Monthly Archives: October 2015

Remembering legendary M. Veerappa and his iconic Mysore toys

1) Self-potrait of Smt. and Sri M.Veerappa. 2) Veerappa’s grandson Sanjay with his wife Sowmya and his uncle M.V. Subramanya.
1) Self-potrait of Smt. and Sri M.Veerappa. 2) Veerappa’s grandson Sanjay with his wife Sowmya and his uncle M.V. Subramanya.

Last month I went to a friend in Vontikoppal on some personal errand. Ah! He was overjoyed. It was a Sunday and wanted to host a pure vegetarian Madhva lunch served seated on a low bench, food served on a banana leaf…

Since it was lunch time I agreed more to make my friend happy than to satiate my gourmet taste. However, as we got down from the car, my friend mentioned of an interesting house nearby on the same road that he would like to show me. That was how we forgot about the Madhva Bhavan lunch and moved to a house eponymously named ‘Chitralaya,’ a sort of art gallery with mementoes in memory or in honour of a patriarch of the family who was also a well-known artist — painter, sculptor, craftsman — M. Veerappa, the man behind the famous Mysore Toys. He is also known as the first person, nay artist, to paint pictures, both water colours and oil on canvas, based on subjects from Vachana Sahitya of Saint Basavanna.

I was told M. Veerappa (1901-1969) lived here in his house which was demolished and a new one was built with the name ‘Chitralaya’ by his grandson Sanjay, an industrialist who is the son of Veerappa’s second son Gowrishankar. Apparently in partition, Gowrishankar must have inherited the property and now his son Sanjay.

M. Veerappa was one of the five sons and three daughter of his parents Muddappa and Gangamma, running a provision store at Hosur, border of Tamil Nadu and Karnataka, near Bengaluru. Though there was no history of anyone in the family having artistic talent, Veerappa was seen painting pictures from the books he was reading as a student. While none in the family, including his parents, took Veerappa’s interest in painting seriously, interestingly, it was a journalist who noticed the boy’s talent and decided to help him in his passion.

Reading about this incident from a booklet given to me by Sanjay, I was delighted for two reasons. After all, I too am a journalist and more importantly the name of the newspaper of which the journalist Y. Virupakshiah was the editor was ‘Mysore Star’ since defunct. I think this city Mysuru can’t resonate to its people without a newspaper bearing the name ‘star,’ so we have now a ‘Star of Mysore’ newspaper since 1978! Pardon me if I sound immodest !!

This Virupakshiah of a journalist-relative had gone to Hosur for a wedding where he saw the works of this young boy and was impressed. He urged Veerappa’s parents to send the boy with him to Mysore to school him properly in arts. He was admitted to Chamaraja Technical Institute (CTI) on Sayyaji Rao Road, now known as Chamarajendra Academy of Visual Arts (CAVA). Rest was history. Veerappa never looked back thereafter. Wonder, how one noble gesture on the part of a journalist changed the course of life of an individual.

Once again it was another noble gesture on the part of a Judge, G. Paramashivaiah, that enabled Veerappa to further his studies in art and sculpture at the famous JJ School of Arts, Bombay. Veerappa must be a lucky person to get help in his early life in this manner. Rightly it is said luck is when opportunity meets preparation. He had the preparation (talent) and got the opportunity, thanks to noble persons like Y. Virupakshiah and G. Paramashivaiah. And luck smiled on him.

Veerappa later joins CTI as a teaching faculty and heads the Fine Arts Section, becoming the Assistant Superintendent. He was also running a toy manufacturing unit which became famous as Mysore Toys. He had also gone to Japan sponsored by Government of India for training in packaging.

I learn that M.S. Nanjunda Rao, who established Mysore Chitrakala Parishat, now Karntaka Chiktrakala Parishat, in Bengaluru, was the student of M. Veerappa. Two of his sons, Praful Chandra, an octogenarian, was carrying the tradition of Mysore Toys till recently while his brother Shivanna set up his own unit known as ‘Wood Life’ which made a name for itself.

Other children pursued different vocations but one of his grandsons, as I mentioned earlier, Sanjay Gowrishankar, an industrialist, has set up a mini museum-gallery of Veerappa’s works in his house ‘Chitralaya.’ Worth visiting by those who have an interest in fine arts and crafts. I was immensely happy to have visited this gallery-cum-house, a sort of two-in-one-house!

While leaving the gallery, I expressed my appreciation for taking so much trouble and providing so much space in his living house to show-case the works of his grandfather and commemorate his memory. Sanjay Gowrishankar said ‘thank you’ and a modest man he is, he added: “But I must admit it is because of my wife Sowmya’s dedication and passion that we are able to present the gallery at its visual best with cleanliness.”

By now it was past 2 0’ clock and the aroma of a Madhva meal was seducing us!

e-mail: kbg@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Abracadabra…..Abracadabra / October 19th, 2015

Pages from History : Dasara through the ages

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by Prof. A.V. Narasimha Murthy, former Head, Department of Ancient History and Archaeology, University of Mysore

Navaratri or Dasara is one of the most popular festivals in our country but it is celebrated in a variety of ways in different parts. Actually it is a festival symbolising the destruction of evil and establishment of good (dushta sikshana and shista rakshana). This festival has a hoary antiquity going back to the time of the puranas and epics. The word Dasara is derived from the Sanskrit Dashahara meaning ten days. Basically, Navaratri is a festival of Mother Goddess who received power from no less than Vishnu, Shiva and Agni. Each one of the Gods gave different powers to Her so that She could free the world from the tormentors of different types. Thus was born the indomitable energy personified in the form of Goddess and people heaved a sigh of relief. Navaratri means paying respects and showing gratitude to Mother Goddess.

As the demons had obtained various boons from Shiva or Vishnu, the Goddess had to assume different forms to achieve her goal. She is worshipped in the following nine forms namely, Mahakali, the destroyer of Madhu Kaitabha; Mahishamardhini, the destroyer of Mahishasura; Chamundi, the vanquisher of chanda-munda; Kali, the killer of Raktabija; Durga, the harbinger of destruction of Kamsa; Raktadantri, the great destroyer; Shakambari, the destroyer of famines; Durga, the destroyer of demon Durga; Bhramari, the killer of demon Aruna. Thus Devi assumed these forms to accomplish her task. In course of time, the worship of Saraswati and Lakshmi were also added.

Another significant aspect of this ritual is the exalted position of unmarried girls (kannikas) who are supposed to personify the great Goddess. These unmarried girls are worshipped as Kumari, Trimurti Kalyani, Rohini, Chandike, Sambhavi, Durga, Subhadra and Kali. Each one of them is worshipped during the nine days; they are fed and given gifts too.

It has been our unique tradition that these festivals are recommended to human beings only after they are tested by the Gods. The Gods themselves did this after vanquishing the demons. It is said that Sri Rama invoked the Goddess and achieved great victory over Ravana on the day of Vijayadashami. Thus even Sri Rama worshipped her before taking up a major fight. Even the great epic Mahabharata extols the greatness of this festival.

The Pandavas, who had hidden their weapons under the Shami tree (banni mara) worshipped the Goddess, took out the weapons and started their Digvijaya or Victory March and consequently achieved great success over the Kauravas. It has to be noted that in all these instances, the great Goddess is invoked and worshipped not for any personal gains but for the annihilation of the wicked people, upholding of dharma and to save the good people.

Thus when it was useful to the Gods, the human beings felt that it should be useful to themselves also and hence began celebrating Navaratri. No dobut, it was celebrated in the ancient period but it has not been recorded either in literature or in inscriptions till we come to the medieval period. It was believed that Samudragupta, Harsha, Vikramaditya VI, Ballala II, Singhana and a host of others started their Digvijaya on the Vijayadashami Day.

However, with the dawn of Vijayanagar period, historical records are available in plenty. Particularly, the writings of the foreign travelers who stayed for a short period in Vijayanagar empire have given graphic description of the various rituals and durbar during this period. The earliest reference to Dasara festival during the Vijayanagar period is seen at the time of King Devaraya II (1424-1446). Abdul Razzak, a Persian traveler, who was invited as a guest for Dasara, was greatly impressed by the festival and has given a long description. The infidels of this country who are endowed with great power are fond of displaying their pomp and glory. Navaratri was celebrated at Mahanavami platform (dibba) in Hampi. All the subordinate kings assembled here and made gifts to the emperor. Elephants played an important role besides horses. There were many pavilions and some of them revolved around. The King sat on the gold throne kept on the ninth storey. Acrobatics displayed were of high order and people enjoyed it. The King gave prizes to the participants who included men and women. The last three days, namely Durgashtami, Mahanavami and Vijayadashami were spectacular. Krishnadevaraya’s Dasara was held from morning till night and thousands of lamps were lit during the night. Wrestling was a great attraction. Fire works were of high order.

On the Vijayadashami Day, the King held a review of the forces. Another traveler by name Nuinz has also given a similar description, besides Barbara, Nikitin and others. From all these features, it becomes clear that Vijayanagar Kings laid the firm foundation for the pompous but religious celebration of Dasara.

The Wadiyars of Mysore can easily be regarded as the cultural successors of Vijayanagar empire. They improved upon the Dasara of Vijayanagar period to suit their own needs and requirements in such a manner that it became more pompous and dazzling than Vijayanagar Dasara. In fact, Dasara has become synonymous with Mysore Wadiyars.

The earliest reference to Wadiyar Dasara is found during the period of Raja Wadiyar, who ruled from 1578 to 1617. Not only did he celebrate it at Srirangapatna but codified the rules and regulations for its celebrations. Though his son Narasaraja died a day earlier (7.9.1610) to Dasara, he celebrated the Mahanavami festival and further ordained that the death of a close relative of the royal household should not become a cause to stop or postpone Dasara. Dasara of this period was celebrated in three stages: The first one was the celebration of first eight days; the second is the Mahanavami festival and the third is the Vijayadashami. This has become more or less standardised from the period of Raja Wadiyar. He took up diksha by wearing a separate dress and kankana and worship of the Navagrahas, worshipped the throne and ascended it. The relatives, brahmanas and officials paid respects to the King. On the moola nakshatra day, Saraswathi Puja was performed. The Mahanavami Day was reserved for the worship of Royal Sword (Pattada Katti). Then the homa at Chamundi Hill concluded with poornahuti. In the evening, the durbar took place. On the Vijayadashami Day, he sent the weapons to the Banni tree with royal honour. In the evening he went in a procession to that place, worshipped the Banni tree and returned in the night with lights.

During the period of Kanteerava Narasaraja Wadiyar, the festival was celebrated with traditional grandeur. Special worship was offered to the images of Ranganatha and Narasimha. During the durbar, the chiefs, feudatories and others would pay respects. The tenth day was reserved for public procession of the King to conduct Sami puja.

Krishnaraja Wadiyar III (Mummadi) performed Dasara in the traditional manner. Queen Mother Lakshmammanni also worshipped the throne and blessed the King. The Maharaja used to come from the Palace in Nazarbad and return after the function. British Durbar was an added attraction. One particular day was specially reserved for them from 1814.

In the meantime, the present Palace was completed in 1912 and it became the venue of Dasara durbar. Krishnaraja Wadiyar IV (1895-1940), who won the admiration from Mahatma Gandhi and generally referred to as Rajarishi, conducted Dasara in a pompous and meaningful manner. On the very first day of Dasara, he worshipped Goddess Chamundeshwari on the hillock. The evening durbar was meant for officers and invitees. They had to come in a special dress of white trousers, black long coat, uttariya and a laced turban to be in the durbar. All the invitees were garlanded according to their status. On the ninth day, he performed Ayudha Puja which included worship of Lakshmi, Royal sword, royal horse, royal elephant, royal chariot etc. On Vijayadashami Day the Maharaja used to go to Bannimantap sitting on a howdah mounted on an elephant. Maharaja, Yuvaraja Kanteerava Narasaraja and Jayachamaraja Wadiyar were seated in the howdah. The same procedure was followed during the rule of Jayachamaraja Wadiyar. As Ashoka road was too narrow, the procession passed through Sayyaji Rao road and the whole route was illuminated. This type of Dasara was held till 1969.

In the year 1970, Dasara was not held publicly. The Karnataka Government decided to hold Dasara as Nada Habba or the festival of the people. However, religious ceremonies were performed in private at the Palace. Cultural events, poets meet, cultural and industrial exhibition were conducted. On Vijayadashami Day, an idol of Goddess Chamundeshwari in the golden howdah was taken in procession. At Bannimantap, the Governor took the salute at the torch-light parade. Thus Dasara or Navaratri became a cultural event and a festival of the people and not of the royalty. This festival not only reminds us of our past glory but is a symbol of our unity and strength to move towards our democratic goal. Whatever may be its form, we pray to Goddess Chamundeshwari to shower her blessings on all of us for a better tomorrow.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / October 17th, 2015

India has not leveraged Ayurveda treasure trove: Mazumdar-Shaw

Bengaluru :

India has not leveraged the treasure trove of Ayurveda in a scientific way, Biocon chief Kiran Mazumdar-Shaw said on Thursday.

“One of the big problems is that the outside world views us in a much better way than we view ourselves,” she said.

“This year’s Nobel Prize, for instance, went to number of scientists in medicine for malaria, river blindness, and one of them was none other than a Professor Youyou Tu who was really not a medical or PhD or any one of those people, but some one who was actually a great proponent of Chinese medicine….” Mazumdar-Shaw said.

“This should open up the opportunity for Ayurveda in a very big way. I think we as a country have not really leveraged the treasure trove of Ayurveda in a scientific way. This I hope will incentivise us and motivate us to to look at our own knowledge of Ayurveda and take it to a different direction”, she added.

“That’s the trend that we must create from India,” she added.

Mazumdar-Shaw, who is also the chairperson of Karnataka Vision Group on Biotechnology was speaking at an event organised to announce “Bangalore India Bio 2016” which is scheduled to be held from February 9 to 11 2016.

Tu (84) who is chief professor at the China Academy of Traditional Chinese Medicine, discovered artemisinin, a drug that has helped significantly reduce the mortality rates of malaria patients.

Noting that agri-biotech can play a very important role in this, Mazumdar-Shaw said “using modern techniques in agri-biotech to actually delve into our Ayurveda and see whether we can amplify some of these very very important aspects of Ayurveda by the use of new technologies and modern technologies of agri-biotechnology”.

“This is another area which we must create into a trend because we cannot afford to loose the advantage that we currently have”, she added.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Bengaluru / PTI / October 15th, 2015

Best from waste

Recycled art

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These days, people can’t wait to leave the nest and all its comforts. But Aditi Mahajan says that she can’t imagine not seeing her mother, Sunila Mahajan, for even a day. They spend hours together, bonding over arts and crafts, and this unique relationship is reflected in their start-up, ‘Dots to Lines’.

Started earlier this year, ‘Dots to Lines’ is a creative platform where the two share their trade secrets with their customers in the most colourful and exquisite manner. From home decor to accessories and stationery, they hand make them all with much patience and dedication.

Aditi gave up her career as a children’s educator to take a gamble on this venture. Sunila, however, has always had an artistic bend and spends a major part of her time working on crafts or teaching them.

Talking about how the idea to start this came about, Aditi explains, “We are into handcrafted products and a large part of our items are made from MDF or recycled wood. It all began when we ended up with some wooden scraps at home. Instead of disposing of them, my mother suggested we make something out of them. So we got them cut in various shapes — cats, bunnies, fish, butterflies — and turned them into keyrings. Usually, people make keyrings small but we decided to make them a little bulky and different. When my friends saw this, they loved them and suggested we make something more.”

There is a story behind how each of their products came about. “A cousin was getting married so we designed a tray for the couple. It became a hit and more people wanted it!” says Aditi. The accessory line walked in because of popular demand. “When people noticed our work, they began asking us to make jewellery.

We didn’t find a reason not to, so now we work on pendants, necklaces, earrings and more,” she adds.  Selling mainly on online portals and at various flea markets and ‘santhes’, the two have a range of products to display — fridge magnets, photo frames and more.

“I love to collect photo frames so we thought we’d make some of them. Since everything is handmade, it’s a problem to replicate an item, but we try our best. When there’s a sale coming up, we make sure to craft at least 20 items per day. But making things in bulk is hard…” says Aditi.

Why did they name it ‘Dots to Lines’? “Multiple dots put together make a line, which in turn makes a pattern and then a design. And unique designs is what keeps us going,” she explains. All their works are bright and colourful because they believe that “they make for a brighter and happier day”.  For more details, please visit their Facebook page www.facebo­ok.com/dots2lines.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> MetroLife / by Ananya Revanna, Bengaluru / DHNS – October 08th, 2015

Mridanga exponent Vid.V.S. RajagopalaL conferred with ‘Rajya Sangeetha Vidwan’ Award

Mridanga exponent Vid. V.S. Rajagopala, who was conferred with ‘Rajya Sangeetha Vidwan’ award by Chief Minister Siddharamaiah during the inauguration of Dasara cultural programmes at the Palace premises in city last evening, is seen with MP R. Dhruvanarayan, Department of Information and Public Relations Secretary Dr. N.S. Channappa Gowda, PWD Minister Dr. H.C. Mahadevappa, Kannada & Culture Minister Umashree, MLC Dharmasena, ZP President Dr. Pushpa B. Amarnath, District Minister V. Sreenivasa Prasad, Co-op. Minister H.S. Mahadevaprasad, MLA M.K. Somashekar, Mayor R. Lingappa and MUDA Chairman K.R. Mohan Kumar. Picture below shows artistes of artistes of Kalasandesha Pratishtana presenting a dance feature ‘Male-Ele-Bele’ on the occasion.
Mridanga exponent Vid. V.S. Rajagopala, who was conferred with ‘Rajya Sangeetha Vidwan’ award by Chief Minister Siddharamaiah during the inauguration of Dasara cultural programmes at the Palace premises in city last evening, is seen with MP R. Dhruvanarayan, Department of Information and Public Relations Secretary Dr. N.S. Channappa Gowda, PWD Minister Dr. H.C. Mahadevappa, Kannada & Culture Minister Umashree, MLC Dharmasena, ZP President Dr. Pushpa B. Amarnath, District Minister V. Sreenivasa Prasad, Co-op. Minister H.S. Mahadevaprasad, MLA M.K. Somashekar, Mayor R. Lingappa and MUDA Chairman K.R. Mohan Kumar. Picture below shows artistes of artistes of Kalasandesha Pratishtana presenting a dance feature ‘Male-Ele-Bele’ on the occasion.

Mysuru :

Chief Minister Siddharamaiah, yesterday, conferred ‘Rajya Sangeetha Vidwan’ on the 80-year-old Mysuru-born Mridanga exponent Vid. V.S. Rajagopala at the Palace premises in city.

Rajagopala, who had participated in concerts at the Palace during the days of Jayachamaraja Wadiyar, is the first recipient of the award after the cash was increased to a lump-sum amount of Rs.3 lakh. All these years, the recipients of the award were given a monthly honorarium of Rs. 2,000.

Conferring the award after the delayed inauguration of cultural programmes at the Palace organised as part of Dasara-2015, Chief Minister Siddharamaiah said that though this year’s Dasara had been scaled down, its grandeur has not dimmed.

The two-hour delay in the inauguration of cultural activities left many music-lovers who had assembled at the venue disappointed. Ministers V. Sreenivasa Prasad, Dr. H.C. Mahadevappa, Mahadevaprasad, Umashree and others were present on the occasion.

source: http://www.starofmysore.com / Star of Mysore / Home> General News / Wednesday – October 14th, 2015

Belagavi based lyrics writer’s song in ‘Bajirao Mastani’ enters into Guinness Records

Belagavi :

Prashant Ingole, Belagavi based lyrics writer is now shining in Bollywood. His recent song, written for still unreleased film ‘Bajirao Mastani’ is entered into Guinness Book of Records.

Ingole has written four songs for Sanjay Leela Bhansali’s film ‘Bajirao Mastani’ in which ‘Gajanana..’ is making buzz. The launch of film’s first track was done in record breaking fashion at Pune last month, by creating biggest human formation of Lord Ganesha. More than 5,000 students from across India created 194 foot versions of Ganesha at the time.

Ingole said song has entered into Guinness Book of Records because it has been sung by Sukhavindar Singh along with the chorus of 15,000 students. “In the song of 3.37 minutes, I have used 17 names of Lord Ganesha. Initially, Bhansali asked me to write a song on Ganesha. Being a devotee of Ganesha, I planned to make it differently which he liked immensely. Now the song is making big sound before release of film”, Ingole said.

Born in Belagavi, Prashant Ingole studied at Bhatkkhande School here till SSLC. Although he started lyrics writing for Hindi movies since 2001, his struggle for eight years to get recognized. He got first break in 2008 for writing a song for the film Paisa Hai Power. His first hit came in 2012 through the song ‘Party On My Mind’ in Race-2. Song became hit with 26 million hits. Later in 2014, he got opportunity to write four songs for hit film Merry Kom. So far, overall 13 movies to his credit.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Hubballi / byu Ravindra Uppar, TNN / October 06th, 2015

Passions: Bringing ethnicity home

The ethnic connect Roshni Puthukudy
The ethnic connect Roshni Puthukudy

Roshni Puthukudy started EthniChic to reach out to the modern Indian woman who is fashionable yet connected to her roots

A civil engineer by training with a degree in financial management, city-based Roshni Puthukudy, is a Malayalee who grew up in nine different states, thanks to her defence background. It was during these years that she was exposed to various art forms and her passion for crafting took root. However, it was only when she took a break from her corporate life in 2014 that she decided to do something more serious with her oodles of creativity.

Roshni decided to answer her calling to be a crafter while on vacation in her hometown. “While dusting out old school books and papers, I found a preserved file which contained all my childhood paintings and drawings. That visual inspired me to take up my long lost passion. I started attending art classes where they specifically taught traditional art forms. I would accompany my son to his drawing classes as well. I started learning new techniques through YouTube videos. And then it was all about experimenting. I am blessed to have the support and encouragement of my husband and kids. When things started falling in place and I found my products saleable, EthniChic was born,” she recalls.

Reaching out to the modern Indian woman who is fashionable yet connected to her roots, EthniChic is an initiative that brings Indian ethnicity to one’s home, in the form of home décor, accessories, and apparels that are hand painted or decoupaged. Roshni’s products range from jewellery boxes, trays, votive stands, khullads, hand mirrors, lamp shades and palm leaf fans to bangles, neck pieces, earrings and much more. She also hand paints saris, skirts, jumpsuits, kurtas, waistcoats and dresses. “Each piece of art is crafted with utmost care and passion. I still don’t like calling it a business because for me it feels like meditation,” says Roshni. Prepping up for her journey as an entrepreneur was interesting. “The biggest challenge was to take the risk and see if my idea would work. Then, I had to understand what customers really want. I did at least six to eight months of research and exhibition hoping to understand how and what works. I’ve tried out various products in the first six months of setting up before I finally arrived at the current product line. I attended various training programmes on Indian art forms to learn with a deeper sense.”

Of her challenges so far, she says: “Time is the biggest challenge. Then there’s tons of competition in the market so much so that handmade items are often not given their due. Also, since it takes lot of time and effort to hand paint/hand craft things, they are slightly costlier than the mass produced/printed items, and therefore our market is not as large.”

While plans to expand her business are in the pipeline, she says: “I keep trying new products regularly. I started with hand painted apparels and then moved on to home decor and accessories. I love to innovate. There is always a quench to try out new things to keep myself active creatively.”

(This column features people who have veered off the beaten track)

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Neeti Sarkar /Bengaluru – October 13th, 2015

Nonagenarian Sports Coach Lakshmanappa passes away

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Mysuru :

Freedom fighter and nonagenarian National Wrestling and Basketball coach, M.S. Lakshmanappa (95) passed away at his residence near Jaganmohan Palace in city this morning.

He leaves behind 3 sons, including Ekalavya awardee kho-kho player M.L. Gopinath and 2 daughters.

After retiring as PE Director of city’s D. Banumaiah College in 1975, he took to coaching in wrestling and basketball.

Last rites were performed this evening.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports News / Monday – October 12th, 2015

‘Mysore Memories’ : Mysore in the 1920S

by Girija Madhavan

Mysuru has a tradition of holding concerts for festive occasions like Ramanavami and Vinayaka Chathurthi. Lovers of music eagerly look forward to these events. The concerts held at 8th Cross in Vani Vilasa Mohalla have been going on for decades. Even earlier there were recitals in Bidaram Krishnappa Prasanna Sri Rama Mandira in the heart of the city. A temple as well as a venue for “kacheris,” it is the confluence of two streams of art. As music swirls around the room, the walls display precious paintings in elaborately carved frames. Some of them are in the Mysore tradition of art, depicting themes like Durga’s victory or Rama’s coronation. Some are adorned with gold leaf and some are in the style of Raja Ravi Varma.

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In a folder of sketches by my mother, Mukta Venkatesh, I found two water-colours. The first depicts a Karnatak concert (kacheri) with the musicians seated on a striped durrie. The small picture hanging above the door is the ‘Ala-ele Krishna’ (the infant Krishna on a peepul leaf), a theme favoured by both Tanjore and Mysore style artists. The paintings of Goddesses Lakshmi and Saraswati in traditional style flank a larger picture of Rama Pattabhisheka. Mukta depicts herself and two sisters in the audience. This is a sketch of Bidaram Krishnappa Prasanna Sitarama Mandira, a personal portrayal of a heritage landmark of Mysuru.

The second picture is set in Lakshmipuram of those days. The architecture is drawn with care. The people on the street belong to different classes of society. The vendor woman, accompanied by her small child, is dressed in a crumpled cotton sari, the head covered with the end of the sari or “seragu.” In contrast, the ladies in silk saris worn in the “kachche” style (perhaps of Madhwa origin), flowers adorning their hair, have returned from a puja, holding coconuts and betel leaves in their hands.

Just beyond these figures is a mendicant with a white beard. A toddler rides on his shoulders. This poor man and his child “Vasuki” occasionally visited my mother, had a meal and left with a present of money, clothes or toys. She was attached to Vasuki and was distressed when the visits suddenly stopped. Perhaps that is why she painted them as pale, ghostly figures.

In the Tonga, a dignified, Muslim gentleman travels to his appointment. Another older man in a three-piece suit wearing a Mysore Peta is walking down the pavement. A young man lounges against the wall. This picture was a microcosm of life in suburbia.

Old photographs capture past reality in their sepia tints. But drawings like these can be even more evocative, bringing up a flavour of a bygone time through the eyes of a person who lived then and translated these perceptions into art.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Monday – October 12th, 2015

Star this week : Talented Athlete : Reena George

Athletics is the mother of all sporting activities and is a global sport. An athlete needs good stamina and will power to excel in the top level. Mysuru has been producing top class athletes from time to time, who have represented the State and the Country in various events.

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One such upcoming talent is Reena George from Mysuru who has been doing well in the women’s section in the State, National and Inter-University level. Reena, was part of the 4x400m Relay team of Teresian College for Women, Mysuru, which won gold with a New Meet Record at the 87th Mysore University Inter-Collegiate Athletic Meet held at District Stadium, Hassan, on Friday and Saturday. She also won 200m gold. She is our ‘Star This Week.’

Reena, a student of Teresian College for Women in Mysuru, is a product of DYES, Mysuru and is presently coached by Vasanth Kumar, National athletic coach at DYES, Mysuru. She had also earlier trained with international athlete and SAK athletic coach Damodara Gowda.

Reena, a sprinter who excels in the 100m and 200m events, has represented Karnataka State in National level. She is an All-India Inter-University medallist representing Mysore University.

Renna, taking part in the 87th Mysore University Inter-Collegiate Athletic Meet – 2015 held at Hassan from Oct. 9 to 11, created a New Meet Record by being the part of the 4x400m Relay Team of Teresian College for Women, Mysuru, which won gold with a timing of 3:58.87s, erasing the old record of 4:03.10s set by Teresian College in 2013-14. The winning race was run by M. Likitha, R.A. Chaitra, Reena George and H.R. Navami.

Reena also won 200m gold with an timing of 24.89s. Reena has represented Karnataka in the Federation Cup Athletic Meet held at Mangaluru this year. She has won the 100m gold in the Dasara Games – 2014, with a timing of 11.09s.

Reena has won silver medal in the women’s 200m event in the 2014 Dasara games.

This talented sprinter wishes to work hard in the days to come and win a medal in the All-India Inter-University Athletic Meet 2015 and intends to make a mark in the National level in the days to come.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports News / Sunday – October 11th, 2015