted after her husband’s demise.

“She gave us the notebook two years back. We started our work after that and launched the menu at our hotel in Whitefield recently,” Irani remarked, adding that 35 of the 120 recepies were being served.

The ginger wine was followed by mulligatawny soup – a broth made with lentils and pepper. Blake gave a fruity twist to the soup by adding finely cut apples.

For the main course, Irani offered rice varieties – coconut, tomato, cabbage – along with vegetable stew, muttonball curry, country captain chicken curry and Blake’s signature dish – Harry’s fish curry.

The vegetable stew made with coconut was different from the Kerala variety, which is spicier than Blake’s stew.

Similarly the muttonball curry and the country captain chicken curry were very flavourful and not spicy and could be safely consumed by children as well as adults.

The tasty fish curry gave out the good flavours of mustard.

“True the dishes are not very spicy. But this is how the Anglo-Indians settled in Whitefield cooked their food and ate. We also checked with other Anglo-Indian families there who said their dishes are not spicy,” Irani said.

“For the present generation, we offer an experience. It is an experience of going back into the history and tasting the dishes made during those times,” Irani said.

A meal for two, without alcohol, would cost around Rs. 3,500 including taxes, said Irani.

source: http://www.newindianexpress.com / The New Indian Express / Home> LifeStyle> Food / by IANS / August 21st, 2014

Mangalore: Searching For History

Sultan Battery
Sultan Battery

Bangalore :

The aircraft  lands on a  narrow piece of land that leads straight to a valley. And that valley was where an ill-fated aircraft had crashed a few years ago.  That is all I could think of during my descent into Mangalore. I held onto to the sides of the chair and hoped that I would live. It was a smooth landing and for once I was grateful for that sharp brake. Once out of the airport, I caught a cab and headed out to the hotel.

But I wasn’t ready for what was coming next. On steep roads, swirling down the hill was  like going down a softie curl. And then my first glimpse of the glimmering city. It looked beautiful.. laid out in front of me like a carpet of twinkling lights. I passed by a group of people – a large family with adults and children. I wondered what they were doing so far from the city at 9.30 pm, and then I saw a  plane in the distance. It made sense. With heads lifted and upturned faces, they watched the flight come closer and got their fix of the day.

And that got me thinking about Mangalore. In my first 30 minutes here, I had moved from extreme fear to delight to warm-fuzziness. It had a small-town quality that  made me wish for more.

Historically Mangalore is grand, Tipu Sultan had been here. It has had an important place in history. But what had happened to it now? Was it just another mid-sized city, now? I didn’t associate it with the grandeur of a big city or a city that had dynasties fighting for it. I associated Mangalore with crime and communal tensions, and that was all I knew about it. But surely Mangalore is much more than that.

The next morning, with just four hours before I made my way to Kasargode, the actual destination of the holiday, plans had to be remade. Maps were scrutinised and the reception lady thoroughly grilled. The plan was  finalised- the day would include Sultan Battery, the College Chapel, the Mangaladevi temple and a stop at Ideal Cafe since everyone was raving about it.

The driver of my car was not from Mangalore. He had no clue where Sultan Battery was.  He tried asking local people who didn’t seem to be very clear either, but were aggravated that  I did not know how to pronounce the word ‘battery.’

Then Google Maps came to the rescue. On the way, Mangalore refused to let me get surly by tempting me with vistas of green spaces and simple but beautiful houses.

Sultan Battery is situated on a bend along a river as it snakes through to the sea. It seemed to have a very strategic position, overlooking both sides of the river. Built by Tipu Sultan, this was a watch-tower to see if anyone was crossing the river and coming over with dark intentions.

Built with black basalt rocks, with viewing holes lining the entire wall, the structure seemed almost too simple in today’s complex understanding of war and defence. But then you put on the perspective of more than 200 years ago, and it seems that the location was indeed perfect for the purpose.

With every dynasty’s uprise, there is growth and also destruction of legacies. Legend has it that the rocks used to build this watchtower could have come from places of worship though no one knows for sure.

There were a few ships next to the river and we decided to go and take a look. It was a ship-building yard. It took them three months of hard work to make just one ship and then she took off, to prove herself worthy of the toil.

I watched the imposing Vajralaxmi enter the water for the first time in awe. Though there were some other ships  too that looked gorgeous. Funnily these ships looked battle weary even though they were all brand new. These were meant to serve as fishing trawlers and were not built to be gleaming and swanky.

I left Sultan Battery and  made my way to the College Chapel. Again, no one knew where it was, and even Google seemed flummoxed this time.

It took me around 20 minutes to find a person  who could give me directions. Important note to self: don’t call a chapel just a ‘chapel’, when it’s called ‘College Chapel’.

I got to go on a lovely personal tour courtesy the person-in-charge. The entire place is painted beautifully, and when I say entire… I mean every inch! What looks like marble at first glance is not, it’s art. What seems like a painting on a curtain and hanging on the wall, is also a painting.  The  illusions go on and on.

It was time for lunch and stomachs were grumbling all around. And so the next destination was Ideal Cafe! The food was okay, nothing exceptional but it was definitely the coolest restaurant in Mangalore and everyone with some time to spare seemed to be there.

The filter coffee that everyone praised was not that great. It had a rough, burnt taste with some of the coffee residue at the base. They say that’s how Turkish coffee tastes, so there might be some who like it.

But if you are someone with a sweet tooth, skip a meal to just have  ice-cream at Ideal Café. It was simply fabulous.

The last stop in Mangalore was the Mangaladevi temple. This is the temple that Mangalore is named after, so it had to be seen. A large temple, it was quiet and peaceful all the more as it was shut for the afternoon. We weren’t allowed inside as the Gods were sleeping and so we were asked not to disturb them.

Mangalore was quaint. A neat and clean city that still seems enveloped in the past and happily so, given the rapidly changing face of every city in the country. I wouldn’t say it surprised me, but it didn’t disappoint. It was small, roads were relatively peaceful and the streets were still lined with houses exuding old-world charm.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Mangalore / by Bhavani Blogs / August 21st, 2014

Kamalamma Sharada Prasad passes away

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Mysore :

Kamalamma Sharada Prasad (92), freedom fighter and wife of veteran journalist and Information Adviser to Mrs. Indira Gandhi and two other Prime Ministers, late H.Y. Sharada Prasad, passed away at a private hospital in New Delhi on Aug. 11 at 6.30 am.

A resident of Paschima Vihar in Delhi, she leaves behind two sons — Ravi Prasad, a Freelance Journalist (Defence) and Sanjeeva Prasad, Professor at IIT, Delhi.

According to H.Y. Mohan Ram, younger brother of Sharada Prasad who too resides in Delhi, many VIPs including Rahul Gandhi (AICC Vice-President), Kapila Vatsyayan (scholar of classical dance) and Sanjya Baru (political commentator) paid their last respects to Kamalamma.

Cremation took place the same day at 3 pm at the crematorium on Lodhi Road, Delhi.

Hailing from Mysore, Kamalamma had participated and was arrested in the Quit India movement of 1942. She was an official interpreter at the Mahatma Gandhi murder trial in 1948.

Kamalamma moved to Delhi in 1957, after marrying her college mate Sharada Prasad.

Speaking to SOM, their family friend Ratna Satyan, wife of noted photo-jounrnalist late T.S. Satyan and a resident of Saraswathipuram in city, said that T.S. Satyan and Sharada Prasad were close associates for over six decades since their college days at Maharaja’s College in Mysore where Kamalamma met her life partner and also while in Delhi. Whenever Sharada Prasad was in Mysore he used to call on the Satyans.

Late Satyan’s daughter Kalpana and son-in-law Gowtham Murthy, who reside in Delhi, too attended the funeral of Kamalamma.

Sharada Prasad’s younger sister Neeraja Achuta Rao, a vocalist, resides at Jayanagar in Mysore.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / August 13th, 2014

Adivasis captivate audience with traditional dances

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Mysore :

As part of ‘Anantha Yatre’ to commemorate the International Day of World Indigenous People, Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS) has organised a four-day cultural programme presented by Adivasis from various parts of the country which commenced at the Platinum Jubilee Hall at JK Grounds here yesterday.

Tribal artistes from 11 States had converged to exhibit their talents in a true cultural exchange programme.

The programme began with ‘Pooja Kunita’ presented by Krishnegowda and troupe from Pandavapura with excellent synchronisation to the beating of percussion instruments.

Naga tribe from Nagaland presented ‘War Dance’ with the warriors celebrating the victory which was eye-catching.

Tribals from Telangana presented a traditional ‘Gousadi’ dance in special costumes.

Young adivasis from Manipur and Arunachal Pradesh presented ‘Thogal Jagoy’ and ‘Siyomi’ dances respectively which captivated the audience.

It was a unique programme where the audience had the opportunity to enjoy a cultural extravaganza from across the country.

The cultural programmes by the tribal and folk artistes of Andhra Pradesh, Karnataka, Kerala and North Eastern States will be held everyday from 6 pm onwards at MMCAA auditorium in J.K. Grounds till Aug. 13.

Also, the workshop- cum-Demonstration on Tribal/Folk paintings of India that commenced on Aug. 9 at IGRMS, Southern Regional Centre (SRC), Wellington House on Irwin Road in city, will be held everyday between 10 am and 5.30 pm till Aug. 13.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / August 11th, 2014

The tale of two Palaces

Pages from History

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by Prof. A.V. Narasimha Murthy

Mysore is famous for Palaces. In fact it is famous all over the world as a city of palaces because it was ruled by the Maharajas for the past five hundred years, until it was merged with the Indian Republic. The institution of the Maharajas has practically become extinct and those that survived could not maintain themselves in royal splendour for lack of resources. Even during the days of the British rule in India, the Maharajas of Mysore were recognised as such and British gave them special respect. Even Mahatma Gandhiji had openly praised the Maharaja Krishnaraja Wadiyar IV and called him ‘Rajarshi’ (saintly King). All these were responsible for the construction of palaces in Mysore. In fact, the tourists flock our city and their main agenda is to visit Mysore Palace. Two years ago there was a news item according to which the number of visitors to Mysore Palace outnumbered the visitors to the Taj Mahal. In this connection we should congratulate the Mysore Palace Board authorities in general and

its Deputy Director T.S. Subrahmanya who have been keeping the palace in an immaculate manner and providing good amenities to the tourists. These comments apply to smaller palaces like Jaganmohan Palace and Lalitha Mahal Palace.

Jaganmohan Palace as its name itself signifies is an elegant and majestic building in Mysore. It was originally built during the rule of Krishnaraja Wadiyar III, sometime in 1860. When there was an accidental fire at Mysore Palace, this was used as a Palace by the Maharaja, and all important functions took place here. It also served as a Durbar hall till the completion of the Palace in 1910. Installation of His Highness the Maharaja took place here and it was graced by Lord Curzon, the Governor General and Viceroy of India.

Later in 1900, a spacious and ornamental Pavilion was added to the then existing Jaganmohan Palace. It was specially designed for the invitees to witness the marriages and birthdays. Basically, it has a long hall and an elevated platform. The long hall has two balconies on both sides so that the royal ladies could watch the functions. Thus, most important family functions of the Maharaja took place here. Mysore Representative Assembly also met here. Mysore University Convocations also took place here for some years. I remember my uncle going to the Jaganmohan Palace for taking his degree at the convocation, almost 70 years ago. Maharaja who was the Chancellor of the University used to go to the Jaganmohan Palace in a ceremonial procession and people used to watch the procession, standing on both sides of the road.

In course of time, when the Mysore Palace became the place of residence of royalty, Jaganmohan Palace lost its royal touch. It was converted into an art gallery. The three-storeyed structure behind the main hall is a fine repository of paintings, sculptures, musical instruments and other artefacts connected with the Mysore Royal family. The real attraction is the painting section. These excellent and rare paintings include those of Raja Ravivarma, Ramavarma and also some European artists. The painting of great artist Roerich is also available here. Particularly, interesting paintings are those giving the genealogy of the Mysore Maharajas. Thus, Jaganmohan Palace is a must for all visitors to Mysore.

The greatest attraction of the Jaganmohan Palace is its frontal façade, which is majestic befitting a royal structure. Its stucco ornamentation is excellent specimen of stucco art of the period, which has practically become extinct. The broad doors in keeping with the tall façade adds majesty to the frontal portion. The stucco domes and the minarets at the four corners are highly pleasing. The central part has a vimana-like tower with minarets culminating in a broad Kalasha. The chaitya-like niches at the minarets are very elegant. In keeping with the beauty of a huge building, a vast enclosure with a garden and shady trees add gorgeousness to the Palace. In recent years this has become a great tourist attraction. Now-a-days, most of the important functions, music, drama and even religious discourses take place here. I vividly remember that Mysore Kendra of the Bharatiya Vidya Bhavan had arranged discourses on Ramayana and Mahabharata by Mathoor Krishnamurthy at this Palace for months together. T

hus, the excellent ambience of this palace makes it suitable for conducting important cultural events here. The Maharajas are gone but their creations remain forever.

Lalitha Mahal Palace is one of the most beautiful and magnificent heritage buildings not only in Mysore but in entire Karnataka. Mysore being a princely State under the British, many distinguished foreign dignitaries used to visit Mysore and stay in Mysore Palace itself. Though it was a palace, it was not suitable for the stay of foreign visitors because of the entirely ancient Indian atmosphere and conveniences such as toilet, bathrooms, etc. This defect was realised by the Maharaja Krishnaraja Wadiyar IV and he thought of building a Palace exclusively for foreign guests where they would be more comfortable and at home. Naturally, he thought of an European classical building model rather than a Hindu Palace of traditional type.

Immediately, the Maharaja commissioned a famous foreign architect by name E.W. Fritchley. He selected a spacious site near the foot of the Chamundi hill and the building was completed in 1931, under the close supervision of Maharaja himself, at a cost of Rs. 13 lakh.

This building is a majestic two-storeyed magnificent structure built in European style with elements of Roman, Greek, Gothic, Renaissance, Italian, Hindu and Sarcenic styles. Both floors have twin ionic columns, eight on either side of the main entrance which give the advantage of height. The upper portion is specially noteworthy. It has two-tier, four domes on all the four corners and one at the middle. However, the most beautiful is the central one which has three tiers and is above the entrance of the building. Actually, it is at a great height and dominates the entire area including the elevation. The smaller minaret-like domes at the peripheries add special elegance to the top of the building. The portico in the centre of the building which is surrounded by pillars gives a unique experience to a visitor when he is received there.

Though planned by a foreigner, the craftsmen were all local people who were experts in stone, stucco, marble and wood work. This is evident from the richly laid decorative motifs on walls and ceilings. The imported tiles and fixtures specially brought from England add a foreign touch. As a tourist exclaimed, the fixtures themselves could cost a fortune.

As soon as one enters into the interior of the building, Italian marble balustraded staircase welcomes the visitor. It branches off to right and left to reach the first floor. Thus, from top to bottom and from one end to another, it is an epitome of royalty. Even foreign guests are amazed at this dream-like beauty. Before closing this, I should share with my readers, the joy I had when I had the good fortune of staying here. It was some years ago when a seminar took place in Mysore and I was one of the speakers on epigraphy in that seminar. All the participants were accommodated at Lalitha Mahal and I was also given a suite. I stayed in the hotel for three days. More than the items of food, one would be enchanted by the silver plates, cups and saucers, spoons and the royal furniture and above all the royal ambience. That is the charm of Lalitha Mahal. Whenever, I delivered a lecture to foreign tourists, I used to mention that it was the creation of Maharaja Krishnaraja Wadiyar IV and the tourists would admire him for his forethought.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / August 10th, 2014

Leaving home on the last train from Pak

Wg Cdr (retd) Dinesh Kumar was 10 when he and his family left Pakistan on August 14 and reached India on her first Independence Day. He reminisces about his childhood in Pakistan, events that led to the exodus and the journey on the last train to India.

Ramzan and Diwali My memories of childhood in Pakistan were of communal harmony.I was born to Punjabi parents in Multan, Pakistan, on February 17, 1937. My three siblings and I went to a madrasa, my older brother was at a missionary school in Dehradun. Childhood was fun times in school, sitting next to my best friend Rehman.

I would carry a chair for my teacher to watch the Ram Lila play. During Ramzan, my mother never cooked because our neighbours would send us biryani. On Diwali, we gave them sweets and savouries.

The first sign It was Holi in March 1947. The elders spoke about how Jinnah had asked for a separate Pakistan. Usually, everybody would play with coloured water.

But that March, a few unruly elements started attacking Hindu families on the streets and in their homes. They said our property was now theirs. My father’s friend wired the doorway so anybody trying to break in would be electrocuted. We’d splash them with hot water mixed with chilli powder from our terraces.

My father worked for the Railways and was given a `curfew pass’ so we could go out and buy groceries whenever curfew was relaxed. Things were bad on the oth er side of the border too, and Muslim fam ilies began leaving India. We were asked whether we wanted to leave or stay. It was a very hard decision for my parents to leave Multan.

Across the border at midnight The exodus had started, and trains from either side of the border were overloaded with `refugees’. Since my father was in the Railways, our family got a compartment.

We shared it with a Muslim family mov, ing to India. Nobody spoke. Fear and un certainty was palpable.

We boarded the train around 11am on August 14 and reached Karachi at 8pm. As the train started moving, many tried to get in but were either pushed off or fell off. A boulder crashed into our bogie, we saw houses razed to the ground and thick plumes of smoke. An entire train was in flames, probably bombed by an aircraft.

We huddled together.

Sometime in the middle of the night, my father whispered, “I think we’ve crossed the border.” The Muslim family now cowered in fear. Why did we have to divide?

I was too young, so it didn’t affect me the way it did my parents. Fortunately, my father had a job. I joined the National Defence Academy at 15, and later the Indian Air Force. My broth er joined the Indian Army. At 77, I’m a counsellor and marathoner. I’ve made Bangalore home for more than 40 years.

As neighbours, we will continue to fight.

But why did we have to divide? This will be the regret of all those who’ve gone through Partition. NO TIME FOR GOODBYE I t’s still vivid in my mind. My father came home one day and said many Hindu families were leaving and we should too. The last train was leaving from Lahore to Ludhiana in Indian Punjab on August 14, when Pakistan would be declared an independent country.

We had to board the train to Lahore, and had time to pack just a small bag with a few clothes and essentials. My mother took some jewellery. We took the tonga to the railway station, leaving behind our house, property, family photographs, heirlooms, legal documents, birth certificates… to start a new life in a new country.

(Wg Cdr (rtd) Dinesh Kumar lives with his wife in Rajajinagar. His two sons and grandkids live in Bangalore too)

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Bangalore / by Leena Mudbidri, TNN / August 14th, 2014

Devaraja market : A Royal Legacy

The must visit tourist destination cries for restoration

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by S.N. Venkatnag Sobers

Following the list of the heritage sites in Mysore city is the Majestic Devaraja Market, a product of visionary Nalwadi Krishnaraja Wadiyar. Devaraja Market popularly known ‘Dodda Market’ in Mysore was constructed in the year 1900. Though, the construction was started in the year 1900, it was developed stage by stage over the years.

The market was named after the late Devaraja, one among the 25 Kings of Mysore, who was instrumental in constructing steps to the Chamundi Hills and also installation of Nandi Statue atop the hill. Devaraja Market has been built using Wattle (a composite building material used for making walls with wood and mud) and each of the walls at the market is of 13 inches. There are around 700 to 800 shops in the market which have been a major source of income to vendors. It has four entrance points two on the Sayyaji Rao Road, one each from Dhanvanthri Road and opposite to Dufferin Clock Tower.

It is also said that a small market was functioning at place during the rule of Tippu Sultan which was later developed into a market. Devaraja Market, which is now around 114 years old, is a place where all kinds of items are sold.

The vision of Nalwadi Krishnaraja Wadiyar was such that the market was divided into various divisions with separate sections for selling flowers, vegetables, fruits, coconut, puja materials, Onion and Potato, Jaggery, Puffed Rice and others. This was one of the unique markets in the then Mysore State.

According to historians, the first class of 1st batch of Mysore Medical College (MMC) was held at Devaraja Market premises. The building also housed Devaraja Police Station and Railway Office of Mysore State. At the time when Sir Mirza Ismail was the Dewan of Mysore, Devaraja Market hosted annual fair which was held continuously for 30 years.

Unfortunately, the Mysore City Corporation (MCC) has failed to maintain the heritage structure which has contributed for the dilapidation of the building. There was a major fire accident in 2005 which ravaged 18 shops. The vendors have been requesting the authorities to take up repair works as they fear that the ancient structure might collapse like it happened with Lansdowne Building.

Though the authorities have been informing about the plan to restore Devaraja Market, nothing has been executed so far. There have been several inspections made by officials but no solid solution yet.

Now, after several agitations and discussions, Rs. 10 cr has been allotted for restoration of Devaraja Market in CM’s special grant of Rs. 100 cr to Mysore, said former Deputy Mayor and Area Corporator M.J. Ravikumar, speaking to Star of Mysore.

He said that the market will have all modern facilities and would be restored keeping the heritage structure in mind. “Heritage Street Lamps will be installed at various places in the market to give it a heritage look. This apart, the vendors at the market will be re-allotted their shops after the renovation works are completed,” he said.

According to sources, the Mysore City Corporation (MCC) has sent a detailed project report on the restoration of the Devaraja Market to the State Government which has been cleared.

Sources added that the works would be taken up only after Dasara festivities and would be completed as soon as possible. With the Devaraja Market crying to be restored, the officials need to speed up the process to retain the heritage structure.

Boti Bazaar: There have been constant complaints about garbage being dumped near the Devaraja Market by the meat vendors of ‘Boti Bazaar,’ which is located adjacent to the main Devaraja Market. Tonnes of meat is sold every day in the market, but steps have not been taken to dispose the waste scientifically.

For people commuting on the road, it has become difficult as the waste is dumped on the roadside. Though, the MCC has been clearing the waste on a daily basis, much more has to be done to provide healthy and hygienic environment around the market.

There are around 100 meat stalls in the newly constructed meat market, but the authorities have not taken measures to prevent the meat being exposed to street dogs. It is also a favourite place for the rodents which are seen moving around freely inside the market.

The market is a source of daily bread to around 150 people who work in the meat market. Earlier, these shops were functioning outside the newly-constructed market, as the MCC has vacated them after having promised to construct a new market area. Few of the vendors had also filed a case against the Mysore City Corporation against allotment of shops through tender process.

The new meat market is constructed at a cost of Rs. 1 crore and was inaugurated on April, 2012. With meat vendors not agreeing to the terms and conditions of the Mysore City Corporation, the newly-constructed building had been laying vacant since one year.

It was only recently that the problems related to the allotment of the shops had been settled and vendors decided to shift inside the new meat market. But, still there are a few vendors who continue to operate outside the market.

Market needs to be upgraded and most importantly there is a need for the City Corporation to initiate measures for maintaining hygienic environment in and around the market

source: http://www.starofmysore.com / Star of Mysore / Home> General News / August 09th, 2014

Restore the glory of Jaganmohan Palace

JaganMohanPalaceBF11aug2014

by Vasanthkumar

Mysoremath

Recently, I attended a function at the auditorium of Jaganmohan Palace and was shocked to find that the famous heritage structure is almost crumbling into bits and pieces. Found even the famous art gallery that holds invaluable heritage artifacts, paintings, etc. badly maintained.

Jaganmohan Palace is one of the seven grand palaces of the former Maharajas of Mysore. It was completed in 1861 and was initially used by the Kings of Mysore as their home (when the present majestic Amba Vilas Palace was under construction after the old wooden palace turned into ashes owing to a fire accident). Jaganmohan Palace then became an alternate retreat for the royal family. It is now known as Sri Jayachamarajendra Art Gallery with a function hall. Nalvadi Krishnaraja Wadiyar, the IV Scion, was installed to the Mysore throne, in a ceremony held inside the Jaganmohan Palace. The Palace was used for his daily Durbar by the king and also the special Dasara durbar. The first session of the Legislative Council was held in Jaganmohan Palace and was presided over by Dewan Poornaiah (the then Prime Minister of the State).

Later, Sri Jayachamarajendra Wadiyar converted the Palace into a trust and opened it for public viewing; in 1955, it was converted as an Art Gallery and was named as Sri Jayachamarajendra Art Gallery.

Incidentally, it is reported that the Bungalow at Yelandur in which Dewan Poornaiah and his family resided has been taken on lease for 33 years and is being developed as a memorial-cum-museum and a park is being developed around the house at a cost of more than Rs.178 lakh (SOM dated July 26).

While this is a welcome move by the State Government, the existing famous heritage Jaganmohan Palace that should have been a showpiece and tourist attraction is very badly maintained. The interiors of the Art Gallery are ill-maintained, invaluable artifacts are gathering dust, paintings are unprotected and are exposed to dust, heat and light; murals on the walls have been damaged due to water seepage, humid condition and poor lighting are robbing the originality and there is utter neglect in maintaining the very structure of the gallery.

The well designed and spacious auditorium is leaking, a lot of waste material is dumped in the first floor with full of dust and grime, window panes that once contained artistic glasses are broken, the roof of either sides of the central hall are full of holes and leaking, the stage is unkempt and there is an air of unhealthiness as one enters the hall.

Vacant premises in and around the Palace is badly maintained, being exploited as a commercial space for parking of visitors vehicles, uncontrolled littering and the entire area is an apology for a park; surrounding vacant space is being misused even as urinals for the thousands of visitors who visit the famous heritage structure.

There is an urgent need to restore the Jaganmohan Palace to its original glory by attending to maintenance aspects of Art Gallery, its priceless artifacts, restoration of paintings, murals etc., by competent team, and proper repairs and periodical maintenance of this beautiful auditorium structure and such other similar heritage structures in Mysore City, under proper supervision. This negligent attitude of all concerned in maintaining this priceless gallery and the Jaganmohan Palace may be brought to national attention so that it may be handed over to a more competent restoration team and management.

In addition, the presence of century old paintings in the art gallery must also be brought to the notice of UNESCO, if not already done, so that the issue can be taken up seriously for gaining international recognition and proper maintenance/upkeep under proper supervision.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / August 05th, 2014

Cirlcle in memory of Dr. H.C. Vishnumurthy

The 8 ft. tall stone sculpture spreads message of oneness; Former CAVA student designs art work

(Top Left ) Stone brought from Sadarahalli being lowered at the circle in Nazarbad. (Top Right) The sketch drawn on the stone for carving the sculpture. (Bottom)  The sculpture that symbolises 'Welcoming all' to spread the message of oneness.
(Top Left ) Stone brought from Sadarahalli being lowered at the circle in Nazarbad.
(Top Right)
The sketch drawn on the stone for carving the sculpture.
(Bottom)
The sculpture that symbolises ‘Welcoming all’ to spread the message of oneness.

Mysore :

A stone sculpture spreading the message “We are all one” has come up in Nazarbad making it as one of the attractive circles in city.

Mysore, known as the Cultural Capital and Heritage City, has added another artistic circle spreading the message of oneness.

The circle is named after late Dr. H.C. Vishnumurthy, Founder of Gopala Gowda Shanthaveri Memorial Hospital, who was also a writer, thinker and a social reformer.

Former MLC D. Madegowda had urged the MCC to name a circle or a road in the surroundings of the Hospital after Dr. Vishnumurthy and the MCC during a meeting decided to name the new circle opposite Ginger Hotel in Nazarbad after Dr. Vishnumurthy.

K. Lokesh, a BFA graduate in Graphic Designing from CAVA and a resident of Kuvempunagar in city, designed the art work. Speaking to SOM, he said that it was decided to install an unique stone sculpture at the circle as the family members of Dr. Vishnumurthy had told him that the sculpture should spread the message of oneness to the public.

According to their instructions, he created a design and showed it to them which they accepted. He further said that a 10 ft. height stone which was six feet wide and weighing nine tonnes was brought from Sadarahalli to the city and sculptor Roopesh with the help of two other artists created the sculpture in 25 days.

The sculpture is now 6 ft. tall, five feet wide in the bottom and three feet wide on the top with a carving of a human spreading the hands etched into the stone. “The open hands symbolises welcoming everyone and is a abstract work,” said Lokesh.

The MCC wanted a statue of Dr. Vishnumurthy to be installed but Dr. Rekha, wife of late Dr. Vishnumurthy and family members did not want that. Instead, they requested the MCC to install a artistic sculpture spreading the message of oneness in society. They also wanted an artistic sculpture as it went with the idea of Mysore being a cultural city.

Interestingly, the family also told the MCC that since there is water scarcity, the circle be developed as a dry one by using pebbles to decorate the circle instead of plants.

Dr. H.V. Santhrupth, son of late Dr. Vishnumurthy, speaking to SOM, said that he was grateful that the MCC and Mysoreans had acknowledged the contribution of his father to health care, education and literature. He said he was also thankful that the MCC agreed to his family’s request not to install a statue or bust of his father and instead have put a artistic sculpture.

Dr. Santhrupth also added that it was time the MCC created circles that were artistic and added ” It not only encourages artists, but also become a taking point among tourists and Mysoreans. It will also promotes Mysore’s image as an cultural and heritage city.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / August 05th, 2014