Why this Bengaluru teenager looks at the glass half full

A few years ago Gulhati suddenly started noticing news articles on droughts and water-related issues across the country.

Garvita Gulhati
Garvita Gulhati

Bengaluru :

Garvita Gulhati isn’t a typical college-going student. For one, she doesn’t have social media accounts, and second, she doesn’t binge watch TV shows. Instead, the 19-year-old student from PES University is on a mission to conserve water, for which she has been going from restaurant to restaurant requesting managers to fill only half a glass of water unless otherwise requested for by the customer. Her initiative #GlassHalfFull, which she started at the age of 15, has borne fruit with 200 restaurants adopting the campaign and now, the National Restaurant Association of India (NRAI), which represents over 1,00,000 restaurants, has extended its support.

A few years ago Gulhati suddenly started noticing news articles on droughts and water-related issues across the country. What particularly struck her was an article on 14 million litres of water being wasted every year, simply because customers at restaurants leave behind half-empty glasses. “I started researching on how we waste water without realising it and decided to teach people water management,” she says. She visited several restaurants to pitch the idea of filling only half a glass, which would save 50 per cent of water that was being wasted earlier.

When she started her online petition, it wasn’t easy to convince people who would advice Gulhati to concentrate on her studies. “Many schoolmates would say I was doing this to earn fame as they did not realise the importance of carrying out the drive. It was only my environmental studies teacher who motivated me to take the movement forward,” says the BTech student.

The biggest accolade has been launching an organisation, Why Waste? and receive recognition from several quarters. Gulhati was the only Indian among 60 changemakers between 18 and 23 years to receive the title of ‘Global Changemaker’. “Working towards saving water is worth being off social media and watching fewer TV shows. Neither do I party like most of those my age would,” she says.

Raising awareness

About the partnership, Rahul Singh, president, NRAI, said, “Ninety seven million people in India do not have access to clean drinking water. As a part of the #GlassHalfFull initiative, NRAI will encourage restaurants to adopt sustainable alternatives for reducing consumption of water. We will not only sensitise the restaurant staff but customers as well to reduce wastage of water.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Akhila Damadoran / Express News Service / April 08th, 2019

Noted Carnatic singer Vidwan L Ramasesh passes away at 72

Ramasesh a ‘Karnataka Kalashree’ had lent his voice to most of the performances of reputed dancers.

L Ramasesh
L Ramasesh

Mysuru :

Noted singer of ‘ Jai Ho’ fame Vijay Prakash’s father Vidwan L Ramasesh passed away here on Sunday. He was 72.

According to Vidwan K Ramamurthy Rao, a family friend of Ramasesh, he was ailing from sometime and was admitted at Kamakshi Hospital here, where he breathed his last.

His mortal remains have been kept at his house near Mata Amrutanandamayi College, AIISH layout in Bogadi.

Ramasesh was a Carnatic classical singer who had lent his voice to most of the performances of reputed dancers. He was also a recipient of ‘Karnataka Kalashree’ award.

The last rites are expected to be performed at MCC crematorium near foothills of Chamundi in the city on Tuesday, once Vijayprakash returns from the United States.

Ramasesh is survived by his wife Lopamudra, two sons Vijayprakash and Phaneendra Kumar.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Express News Service / April 07th, 2019

Bengaluru college students invent smart helmet, apply for patent

The helmet will be able to send alert GPS location of rider to rescue personnel and has a multi-directional impact protection system.

Smart helmet
Smart helmet

Bengaluru :

Available in the market soon will be a motorcycle accompanied by a smart helmet which will alert riders of emergency situations while also sending out messages to emergency rescue personnel with the location of the rider, in case of an accident. The e-motorcycle and smart helmet is the invention of a group of 3rd year engineering students of the MVJ College of Engineering from the city. Though not a part of a compulsory class project, they worked on it considering how increasingly, two-wheeler riders were becoming victims of accidents.

Talking about their invention, Saivenkat Patro, an Electronics and Communcations (E&C) student said, “We have applied for patents and also have to conduct trials for the vehicle and helmet. Once this is complete, we will work on permissions from authorities to release these in the market for sale.”

The team plans on selling both products as a package instead of as standalone products. “The cost is going to be quite less. We plan to sell both between Rs 7,000 to Rs 10,000,” he said. The team has named the helmet ‘KAWACH’. Other students in the team are Nikitha, Megha S of Electronics and Communication and Surva Pratim Roy of the Computer Science department.

The team is also working on a helmet for construction and mining site workers and will name it Kawach M&C. Another product is a helmet for children named Kawach Junior. “The sensors placed on the helmet alert the supervisor that an accident has occurred and help needs to be sent immediately. Along with the alert message it also sends the location of the accident to make it easier for the help to locate the victim. This helmet also comes with a mechanical SOS button which the person can use when in need.

The advantage of this technology is that the connection between the supervisor and worker is not lost even in adverse conditions like being underground or in a remote area of the site.” explained the members of the team.  “Kawach Junior is a variant specially designed for kids. The smart features included in the helmet are the accident alert system, SOS alert and GPS tracking system.”

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Bengaluru / by Express News Service / April 06th, 2019

Bangalore has easily become India’s No. 2 theatre hub

Singer-actor M.D. Pallavi in C Sharp C Blunt. / Photo: Special arrangement
Singer-actor M.D. Pallavi in C Sharp C Blunt. / Photo: Special arrangement

With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub, second only to Bombay

My first tryst with theatre from Bangalore was when a young man called Pawan Kumar performed a solo piece called The Final Rehearsal at Thespo and won a bunch of awards. This was in 2002. Today, over 16 years later, Pawan Kumar is a celebrated Kannada film-maker and has just directed some episodes for a Netflix show. He did revive the play a couple of years ago; I believe it had a good run at Ranga Shankara in Bangalore.

Ranga Shankara was our gateway into Bangalore. We went there first in 2009, and in the decade since, we have been going there quite regularly. Some people suspect that I keep begging for dates so I can eat akki roti at Anju’s Café, a favourite haunt. But the venue, brainchild of Arundhati Nag, is delightful.

I had always imagined Arundhati Nag as an intimidating figure. A doyenne of the theatre. For whom Girish Karnad, another intimidating figure in my mind, wrote Broken Images (Bikhre Bimb). Then I met her, and she was warm, wonderful and supportive. And she recently acted in Bombay, in Q Theatre’s Mother Courage and Her Children. Another legendary, Arundhati (Raja), set up a venue called Jagriti in Whitefield in Bangalore, and attempted longer show runs, like in the West. We were among the first to do 21 shows on the trot there. An unforgettable experience. The Humming Tree is another cool experimental venue, but Ranga Shankara and Jagriti remain favourites.

Joining the list

At Jagriti, I formed a friendship with Vivek Madan, another mythical figure from Bangalore theatre. We had crossed paths, but we hadn’t really spent any time together (basically, we had never gone drinking) and that was soon remedied. Vivek, who had acted in the cult play Butter and Mashed Banana, joined the growing list of Bangalore exports to Bombay. He acted in The Hound of the Baskervilles, and was a revelation. Last month he returned with another play; when Quasar’s Thakore Padamsee directed him in a solo act called Every Brilliant Thing, which blew me away.

Vivek works closely with Abhishek Majumdar, regarded among the finest writer-directors today. Also from Bangalore, Abhishek’s productions have created waves across the country and, of late, internationally. Plays like The Djinns of EidgahGasha, and Kaumudi are on all theatre aficionados’ lists.

Brave and brimming

Sandeep Shikhar, a frequent Majumdar collaborator and also from Bangalore, came to Bombay a few months ago and directed a play he wrote, Open Cast, for a local theatre group. He is a writer brimming over with ideas and a brave director.

The list of migrating/ visiting talent from Karnataka’s capital is quite endless. Anuja Ghosalkar, who worked with the India Foundation for the Arts, keeps visiting with plays produced by Drama Queen, her theatre group. Her form of documentary theatre is unique and riveting. M.D. Pallavi, singer and actor, knocked the socks off audiences across the country with her solo act C Sharp C Blunt. Gulshan Devaiah, now a popular film actor, began his acting career in Bangalore theatre. In fact, he featured in Butter and Mashed Banana. Nimi Ravindran and her company Sandbox Collective do very interesting work, including some popular plays for children. And this is just to name a few.

Besides all the influx from Bangalore (I’m suddenly wondering if I should have said Bengaluru all along, but I’m also saying Bombay, so I’ll just stay old school), the city, in my opinion, is a theatre hub second only to Bombay. I believe Delhi used to be a formidable competitor to Bombay, but Bangalore has left it far behind. At one point, of the 100-odd shows we had of a play, close to 40 were in Bangalore, maybe a touch higher than the number of shows we did in Bombay, where we are based. That to me spoke volumes about the growing theatre market and audiences over there. Also, a couple of my personal favourite productions hail from Bangalore, or have a strong connect. Kaumudi, written and directed by Abhishek Majumdar, which I mentioned earlier, is among the finest plays I have seen. How to Skin a Giraffe, a co-production between Perch from Chennai and Rafiki from Bangalore was brilliant. Both plays are hard to explain, and have to be watched, perhaps even repeatedly, to enjoy their brilliance. So let me wind up with some youth parlance. Bangalore FTW.

The theatre producer and director is often broke. To cope, he writes and directs films and web series and occasionally acts, albeit reluctantly.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Theatre / by Akarsh Khurana / April 06th, 2019

Theatre activist Malathi passes away

MalathiBF02apr2019

Noted theatre activist, writer, poet, and playwright S. Malathi, 66, passed away at a private hospital in Manipal. She was ailing for some time and breathed her last late on Sunday

An alumnus of the National School of Drama, Malathi was associated with Samudaya, the radical theatre movement in Karnataka that fought Emergency through cultural activism by performing street plays and participating in jathas.

Hailing from Sagar, Malathi went to Mysuru to pursue Masters in Kannada literature, after finishing her graduation in Commerce in Mangaluru. She debuted Samudaya through Taayi an adaptation of Maxim Gorky’s Mother.

According to Shashidhar Barighat, theatre activist, Malathi’s recent experiment was the theatre adaptation of Swapna Saraswata, a novel by Gopalakrishna Pai. Malathi was engaged in children’s theatre and even wrote plays for them.

Malathi also directed plays Kerege HaraSiri SampigeYayathi, and Hayavadana. She wrote DalithalokaBheemakathanakaSita Charita, and Mooru makkala natakagaluKshakinavallada kshanagalu, an anthology of poems, won the Pejawara Sadashiva Rao award instituted by Mumbai Kannada Sangha. Malathi had presided over the fifth taluk-level Kannada Sahitya Sammelana in Sagar.

The cremation was held in her native Sagar town on Monday evening. The theatre fraternity across the State paid tribute.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Bengaluru – Shivamogga, April 01st, 2019

Mysuru-Born Model Making Waves In Silicon Valley

NayanaBF30mar2019

Right from childhood she has always been drawn to fashion, make-up and glamour and she landed up in modelling industry. The challenging part, however, is balancing both engineering and modelling which requires a lot of dedication, determination and discipline, which Nayana Vishva has in abundance.

In this pursuit of her passion, Nayana has the support of her life partner Nimish Pankaj Shah and banker parents H.R. Bhavani and R. Vishva Chaitanya. And she treads the hard path in the modelling world in the Silicon Valley, California, where she divides her time between her work and modelling assignments.

Nayana is trained in Bharatanatyam and is adept at western dance. She was creative even in her growing up years and was a part of her college (Ramaiah Institute of Technology, Bengaluru) Western Dance team called ‘Fire and Ice.’ She then left for United States and did her Master’s in Electrical Engineering from the University of Southern California and joined Intel Corp in San Jose.

What is the life of a model like? She had done promos for L’Oreal when she was in Bengaluru. “I have now given up dancing as it requires a lot of week-day time. Mine is a five-day week job but even after I come home, I sit with a laptop completing my tasks. I devote weekends and sometimes weekdays for modelling,” she said.

Initially she concentrated on her job. Alongside, she started blogging on Instagram where she would style up, make up and coordinate what kind of outfits suit and what is the style. She then uploaded her photographs on Instagram and she received accolades from her parents and friends. After two years she realised that she had to move to a different level and what she was really looking for was professional recognition in modelling.

She started modelling in April 2018. The first brand promotion was for ‘Sexy Hair’ in San Jose called the ‘Spring Hair Fest.’  “Rafe Hardy, the CEO of ‘Sexy Hair’ and his team chose me in the audition where there were 40 to 50 models and I was the only Indian. The shoot starts at 8 am and goes on till 7 pm. They style my hair, allow us to interact with customers and then the photo shoot begins and the visuals are used for brand promotion,” Nayana says.

“When I have to go for auditions I have to wear ‘Little Black Dress’ and in other auditions they ask us to wear track pant and black shirt or shorts. We need to have all these dresses with us,” she explains.

Brian Check, a Hollywood photographer, called her for theme ‘Pumpkin Patches’ and Nayana did her own outfit. Once such photo shoot is done, images are shared on Instagram and based on it a model’s network grows and she gets an opportunity to participate in more photo shoots.

What kind of competition is she facing especially in a country where the skin colour favours the white? “They do prefer white skin models. I had gone for an audition and several good models from California were rejected. Out of curiosity we went for the show later and we were shocked to see that some teenagers from Australia had been selected just to show that they had international models who looked more white than Californian models.”

Nayana is also into gymming and she works out for one hour daily after coming back from work. “Gymming helps me keep a toned body and retain the glow on my face,” she says.

Nayana02BF30mar2019

Asked how her colleagues look at her interest in modelling, she says, “Looks like the society is more accepting. My colleagues and managers are typical Indian folks who have got married, have kids, and live as per Indian social norms. They say they wanted to pursue their passion but were discouraged and also they were scared. And they settled for a ‘socialising with relatives, friends on weekends’ kind of lifestyle and wasted a lot of their potential. But they encourage me and are truly happy for me. They tell me to not stop modelling.”

Asked how her husband Nimish Pankaj Shah, who also works in Intel, takes her passion for modelling? “I strongly believe that a life partner is the one who is an ‘enabler’ of both career growth and personal growth. Nimish encourages me to achieve my dreams and practically supports it. He is not a mere ‘permission granter’ but allows me to go out and achieve my dreams.”

“He drives me to shoot locations and while I am busy shooting, he reads books or explores shops, streets near the location. He cooks for the family on the day of the shoot and on other days, he cooks three days a week and I cook on other three days. He is my best critic and all his encouragements are through actions and not words,” she says.

On Women’s Day: Empowerment is not merely limited to choice of clothing or the choice of next outing. Empowerment is how you deal with troubled waters, how much are you willing to stand up for yourself against all judgements, how fearless are you to openly call out people in power that wronged you. It means more respect and more power to all women. More respect and love for those fathers, husbands, brothers and male friends, who stand by us during troubled times.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / by N. Niranjan Nikam