On a green day, veg had the edge

Punacha, Bantwal Taluk :

For the 300-odd people who flocked to Mallya Shankarnarayan Bhat’s home in this small village 50 km from Mangalore on Saturday, the visit was worth its while.

An overwhelming number of them were farmers, and they learnt during the visit things about their vocation they did not even know! They came to know, for instance, that vegetable growing is not seasonal as believed, that veggies can be grown 365 days in a year.

They also learnt that the range of vegetables was wider than generally believed to be. That the range is such that a grower can shift from one vegetable to another in order to avoid loss in times of glut in market, or to beat the pests and diseases. Bhat had organised the get-together to convey to his fellow farmers that vegetable growing was a profitable, round-the-year business, and that it need not be chemical-dependent.

A stunning range of over 200 varieties of vegetables and fruits, with shapes and shades no painter could reproduce, was displayed at Bhat’s house, to impress upon the gathering about the diversity of the greens that are so critical to health. There were a number of members from the gourd family (ridge, bottle, snake, ash, ivy and ‘kaadu peere’- a variety of bitter gourd that is anything but bitter), cowpea, spinach, pumpkin, regular beans, sword beans, bread fruit, passion fruit, jack fruit, star fruit, durian, banana stem, banana shoot, ginger mango, pomelo, elephant yam, ladies finger, gherkins, cucumber, tapioca, wild mosumbi, wild oranges, ‘kanchu huli,’ radish, anjoor, cherry tomatoes, a number of green leafy vegetables.

Some of them are so indigenous that the English names are not available, such as ‘Aane Mungu,’ ‘Maha Phala,’ etc, and many are not even sold in the market any longer. The programme was aptly titled “Varshavidi Tharakaari” (vegetables round the year), was jointly organised by Hopcoms (Dakshina Kannada and Udupi), Horticulture department (DK ZP), Varanasi Jackfruit Growers’ Association (Adyanadka) and Halasu Snehi Koota (Jackfruit Friends’ Forum).

Such was the excitement that the programme generated, that farmers came for as far away as Moodbidri, Madikeri and even Mysore. Many shared their knowledge on growing vegetables round the year, dispelling the widely-held notion that they can’t be grown during monsoon and growing them through organic farming is not profitable.

From door-to-door

Farmer A P Chandrashekar stressed the need to use more and more locally available vegetables like Colocasia (Kesu used in Pathrode), Amaranthus (Harive) and Lancy Crasta. A farmer from Taccode near Moodbidri, explained how he supplies vegetables from door-to-door. C R Shivakumar, a consulting engineer now into farming in Periyapatna, spoke of how he takes vegetables grown in his 18-acre land in Periyapatna to Madikeri every Saturday, but manages to sell it even before he reaches Madikeri!

The programme was inaugurated by cutting a cucumber and plucking ladies finger from a plant. While guests were given a sapling of colocasia, all the visitors were given seeds of a number of vegetables free of cost.

And veggie snacks too!

An added attraction in the day’s programme was the menu for breakfast, lunch and evening tea. Almost everyone was all praise for the host, Mallya Shankarnarayan Bhat. In fact, many had a rare opportunity to taste unique dishes made of unique vegetables.

While Colocasia was served as breakfast with tea/coffee, the lunch had a number of dishes. While the soup was made of ‘Maha Phala’ leaves, the pickle was prepared using ‘Aane Mungu’ and Avil was prepared with bittergourd, cowpea, elephant yam, cucumber, brinjal, ridgegourd. There were three varieties of salads. While the first one was prepared with papaya, pomelo, corn and green gram, the second salad comprised colocasia, ginger and coriander leaves and the third salad had cucumber, banana shoot and ginger. The palav had cowpea, elephant yam, gherkins and beans. The payasam was made of bottle gourd, cucumber and pumpkin and the ‘halva’ had tapioca and cashew nut. The ‘tapioca jamoon’ was a new invention added in the last minute.
For the evening tea, the host served ‘jackfruit bonda’ and fried ‘tapioca podi.’ Not ­surprisingly, most of the guests ate only vegetables and did not even touch rice!

source: htt://www.deccanherald.com / Sunday Herald / Home> State / by Ronald Anil  Fernandes / Sunday, October 07th, 2012

Merc club rolls out in city

Some 60 Benz owners and authorised mechanics have come together to share expertise on the art of Mercedes maintenance 

K Subramani, 65, would always wonder why Benz classic car owners hadn’t got together, like the Yezdi or the Enfield group, despite there being a sizeable population of Merc owners in Bangalore. He need not wonder any more.

The Mercedes Benz India Group was formed a fortnight back with an initial membership of 60 in Bangalore and 200-odd members all over the country, to bring together passionate auto enthusiasts who want to preserve the classic cars. And Subramani, who has been driving his special edition w140 S500 Merc for 14 years, is one of the seniormost members.

The group, which has also roped in authorised Merc mechanics, has already met once. “We believe in encouraging, sharing, supporting, and enabling newbies and mature auto enthusiasts through the maze of the Indian classic and vintage scene. We have members across all age groups who will meet once a month with their classics. The group’s motto is to empower and equip the average enthusiast to enjoy motoring,” says Pramod Monnappa, committee member.
Apart from planning rallies, the once-a-month meet is aimed at sharing ideas and expertise, tackling problems, high governance standard and all activity related to preservation.
According to Nandish Palrecha, owner of a 1994 S320 w140, who is into retailing and distributing mobile phones, those whose cars are as old as 20 years come under the niche group. There are around 20 varieties ofclassics which are 15-20 years old.
“A Merc is generally the first point of success and is still the most sought-after vehicle. Our group has a healthy mix of people and seniors come with a lot of experience,’’ says Palrecha.
For Subramani, MD of United Exports which exports silk furnishings, his 14-year-old bullet-proof limousine is his second car. “I got to know about the group through Nandish,” he said. “At the first meet, we exchanged views about the problems, and how they can be solved without going to the garage. In fact, the Merc is a simple car and a lot of the problems can be fixed with the help of the internet,’’ he said.
In all these years, not once has Subramani thought of changing his 12-cylinder, petrol-driven car. “My bullet-proof limousine is exceptionally good and I will change it only if S600 is released in India,’’ he signs off.
To know more, contact: nandishpal@gmail or nikhil0673@gmail.

source: http://www.BangaloreMirror.com / Home> News> City> Story / by S. Kushala (kushala.satyanarayana@timesgroup.com / Monday, October 08th, 2012

Art review

It rained ideas

The ample series of performances by mostly young local artists at Gallery Rasa on September 27 was another contribution from the well-guided enthusiasm and organisational skills of Smitha Cariappa, who has by now virtually institutionalised her efforts under the title of Live Art Lab being a part of BAR1 activities.

One has to congratulate her not just for practising performance since a time when it had only a slight presence in the country and none in the city, but also for encouraging and involving others, especially art students and young artists. At the moment as things are still beginning to take shape, one is bound to appreciate the fact that several people from within the circle, even many who otherwise engage with different media, are fascinated by the manifold potential of performance, while understanding that a degree of chaos, chance and mistakes belongs to the process, although some words of caution may not be out of place.

Although it did not start the event, Cariappa’s piece veritably introduced it in a gracefully simple and poetic manner, encapsulating her role as a creative but neutral and open-ended stimulant towards new ideas of the participants by using the metaphor of archaic rain-induction magic.

One could see the work of Deepak D L as complementary here with its humorous-serious combination of objectivity and randomness that admitted uncertainty whether performance has to mean something. Allowed so the freedom of individual interpretation, the present writer would like to stress the spectator’s primary need for sensation pointing to associations that becomes enhanced by its being incorporated in the live person of the performing artist. For this to happen during an actual contact of the viewer with the performer, the artist’s looks, gestures and behaviour along with the significant accessories and background have to be quickly recognisable at least in general terms, even if complexities of thought are to be considered carefully later. Without that, arbitrary or arcane symbolism risks turning into intellectual puzzles which tends to distract the audience from the mood as well as to confuse the reading of intended content. The varied sequence of performances had examples of both extreme options and in-between stages.

Perhaps the best one, anchoring in sheer sensation but thoughtful, which also formed another overture for the day, was by Aishwarya Sultana. Ingeniously using the large window outside and inside the hall, she cleaned it, wrote on it with water, erased it and tried looking within, indeed letting one viscerally yet subtly intuit the perceptual aspirations behind art-making and witnessing art.

Suresh Kumar G was equally inventive and topical in his use of the window in the interior and the noisy traffic on the road considering two, not entirely opposite sides of the observer and observation along with the two sides of screening oneself off and being exposed. The pieces by Dimple Shah, Mangala and Justine Williams dealing with rather diverse issues of anonymity versus fame, identity and truthfulness oscillated between authenticity of concerns or engagement with spectacular visuals and a confusing metaphorical language which troubled in particular with Shah’s effort being partly excellent.

The most layered in his not quite recognisable symbolism was Prakash L. At the other spectrum of message – simplicity and visual or aural primacy – were Anjana Kothamachu, Vasudev and Raghu Wodayar. They knotted fabric of dream by the first kind of illustrating a poem, the second somewhat formalistically tracing link lines between the body, dance and art, the last in a plain yet evocative way, conjuring a noisy crowd of self-centred mobile phone addicts.

Yearly gamut

The ninth annual show with 45 Indian artists 2012 at Galerie Sara Arakkal (August 25 to September 15) was a display very similar to what comes up there as a sort of yearly review of the institution’s steady repertoire while accommodating some slight changes.

The general profile continued with its emphasis on the traditional genres of painting and a few sculptures and a sporadic presence of once innovative photography-based and other complex media. It continued the preference for pleasant and often predictable styles as well, even though on the whole the level improved, thanks to a lesser number of very old-fashioned and amateurish idioms whereas comparatively progressive and ambitious artists could be noticed more often. With some all-India seniors from the always admirable K G Subramanian to Lalitha Lajmi and Achuthan Kudallur, to Yusuf Arakkal and S G Vasudev locally, the gamut included several middling styles together with some interesting contributions by mid-career artists (Rm Palaniappan, C F John) and especially younger ones from around here, like Ravikumar Kashi, Udaya Vir Singh, Manush C J, Gopinath S and Alok Johri.

source: http://www.DeccanHerald.com / Home> Supplements> Art Review / by Marta Jakimowicz / DHNS, October 07th, 2012

A toast to The Lalit Ashok’s chefs

What better way to celebrate an occasion than over food and wine with friends. And so, when it was time to celebrate the achievements of certain chefs in the city, Bangalore’s glitterati headed to The Lalit Ashok to make it an evening of fun and bonhomie.

Everyone raised a toast to Chef Nimish Bhatia, who was recently promoted as the Corporate Executive Chef, and cheered for Chef Subodh Goyal who is the hotel’s new Executive Chef.

The city’s gourmets enjoyed a delectable spread as they reminisced over their favourite memories with Chef Bhatia. We spotted stand up comic Rubi entertaining her friends while Abhay, Alok and Rishad were also seen having a good time with their pals.

source: http://www.articles.indiatimes.com / Home> Life & Style> Parties / TNN, October 07th, 2012

Oscar Fernandes bats for R.K. Narayan Memorial

Mysore, Oct. 8:

Following objections to convert R.K. Narayan’s house at Yadavagiri into a memorial in his name by some Kannada litterateurs, the matter was taken up by the Rajya Sabha member Oscar Fernandes who wrote a letter in this regard to the Union HRD Minister Kapil Sibal urging him to allocate funds to set up the memorial. The full text of the letter written by Oscar Fernandes is produced here below:

Dear Shri Kapil Sibal Ji, 5th October 2012

R.K. Narayan, the celebrated writer who wrote in the English language, was a resident of Mysore. A memorial was conceptualised to honour his memory. The creation of ‘Malgudi’ was his contribution to the literary world, as also his creation of so many loved and memorable characters. A controversy has recently broken out with some Kannada writers aligned to the Right-Wing claiming that R.K. Narayan was not a Kannadiga and therefore opposed the establishment of a memorial for him. Some others like Girish Karnad, U.R. Ananthamurthy and others support his memorial. I am enclosing an article written by Prof. K.C. Belliappa, former Vice- Chancellor, Rajiv Gandhi University, in the Outlook Magazine dated 8th October, 2012 for your kind perusal.

In this light, it may be a step in the right direction if your Ministry may kindly consider making some contribution to erect a memorial for Shri R.K. Narayan, who is indubitably one of India’s finest writers in English. I shall be grateful, if you could kindly consider the request and do the needful.

With kind regards,

Yours sincerely,

(Oscar Fernandes)

source: http://www.StarofMysore.com / Home> General News / October 08th, 2012

MTR Foods earmarks Rs 150-cr investment in next two years

Chennai:

MTR Foods, an instant food manufacturer has lined up an investment of close to Rs 150 crore over the next two years, as part of its target of generating Rs 1,000 crore revenue by 2015.
MTR Foods Chief Executive Officer Sanjay Sharma said, “We continue to make investments. We will be making investments of Rs 100-150 crore in the next two years. We are a profitable company. The funds will be raised through internal accruals.”
During the fiscal (2011-12), the company reported revenues of Rs 350 crore and in this financial year the company is aiming to garner Rs 450-crore revenue.
Launching the new ‘MTR Sambar Masala Podi’, ‘Rasam Podi’ and ‘Kulambu Podi’ exclusively for the Tamil Nadu market. The company hopes to achieve a double-digit share in the masala market in Tamil Nadu valued at Rs 712 crore.
Besides MTR Foods, ‘Aachi Masala’ and ‘Sakthi Masala’ are the competitors in Tamil Nadu. The southern region (comprising Andhra Pradesh, Tamil Nadu and Karnataka) contribute 70 per cent to the company’s sales.
The investments would be utilised to improve the basic infrastructure at its integrated manufacturing facility in Bangalore.
Recently, the Bangalore-based company had acquired Pune-based Rasoi Magic to enter into the ‘meal mixes’ market.
source: http://www.news.indiamart.com / Home> SME News> Business News / SME News, Friday, October 05th, 2012

City Doctor-Couple awarded in the US for contribution to Ayurveda

Captions: 1) Dr. N.V. Krishnamurthy (left) receiving the award. 2) Dr. Poornima Krishnamurthy receiving the award.

Mysore, Oct.6:

City’s doctor couple Dr. N.V. Krishnamurthy and Dr. Poornima Krishnamurthy, Directors and Chief Consultants of Prajna Kuteera Ayurveda Centre and Abhijna International Academy of Ayurveda and Yoga, Mysore, were presented the Aryabhata award for excellence in ayurveda research and Dharma award for outstanding contribution to promotion of ayurveda globally, respectively.

The awards were presented to the couple at a glittering ceremony at Los Angeles, USA recently by AAPNA (Association of Ayurveda Professionals of North America). The ceremony was a part of the 4th Intl. Ayurveda Conference on Skin, Spa and Beauty at Los Angeles, California.

Dr. Poornima was also conferred upon the ‘Vachaspathi Award 2012’ for her presentation on The Beauty Concepts in Ayurveda, a paper prepared based on extensive research and documentation over the years. Her paper presentation was adjudged the best amongst all presentations from ayurveda practitioners who had attended from all over the world.

The couple, both gold medallists from the University of Mysore, are prominent scholars in ayurveda and yoga. They have been treating generic and degenerative diseases of patients from all over the world. Dr. Krishnamurthy is also the Head of the Department of PG Studies in Panchakarma at JSS Ayurveda Medical College.

Their medical institutions Prajna Kuteera and Abhijna Academy in Ramakrishnanagar and Keragalli have been rendering yeomen service to needy patients. The institutions are a part of Swami Vivekananda Research Institute of Medical Sciences and Rural Development Centre, Mysore

source: http://www.StarofMysore.com / General News / October 06th, 2012

When Gandhi Came To Mysore

The year was 1931, Gandhi on his itinerary stayed back in Mysore to recover from his illness.

When Gandhi was in Mysore, he gave his speech at the Town hall  The place he stayed was Diwan Sheshadri Iyer’s house which today is the commercial tax office of Mysore. He visited the then Holageri which is now the Ashokpuram of Mysore. The KR mills were fortunate to get a visit from this man where he inspired the workers with his presence.

Gandhi was pleased with the administration of the state of affairs here and also the way of life. He called the kingdom – ‘Ramarajya’ . The then king Nalvadi Krishnaraja Wodeyar was called – ‘Rajarshi’ – king amongst the sanyasins. A sanyasin is known for sacrificing his comforts for the well being of people – a title like this to a king, especially from a man like Gandhi stands for itself. Nalvadi’s certainly was the golden reign of Wodeyars for Mysore and Gandhi undoubtedly the golden era of our independence struggle.

Sadly we lost Gandhi on an unfortunate day- 30th Jan 1948. His ashes were immersed close to Mysore and even to this day we see a stone which commemorates it. Any guesses where?

And before we say goodbye.. Happy Gandhi Jayanti!!

source: http://www.royalmysorewalks.com / Home> Blog / by Vinay Nagaraju / October 02nd, 2012

First anniversary of Ognora in Bangalore

It’s been a year since Nayana Jhawar and Prathiksha Hedge realized their dream of working with designers from across the country to offer a one-stop shop solution to fashion-conscious women in Bangalore.

And now the duo is marking the first anniversary of Ognora tonight with a bash at City Bar, UB City.

Top models will showcase designs by Prathiksha, Deepika Arora, Huemn by Pranav Kirti Misra and Shyma Shetty, Deepankshi and Reena, and Chaiti from Confusion Accessories.

Sandalwood stars, including the boutique’s brand ambassador Aindrita Ray, and other celebrities will make an appearance at this do.

source: http://www.timesofindia.indiatimes.com / Home> Life & Style> Parties> Bangalore / TNN / October 06th, 2012

Aaron claims first gold; Richa, Khade dazzle

Aaron D’Souza kept his composure during a frustrating 50-minute delay and beat back the challenge of Sandeep Sejwal to nail down his first individual title of the 66th Senior National Aquatic championships here on Thursday.

A power failure caused by heavy afternoon showers delayed the start of the fourth day’s proceedings even as the swimmers and technical officials took their respective positions at the pool deck. It took almost an hour to sort out of the problem.

Aaron, who had faltered in his bid in the 50 backstroke and 200 freestyle earlier, had to swim the first event of evening finals — the men’s 200M individual medley. The Karnataka lad, however, faced no problems as he touched the wall in two minutes 07.38 seconds for the gold. “It was really frustrating. But I am happy that I won. I wasn’t in the best of my form here,” said Aaron, who have the 100M freestyle and 200M butterfly on Friday.

Sejwal of RSPB claimed silver in 2:11.38 while another Karnataka lad, Arvind M, pocketed the bronze in 2:12.95.

From lane three, Aaron was quickly off the blocks, completing the butterfly segment in 26.76 ahead of Arvind (27.65). Sejwal was in sixth position, timing 28.17 seconds. Aaron gained momentum in the backstroke segment (58.81), taking a good two seconds lead over Arvind while Sejwal climbed to third position.

Breaststroke specialist Sejwal then almost caught up with Aaron in the next leg. By the end of the 150-metre mark, the 20-year-old Aaron was just 0.16 seconds ahead (1:38.55) of Sejwal. The Karnataka swimmer, however, sped away in the freestyle segment to beat Sejwal by three seconds.

Pooja R Alva, who won the 100M butterfly on Wednesday, completed a double by claiming the women’s 200M individual medley in 2:28.30.

In the morning, Karnataka men’s 4x100M freestyle relay team of Gagan AP, Saurabh Sangvekar, Rohit R Havaldar and Aaron D’Souza set a new meet mark, clocking 3:32.14. The relay quartet sliced more than two seconds from their own record of 3:34.55 created last year in Ranchi.

Richa Mishra and Virdhawal Khade stayed on course to bag the individual honours with convincing wins on the penultimate day. Richa dethroned Surabhi Tipre in the 1500M freestyle with a time of 17:46.76 for her fifth gold while Virdhawal bagged the 50M freestyle in 22.84 for his fourth title. In the process, Virdhawal also attained the ‘B’ Standard mark for the 2013 Barcelona World Championship which stands at 23.11.

On the penultimate day, Karnataka look set to retain their crown with 10 gold, 11 silver and 7 bronze. Leading on the gold medal count, though, is Maharashtra (11 gold, 5 silver, 10 bronze).

Results:

Men: 50M freestyle: Virdhawal Khade (Mah) 22.84 seconds, 1; Anshul Kothari (Guj) 24.04, 2; Arjun JP (RSPB) 24.12, 3.

100M backstroke: MB Balakrishnan (TN) 58.97 seconds, 1; Rohit R Havaldar (Kar) 1:00.60, 2; Rohit Imoliya (MP) 1:00.73, 3.

200M individual medley: Aaron D’Souza (Kar) 2:07.38, 1; Sandeep Sejwal (RSPB) 2:11.38, 2; Arvind M (Kar) 2:12.95, 3. 4x100M freestyle relay: Karnataka (Gagan AP, Saurabh Sangvekar, Rohit R Havaldar, Aaron D’Souza) 3:32.14. New Meet Record (Old: 3:34.55, Karnataka, 2011 Ranchi) 1; RSPB (Sajan Prakash, Arjun JP, G Mohan, Sharma S Nair) 3:34.69, 2; Maharashtra (Amar Muralidharan, Aniket Shedge, Apurva Sharma, Virdhawal Khade) 3:41.14, 3.

Women: 50M freestyle: Talasha Prabhu (Goa) 27.76 seconds, 1; Shivani Kataria (Har) 27.81, 2; Aditi Dhumatkar (Mah) 27.85, 3. 1500M freestyle: Richa Mishra (Pol) 17:46.76, 1; Surabhi Tipre (Kar) 18:03.13, 2; Aakanksha Vora (Mah) 18:51.67, 3. 100M backstroke: Jyotsna Pansare (Mah) 1:07.69, 1; Arti Ghorpade (Mah) 1:08.12, 2; Sony Cyriac (Ker) 1:08.87, 3. 200M individual medley: Pooja R Alva (Kar) 2:28.30, 1; AV Jayaveena (TN) 2:29.06, 2; VKR Meenakshi (TN) 2:32.25, 3.

4x100M freestyle relay: Maharashtra (Arti Ghorpade, Aditi Dhumatkar, Aakanksha Vora, Jyotsna Pansare) 4:07.09. NMR (Old: 4:08.63, Karnataka, 2009 Trivandrum) 1; Karnataka (Sneha T, Malavika V, Pooja R Alva, Surabhi Tipre) 4:10.96, 2; Tamil Nadu (AV Jayaveena, Kavya G, Mugdha M, Anusha Mehta) 4:20.25, 3.

Water polo (semifinals): Men: SSCB bt Police 12-7; RSPB bt Maharashtra 8-1.
Women: Kerala bt Maharashtra 7-5; Bengal bt Police 2-0.

source: http://www.DeccanHerald.com / Home> Sports / by Josey Samuel / Pune, October 04th, 2012