Yearly Archives: 2015

This Hubballi bizman has been slacking thirst since ’83

Hubballi :

Summer has just started and temperature in North Karnataka is nearing 40 degree celsius. With untimely rain failing to provide any relief, 68-year-old businessman C N Desai has come to the rescue of citizens in Hubballi to beat the heat.

Since March 1, Desai has been providing mineral water in the stall he has set up outside his shop near the busy swimming pool complex. Desai claims that he has been serving drinking water during summer since 1983.

“Once I saw kids drinking water from a street tap. Water flow suddenly stopped and the kids returned thirsty. This incident inspired me to start the drinking water service. I used to serve tap water for some years. Now, I buy mineral water cans,” says Desai.

Chandrashekar Tegginamani, a teacher in Adargunchi village, said his Hubballi visit is incomplete without visiting the Desai’s water stall. “I have been drinking water here for the past 15 years,” he said.

“More than 200 people drink water here everyday. Now we buy 10 water cans daily. In April, it is 15. Though the MRP is Rs 50/bottle, suppliers take only Rs 40 from us. We never compromise on hygiene as glasses and tables in the stall are cleaned regularly,” says Kallappa, who works in Desai’s shop. He has also been sending money to PM and CM’s relief fund.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Hubballi / by Sangamesh Menasinakai, TNN / March 21st, 2015

KSRTC Receives Two Awards for Its Projects

Bengaluru :

State-run transport utility KSRTC has bagged two awards at the annual ASRTU (Association of State Road Transport Undertakings) National Public Transport Innovation Awards in Gujarat.

The awards, announced at the 59th annual conference of STU recently, were in recognition of two KSRTC projects.

One of the project is a staff duty rota system which helps in leave management and duty assignments of 37,831 employees.

“Allocation of duty and leave management is very critical and this project ensures removal of manual process, brings transparency and eradicates corruption,” a statement from KSRTC said.  The other project was the move towards increased usage of alternative fuels in KSRTC buses. “Fuel blending, clean development mechanism project, surprise and regular emission checks, afforestation, solar lighting, water recycling, rain water harvesting and new technology adoption are some of the  programmes run by KSRTC,” the statement said.

KSRTC managing director Rajender Kumar Kataria received the awards. ASRTU consists of 62 members from various states.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / March 17th, 2015

Tulu drama, cinema artiste K.N. Tailor passes away

Tulu dramatist, cine actor and director, K.N. Tailor passed away this morning in Mangaluru. Photo: Special Arrangement.
Tulu dramatist, cine actor and director, K.N. Tailor passed away this morning in Mangaluru. Photo: Special Arrangement.

Noted Tulu drama and cinema artiste and director, K.N. Tailor died at a private hospital here at about 9 a.m. on Wednesday. He was 75 and is survived by his wife Jayanthi, three daughters and a son.

He was ailing for sometime.

He has acted, produced and directed more than 10 Tulu cinemas and wrote scripts for about 20 Tulu dramas.

Tulu art director Tamma Lakshmana told The Hindu that late Mr. Tailor was the founder of Tulu cinema. He first produced the Tulu film “Dareda Budedi” in 1971. He produced and played double characters in “Saviradorthi Savithri”. The cinema “Bhagyavanthedi” in which he played a major character was a hit. He directed “Tulunada Siri” cinema for others. Mr. Tailor had acted in other cinemas like “Bisatti Babu”, “Pagetta Puge”.

He produced another cinema called “Aaer Maltina Tappu”.

Mr. Lakshmana said that Mr. Tailor was the first to take his Ganesh Nataka Sabha to various places within and outside Karnataka.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Mangaluru / by RaviPrasad Kamila / Mangaluru – March 18th, 2015

Star this week : Ranji Champ : H.S. Sharath

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Cricket is a very popular game in our country and after the exploits of the Indian team which has been doing well in the International scene, many youngsters have taken up cricket as their career. Mysuru also has its share of producing talented cricketers who have gone on to represent the country. On these lines is Mandya-born speedster H.S. Sharath who recently was part of the triumphant Karnataka team which won the Ranji Trophy for the second year in succession. Karnataka won the Ranji title with a innings and 217-runs win over Tamil Nadu at the Wankhede Stadium at Mumbai on Thursday. Sharath played his role with figures of 1/17 & 1/77 against Tamil Nadu and helped his team retain the coveted Ranji Trophy. He is our ‘Star This Week.’

Sharath, a right-hand medim-pacer and right-hand batsman, combined well with skipper R. Vinay Kumar, A. Mithun and S. Aravind to bowl out Tamil Nadu for a low first innings score of 134. He returned with figures of 15-6-17-1 in the first innings and in the second innings had figures of 20-4-77-1. He played three Ranji Trophy games for Karnataka this season and with four wickets, is an important member in the Karnataka team and has played his part in his team’s eighth Ranji title triumph.

Sharath came into the limelight when he won ‘Man of the Match’ award with his excellent eight wicket haul against Mumbai (five for 57 & three for 12) at the Chinnaswamy Stadium in December 2013, which helped Karnataka to score a historic win in the Ranji Trophy Elite Group ‘A’ tie against Mumbai at home after 22 years.

Sharath comes from a modest background, he started his cricket in Mandya seven years ago. He joined Vidyaranya Cricket Club and excelled in the KSCA Mysore Zonal league.

Helped and guided by his coach Mahadev, Sharath learnt the finer aspects of fast bowling and made his Ranji debut against UP at Meerut in November 2012.

He emerged as the highest wicket taker for Karnataka in 2013 with 24 wickets from seven matches. With 68 wickets already in Ranji trophy in 21 matches, Sharath is one of the main-stay in Karnataka’s battery of fast bowlers.

Sharath owes a lot to his father Shivalingaiah, who has sacrificed a lot for molding him into a fine cricketer. Helped by his Club Secretary Nagesh and KSCA Mysuru Zone, Sharath aims to do well in the days to come. Presently employed with State Bank of Mysuru, Bengaluru, he visits MRF Pace Foundation in Chennai for a three month period and trains under the legendary Australian fast bowler Glen McGrath.

The 6 foot 3 inch speedster and 21-year-old Sharath has the talent in him to go to the next higher grade.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports News / March 15th, 2015

Shimmying: Her way to glory

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by Ritika Gupta

Payal Gupta from Bengaluru has carved a niche for herself as an international belly dancer. Recently, she won a prize at the ‘Belly Dancer of the World’ in Germany. Star of Mysore caught up with her for a tête-à-tête where she spoke about her journey. Excerpts:

SOM: Software engineering to belly dancing. What made you take this shift?

Payal: I initially taught dance to earn some pocket money and then I realised that it was what I enjoyed the most. Engineering was not my cup of tea but I completed graduation and then took to belly dancing as a serious profession.

SOM: Belly dance is considered to be a very controversial dance form. How did you manage to go a long way in this field?

Payal: It’s a pity that belly dance is considered as kinky at many places. But the fact is that it is an Egyptian ‘classical’ dance form just like Kathak, Bharatanatyam and a host of others that India boasts of. It has complex movements of the abdomen and the upper torso and takes really long to learn. Only passionate people succeed in mastering it and when someone dismisses it as vulgar it’s truly disappointing.

SOM: Tell us about the origin, evolution of belly dance.

Payal: Belly dance, for hundreds of years, was a community dance which was performed by the Egyptian women during gatherings. Mahmoud Reda (yes, a male!) fine tuned this folkloric art form in the 20th century to make it presentable on stage. It was picked up by many foreigners; they gave out their own versions of it and hence there are many types of belly dance like the American Tribal Fusion, the Oriental Style (Turkish), Persian Belly Dance and American Cabaret.

SOM: What do you think of the male dancers who perform belly dance?

Payal: I’ve seen a few brilliant male dancers perform belly dance. There’s nothing wrong in it and it’s absolutely their choice. Of course, the dance suits the figure of a woman better as it comes easily and gracefully to the fairer sex.

SOM: Which variation of the belly dance is your favourite?

Payal: I have learnt most of the variations but my favourite is the Classical Egyptian. No matter what styles you add to it, it looks best when it is performed in its authentic form. I also love performing with properties like the veil poi and double veil.

SOM: Is it true that belly dance aids delivery and relieves menstrual cramps?

Payal: Yes, that’s right. As the movements involve controlling the abdominal muscles, menstruation, pregnancy and delivery get a lot easier for women. It also greatly improves the posture and tones the body.

SOM: Hip-nosis, the annual belly dance fest of Payal’s Dance Academy is the biggest in India. What’s in store this year?

Payal: I’m getting the best artistes to perform and teach at Hip-nosis this year. We’ll have Aziza (Canada), Azad Khan (Germany) and Issam Husham (USA).

SOM: You won at the Belly Dancer of the World in Germany recently. How does it feel?

Payal: It felt like a beauty pageant as participants came from all over the world. I have been participating in this coontest for three years and winning it this time was an achievement. It was like as if an Egyptian danseuse defeated an Indian in a Bharatanatyam contest! People there were astonished because they think of India as a country that encourages only traditional forms like Yoga or Classical dances. I was representing my nation and it was definitely the proudest moment of my life!

SOM: It doesn’t end there. You won the opportunity of teaching at the Aziza’s Dream Camp ‘16, a residential belly dance workshop in Canada.

Payal: Oh yes! Aziza, whom I consider as the Goddess of Belly Dance, has invited me to take a workshop there and I’m really excited as it’s a huge platform for me.

SOM: Your name features in the Indian Book of Records for belly-dancing with a cane on your head for three minutes at a stretch. With so many achievements in your kitty, where are you headed next?

Payal: I’ve taken up the challenge of changing people’s perception of belly dance as an indecent art form. Also, I’d like to improvise in Egyptian Classical and represent India in many more international contests.

SOM: Bollywood has recorded many songs featuring belly dance. What’s your take on them?

Payal: Most of them are made ‘item numbers’ and hardly have any belly dancing! However, Rani Mukherjee worked really hard for the song Aga Bai from the movie Aiyya and did a splendid job.

SOM: You have been professionally associated with Mysuru for two years now. Tell us about your connection with the city.

Payal: I had never thought that the ladies in Mysuru would want to learn belly dance but the response has been overwhelming. The people here are really warm and considerate. I come here once a week for work but it feels like a relaxing holiday. I absolutely love it and hope to teach here for years to come!

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / March 15th, 2015

ISRO scientists recall their student days at NIE

Three alumni, part of MOM feted

R. Shashishekar, Deputy Project Director of MOM, H.S. Venkatesh and R. Narayan, Group Directors, who were felicitated during the valedictory of techNIEks-2015 at the NIE Diamond Jubilee Indoor Sports Complex on Manandavadi road here yesterday, are seen with other dignitaries.
R. Shashishekar, Deputy Project Director of MOM, H.S. Venkatesh and R. Narayan, Group Directors, who were felicitated during the valedictory of techNIEks-2015 at the NIE Diamond Jubilee Indoor Sports Complex on Manandavadi road here yesterday, are seen with other dignitaries.

Mysuru :

Three scientists from the Indian Space Research Organisation (ISRO), who are the alumni of The National Institute of Engineering (NIE), Mysuru, were felicitated by the Institute for their significant role in the launching of Mangalyan as part of the Mars Orbiter Mission (MOM).

Deputy Project Director MOM R. Shashishekar, Group Directors SR SPS H.S. Venkatesh and R. Narayan are the alumni who were honoured by NIE during the valedictory programme of techNIEks-2015 held at the NIE Diamond Jubilee Indoor Sports Complex, Manandavadi Road here yesterday.

The three scientists graduated from NIE with a bachelor’s degree in engineering. The institution has provided many professionals to ISRO of whom 5 are working on the MOM.

During a technical session on MOM, Shashishekar said that India has sufficient resources in space technology and delved on the benefits of MOM. He also said that space projects were highly expensive and hence they can’t afford to do any mistakes. He also added that the propellants used are very risky while containing them is a challenge. He further added that the job they do is hazardous and that they accept the challenge without any fear. Venkatesh went down the memory lane and recalled his days in the college.

NIE Principal G.L. Shekar addressed the gathering and said that the institute is proud of its alumni for contributing to the nation’s success and added that felicitating them would motivate budding engineers.

President of NIE Managing Committee Srinath Batni presided over the function.

Secretary NIE Managing Committee S.K. Lakshminarayana was present.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / March 15th, 2015

Exploring Palace Road’s rich heritage

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Efforts under way to retain the majesty of Palace Road and declare the entire stretch as heritage zone.

Palace Road became a focal point after a controversy broke out over the proposal to demolish Balabrooie, a heritage structure.

However, not many realise that the 4.7-km long Palace Road — sans one ways — also connects Tipu Sultan’s Summer Palace in south Bengaluru to the Bangalore Palace in Palace Grounds.

Efforts underway to retain the majesty of ancient buldings on Palace road and declare the entire stretch as heritage zone

1 Survey conducted by Venkatramanan Associates named ‘Palace to Palace’ (Tipu Sultan’s Summer Palace in Chamarajpet to Palace Grounds) is nicknamed ‘Swarna Marga’.
2 Survey urges the government to demarcate the area as heritage zone.
3 Prominent structures, parks and public utility spaces here: Bangalore Gayana Samaj, K.R. Market, Victoria Hospital, Tipu’s Palace, Bangalore Medical College and Research Institute, Fort High School, Carlton House, Vidhana Soudha, Vikasa Soundha, Maharani College, Freedom Park Central College, University Law College, Historic Centre of Bangalore (near Avenue Road junction), Raj Bhavan, Niton Building, Golf Course, Balabrooie guest house, Manikyavelu Mansion, Bangalore Palace and several residential mansions.
4 The smart step will be to pedestrianise the entire stretch for passerby to walk and appreciate the heritage value. Mumbai, Hyderabad and Barcelona have demarcated heritage sites; such ideas can be replicated in Bengaluru. An Urban Arts Commission is needed to identify and conserve heritage sites.

A survey by architect Naresh V. Narasimhan of Venkataramanan Associates has now made efforts to visualise the wider Palace Road that houses several such mansions and public utility spaces as ‘Swarna Marga’.

“I was curious to observe and study Palace Road and the buildings on the stretch,” says Mr. Narasimhan, who has brought out a special Survey on Palace Road, suggesting guidelines for its heritage labelling.

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“ Avenue Road is important for its heritage buildings and intangible history. This is where a battle for Bangalore, a battle between the British and Mysoreans, took place. We have to have awareness panels installed on the road, like for example- ‘On this very spot, the British erected a battery and fired at the Fort’ It is here that many communities helped build Bengaluru, each with their own temple, for example.- Meera Iyer ”

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“We brought out a map that reflects more than 40 massive heritage buildings on this road. Palace Road earlier extended from Fort High School in Chamarajpet to the Bangalore Palace on Palace Road, cutting across Avenue Road. For retaining the majesty of Palace Road, we are urging the government to take a collective relook at restoring and declaring the entire stretch as a heritage zone,” says Mr. Narasimhan.

It is up to the government to have the Bangalore Heritage Preservation Act in place to recognise the intrinsic value of these traditional structures. If the move materialises, it is worthwhile adding a tagline to Palace Road as ‘Swarna Marga’ or the Golden Road, says Mr. Narasimhan.

“The stretch is beyond Tipu’s Palace and begins at 5th Main Road, K.R. Road junction, and runs up to Palace Grounds. It is along this path that the city’s oldest areas have grown,” adds Mr. Narasimhan.

Not just that these mansions have to be remodelled for housing museums and galleries, but owners can simply have their “old gold” retained for their antiquity value, instead of falling prey to land sharks and losing out on their heritage value.

A superficial-makeover of buildings without disturbing the original design is all that is needed, says Mr. Narasimhan, known for his hand in restoration of Hotel Metropole in Mysuru and the Maharaja’s Hotel in Brindavan Gardens.

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source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Ranjani Govind / Bengaluru – March 19th, 2015

Swimming in slam

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Shaun D’Souza, a final-year student of forensic science at Jain University, had a penchant for multiple forms of expression — be it prose, poetry or performing arts — ever since he was a child. Now, he is trying to perfect slam poetry with relentless vigour. 

It was after attending a few workshops organised by ‘Airplane Poetry Movement’ last year that he got interested in it. “Slam poetry is one which expresses a personal story or struggle in a very intense form. The idea of slam poetry is simple — have something to say, write it down and be brave enough to recite. The poem will turn out sincere and moving and the poet’s writing and presentation skills improve as you go along,” he says.
He has taken part in a number of slams, shared stage with many artistes and won a number of slams conducted by the ‘Airplane Poetry Movement’ as part of their workshops and at college fests like META in St Joseph’s Pre-University College and the cultural fest at RV College of Engineering. He is also part of a project of ‘Armed WithThe Arts’ called ‘Poetry Slam for Peace’, which involves individuals from around the globe writing works related to peace and sharing them online.

Though slam poetry faces many challenges here as it attracts a niche audience, Shaun is trying to promote the art in a big way. “People generally come for workshops if they are under the banner of theatre, hip hop, or stage/public talk but poetry itself is considered as boring and abstract. One has to find a way to make performance poetry fun and at the same time, not lose the essence of poetry itself.” To improve on his slam poetry further, he is working with an Australian poet, Tim Lo Surdo, and is also propagating ‘Open Sky Slam’, a project which aims to convert dead spaces to performative spaces.

“Slam poetry is still growing in the City and it hasn’t caught the attention that it deserves. I’m looking forward to be a part of a giant community of performing artistes, who, co-dependently, encourage slam for art and peace. As this form still remains under-rated in India, Tim and I are working towards decentralising the concept of ‘Open Sky Slam’ so that every performing artistes throughout the world is encouraged to come and present their skill,” says Shaun.

And that’s not all. Shaun is a freestyle swimmer who has been making waves in the pool ever since he was five. He says that support from his parents and rigorous training at Basvanagudi Aquatic Centre has helped him. Shaun has swum in the national meet in 2011 and has bagged many medals. He has also represented Jain University in the All India University Meet held in 2012 at Kolkata, 2013 at Amritsar and 2014 at Bengaluru.

In 2011, he was awarded four medals at the School Nationals in Kolkata. “My biggest achievement was qualifying for the ‘Asian Age Group Championship’, Tokyo in 2009, and also winning the ‘Best Swimmer Award Championship’ at a National Meet.”

Though Shaun quit professional swimming last year, he considers it as his first love and says that it has taught him many lessons. “Swimming is a lot like doing maths as it requires a lot of practice. In India, it is hard to get to the point of qualifying for an international meet as it requires a lot of sacrifices, which my parents chose to make without hesitance, such as procuring the finances to support swimming kits. However, swimming taught me a lot of life lessons that I would not have been able to learn,” he says.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> MetroLife / by Anushka Sivakumar, Bengaluru /DHNS – March 19th, 2015

Samarpan – A tale of dedication and love

 Pt. Vishnu Narayan Bhatkhande
Pt. Vishnu Narayan Bhatkhande

by K.R. Mohan 

Swarasankula Sangeetha Sabha, Mysuru, has organised a function to release the audio recordings of musical compositions collected by Pt. Vishnu Narayan Bhatkhande (Chatur Pandit) and launch of website www.swarasankula.com on Mar. 15 at 5.30 pm at Vasudevacharya Bhavan on JLB Road in city.

Sarod Maestro Pt. Rajeev Taranath and Dr. Muddumohan, Director, Department of Agricultural Marketing and a renowned musician, will be the chief guests. Dr. M.S. Bhaskar, Senior Neurosurgeon and musician, will preside.

The audio release will be followed by a sarod recital by Pt. Rajeev Taranath accompanied by Pt. Udayraj Karpoor on tabla.

Pandit Vishnu Narayan Bhatkhande does not need any introduction to the Hindustani Classical Music lovers. He was the greatest Musicologist of the 20th Century, who wrote a thesis on current Hindustani classical music-Shreemallalakshyasangeetam-in Sanskrit and a commentary on it in Marathi. He was the first person to evolve a Notation system for Hindustani Classical music which is adopted by almost every musician of today.

Apart from it, he collected from several established Musicians of that era several musical compositions and published them in 6 volumes under Hindustani Sangeet Paddhati- Kramik Pustak Malika. Apart from the collections made from the musicians, he added his own compositions especially the Lakshangeets and Surawats (Sargams). These compositions totaling 1,896 contain Chota khayals, Bada khayals, Drupads, Dhamars, Lakshangeets, Sargams, Taranas, Thumris, Holis, etc. These have become a treasure to the performers, teachers and students of music.

With the technical advancements in audio recording systems, it was the vision of Acharya KG Ginde who can be considered as the musical descendant of Pt. Bhatkhande that all these compositions be recorded in audio form as well, so that everyone will be able to appreciate the musical form of these compositions by listening to them. With this idea in view, he had started recording them at Sangeet Research Academy (ITC), Kolkata, but could not complete it due to his sudden demise. Since then, this work had remained unaccomplished.

Swarasankula Sangeetha Sabha, Mysuru, ventured to accomplish this project and they have succeeded in completing it and the release of the Audio DVDs of the recordings is slated to be held in Mysuru on Sunday the 15th March 2015. Together with the audio recordings, they would be providing a list and lyrics of all the compositions-categorised Thaat-wise.

This accomplishment has been made possible due to the dedicated efforts put in for six years continuously by some of the musicians of Mysuru. Pandit Indudhar Nirody, one of the senior most disciples of Acharya KG Ginde, and a “Top” grade Hindustani Classical Vocalist of AIR & Doordarshan, has sung all the 1,896 compositions. Pt. Veerabhadraiah Hiremath has given Harmonium accompaniment. Pt. Ramesh Dhannur and Pt. Bhimashankar Bidanoor have provided Tabla accompaniment for the recordings. The latter three named musicians are the products of Shree Veereshwara Punyashrama of Gadag (Karnataka). Vidwan A.P. Srinivas of Resonators Studios, an accomplished Sound Engineer and also a Karnatak musician, helped them with recording all these compositions in his studios.

Composing work relating to the lyrics of the compositions was attended to by Pt. Vyasmurti Katti, a well known Harmonium player and disciple of Pt. Nirody and his students — Soumyaa Bhat and Asavari Waikar. The work of proof reading was done by Pt. Yeshwant Mahale, an established musician and Musicologist of Mumbai.

It is the firm belief that this work will be very useful both to the students and teachers of Hindustani Classical music. Even the established performing musicians will have the opportunity of enriching their repertoire. The rasikas of music will also benefit as they will be able to enjoy by Iistening to, these compositions hitherto rarely heard. This project work is also a unique material worth retaining in the archives for posterity.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Friday – March 13th, 2015

Chanakya Award for TNIE Scribe

Bengaluru :

Meera Bhardwaj, chief copy editor, The New Indian Express was conferred Chanakya Award for National Achievers 2015 in the category Communicator of the year for Environmental Journalism.

The Chanakya annual awards, instituted by the Public Relations Council of India (PRCI), recognises people and institutions in the field of PR, communications, advertising, education and other allied sectors who have excelled in their own fields and contributed to social causes.

The awards were presented by Union Tribal Affairs Minister Jual Oram at the 9th PRCI Global Communication Conclave held at India Habitat Centre in New Delhi recently.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / March 18th, 2015