Bhasange Balaga fetes eminent personalities

Sitting from left: Pandit Indudhar Nirody, Vidwan Ganesh Bhat, K.R. Mohan, S.K. Laxminarayan and R. Vasudev Bhat are seen with art patron K.V. Murthy, industrialist R. Guru, Balaga President Ganesh N. Sharma, Souvenir Editor C.K. Sanjay Kumar and others.
Sitting from left: Pandit Indudhar Nirody, Vidwan Ganesh Bhat, K.R. Mohan, S.K. Laxminarayan and R. Vasudev Bhat are seen with art patron K.V. Murthy, industrialist R. Guru, Balaga President Ganesh N. Sharma, Souvenir Editor C.K. Sanjay Kumar and others.

Mysuru :

As part of its sixth anniversary, the city’s cultural organisation Bhasange Balaga (Bhaanuvara Sanje Geleyara Balaga) feted five eminent personalities of the city at a function organised at Nadabrahma Sangeetha Sabha on JLB road here yesterday.

Those feted were Pandit Indudhar Nirody, doyen of Agra Gharana and State Sangeetha Vidwan Awardee-2014; Vidwan Ganesh Bhat, noted keyboard player; S.K. Laxminarayan (Babu), Secretary, Bidaram Sri Rama Mandira and Treasurer of NIE; R. Vasudev Bhat, Secretary, Vijaya Vittala Institutions, Director of V-Lead and Proprietor of Ramya Creations and K.R. Mohan, a freelance writer.

Art patron K.V. Murthy, who spoke after releasing a souvenir, complimented the Balaga for organising cultural programmes and called upon art lovers to promote Balaga activities by offering sponsorship to programmes.

To commemorate its 50th programme, the Balaga had organised a musical treat of ghazal and bhakti sangeeth by Ustad Faiyaz Khan from Bengaluru. Ustad Faiyaz Khan was accompanied by Pt. Veerabhadraiah Hiremath on Harmonium, Samir Rao on Flute and Bhimashankar Bidanur on Tabla.

Earlier, Industrialist and art patron R. Guru inaugurated the programme. Balaga President Ganesh N. Sharma presided. Office-bearer and Souvenir Editor C.K. Sanjay Kumar and others were present.

source: http://www.starofmysore.com / Star of Mysore / Home> General  News / Monday, November 03rd, 2014

Chikkarangappa rallies to clinch crown

Success at home for youngster as overnight leader Abhishek Jha falters in final round

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Abhishek Jha suffered a severe bout of final-round nerves while a tenacious S Chikkarangappa scripted a sensational fightback to emerge champion in the inaugural Take Solutions India Masters here on Saturday.

Leading by a whopping six shots overnight, Jha appeared completely beset by stage fright as he reserved his worst for the last, carding a disastrous three-over 75 to end runner-up in painful fashion in front of his home crowd at the Eagleton Golf Resort.

The crowd, whose loyalties were divided all day with two homegrown boys slugging it out for supremacy in the Asian Development Tour event, had plenty to cheer about as well with Chikkarangappa carding a brilliant five-under 67 to total 270 and score an out-of-nowhere two-shot victory.

“I won my first junior and amateur titles here but I’ve always come short in a pro tournament,” said a delighted Chikkarangappa, watched by his parents, after pocketing $12,250 (approx Rs 7.5 lakh). “To finally get a pro win at your home course is something amazing. I could not sleep until 2.30 in the morning because of the injury I suffered in the third round. But all that pain has vanished with this victory that I’d been dreaming of.”

Although just 21 and six years younger to Jha, Chikkarangappa is miles ahead of his practice partner and friend in terms of top-level experience and that was what proved to be the difference in the end. While Chikkarangappa conjured all his experience in rising to the challenge, Jha, playing as a final-round leader for the first time in four years, was totally overwhelmed by the occasion, his game collapsing amidst the tension he brought upon himself.

Things started to unfold as early as in the third hole itself when Chikkarangappa nailed a 25-footer birdie and Jha three-putted as the lead was cut short to four. That poor putt seemed to have an immediate bearing as Jha found the woods on the par-5 fourth hole, from where he could only bogey at best.

Chikkarangappa then birdied the eighth hole, draining a 10-footer as he turned in just two strokes behind Jha. Both birdied the 10th before Jha dropped a shot again on the 12th, the par-putt agonisingly lipping out. Chikkarangappa brought himself level with Jha on the 15th after pulling off a stunning 35-foot birdie putt.

That scorcher appeared to knock the stuffing out of Jha, who picked up a double bogey on the 16th. He drove the ball next to a banyan tree, hit it to the greenside rough with his second attempt before duffing it on the third. He then chipped way over the pin, two-putting from there as Chikkarangappa, aware the title was just handed over to him on a platter, coolly parred to take a two-shot lead.

Chikkarangappa birdied the penultimate hole and although Jha too matched his friend, it was way too late as the former completed a brilliant win.
“I wish I could play the final round again,” said a disappointed Jha. “I just suffered from final round blues. It’s been a four years, since I played as leader and I just didn’t know how to pace myself. I just did everything wrong. It’s a big lesson for me.”

Leading scores (after 72 holes, Indians unless mentioned): 270: S Chikkarangappa (64, 70, 69, 67); 272: Abhishek Jha (66, 66, 65, 75); 274: Nils Floren (Swe, 71, 62, 74, 67); 275: C Muniyappa (69, 68, 72, 66), Niall Turner (Ire, 67, 70, 70, 68); 276: SSP Chowrasia (74, 68, 69, 65), R Murthy (71, 68, 64, 73); 277: Pijit Petchkasem (Tha, 65, 73, 70, 69); 278: Khalin Joshi (67, 69, 71, 71), Deepinder Singh Kullar (67, 69, 71, 71), M Dharma (67, 71, 69, 71).

source: http://www.deccanherald.com / Deccan Herald / Home> Sports / by Sidney Kiran / Bangalore – DHNS, November 02nd, 2014

Govt unveils website for kin of deceased abroad

Mangalore :

Ministry of Overseas Indian Affairs (MOIA) has launched a new website to help the kin to apply online for transportation of mortal remains of the deceased emigrant in any of the ECR (Emigration Check Required) countries. The ECR countries are Malaysia, Jordan, UAE, Yemen, Lebanon, Qatar, Oman, Kuwait, Iraq, Bahrain, Saudi Arabia, Afghanistan, Indonesia, Libya, Sudan, Syria, and Thailand.

If Indians in any of these above mentioned nations die, in such case their relatives and legal heirs can now apply at the MOIA website www.moia.gov.in with effect from August 12, 2014, an official press communique from the office of Mangalore City Police commissioner here on Tuesday states. The communique advised people to log on to this website in case of need and obtain necessary assistance from the ministry in their time of distress.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Mangalur / by Jaideep Shenoy, TNN / November 04th, 2014

Star this Week : Talented Cricketer – Nikin Jose

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Cricket is a popular sport and is being played by many upcoming youngsters throughout the country. Mysore has been producing talented cricketers from time in different age categories who have gone one to represent the State in different levels. One such upcoming talent is Nikin Jose from Mysore. This youngster has been very consistent with his performance and has been the star performer in the Vijay Merchant U-16 South Zone tournament 2014 for Karnataka. Nikin with his excellent batting performance in the tournament helped Karnataka emerge as the champions with 19 points from their five games. He scored 461 runs in five innings for his State and also led the side to the title triumph. He is our “Star This Week”.

Nikin Jose, a right hand opening batsman, captained the Karnataka Under-16 team in the Vijay Merchant U-16 tournament 2014 and with his performance both as a skipper and batsman helped his team to lift the trophy. He had scores of 13 against Andhra, 146 against Goa, 96 against Tamil Nadu, 69 against Hyderabad and concluded the tournament with a excellent 92 and 45 not out against Kerala. He has emerged as the top run-getter in the tournament and is a talent to be groomed.

Nikin Jose plays for Sunny Side CC in the KSCA Mysore Zone league. In the KSCA Mysore zone under-16 tournament he scored five centuries (with two double centuries). He also captained Mysore Zone U-16 team in the Inter-zonal tournament held in Bangalore and performed well.

Nikin has represented Karnataka U-16 in the Inter-state matches in 2013-14 season and also performed well for his team in the tournament. Nikin was adjudged as the Best Under-14 player in the State and won the Best Batsman award in the Annual KSCA Awards 2013-14 held at Bangalore.

Nikin has been representing Mysore Zone in the Under-14 and Under-16 levels for the last two years and has been performing consistently. He has been encouraged by his parents, KSCA Mysore Zone and his coaches since he took up to the sport.

source: http://www.starofmysore.com / Star of Mysore / Home> Sports News / Sunday, November 02nd, 2014

The Mysore That Was … Part 24 : Mysore Music Sabhas of Yore

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by M.L. Krishnaswami

Naaham Vasami Vaikunte

Na Yogi Hridaye Ravou

Yatra Madbhaktaha Gayanthi

Tatra Thistami Narada

Thus spake Lord Krishna to Narada, the divine messenger who could walk/fly through all the three worlds, with his Tambura in hand. Narada was also acting as a common ambassador for all the three worlds of yore, the Earth, Devaloka, where the gods were supposed to live and the Pathala Loka, below the oceans, where mostly the demons lived. He had an open Visa (strange) to visit any part of the above three worlds and was welcome in all of them. This is aside our topic for the present. The meaning or translation of the above Sanskrit Sloka is:

“I (Krishna) do not live in the heaven

Nor do I dwell in the heart of

the yogi or sage

But I dwell or live there

and there alone

Where my devotees sing

and dance in my praise”

This preface becomes relevant for this article because of the preponderance of music in the social, philosophical and cultural aspects of our land. Music, in all its form — classical (both Karnatak and Hindustani), devotional (Dasa Sahitya and Vachana Gayana) and numerous other disciplines has become a part and parcel of our rich culture and in this cradle, many organisations and Sabhas have come up in Mysore in the last century and some of them have made tremendous progress in the royal city of Mysore.

Down the memory lane, five to six-and-a-half-decades ago, Mysore was a small town with barely less than a lakh of people and the royalty was ruling the Town and the State. Fortunately those who ruled Mysore State were very benevolent people and history has put them on a pedestal enumerating all the good deeds they have done during their rule. The Palace, that marvel of great architectural splendour, was the cynosure of all cultural and related activities and the Maharajas — more significantly — Nalwadi Krishnaraja Wadiyar and Jayachamaraja Wadiyar gave tremendous support to their citizens to perpetuate the art forms of their choice. This patronage helped people to start music and dance halls etc., in the city.

In the above context was established nearly a century ago, Sri Bidaram Krishnappa Sri Rama Mandira in Shivarampet area of Mysore. A compact hall with a squatting capacity of 500-600 rasikas or music connoisseurs with an additional seating capacity of 20-30 on the side verandahs, is what makes this beautiful auditorium with Lord Rama’s benevolent eyes falling on the performing artistes, exactly opposite, and the rasikas scattered in between on floor carpets.

The hall is divided into five enclosures or portions and the side walls decorated at top with wonderful photo-images of the Dasavatharas, five on each side in order. The photos are beautifully framed with Mahagony wood and lit at the top. Lower down, the walls display photos of eminent music composers and musicians of yore. Behind the stage where the artistes sit and perform is a photograph of the founder Sri Bidaram Krishnappa. It is a magnificent hall and such marvel and beauty are absent in any hall in the whole of South India.

Come Ramanavami, it is a major feast for the Hindus and all over the land music Sabhas celebrate this as a festival of music — some times for a week and sometimes for a fortnight. Bidaram Mandira has continued to celebrate this festival for a fortnight in a grand manner inviting leading musicians of the land to perform. Long back they also used to have a dance programme included in the itinerary.

It was in March-April 1944 that I was exposed first to a music concert in the above hall. A young lad of eleven summers, I was gifted a season ticket for the Ramanavami festival by my eldest brother who was a Life Member of that Sabha. Stalwarts performed during the festival and included Ariyakudi, Semmamgudi, Chembai, G.N.B. and Madurai Mani to name a few vocalists who were accompanied by leading violinists and percussionists of the day like T. Chowdaiah, Papa Venkataramaiah, Kumbakonam Raja Manikyam Pillai (all violin) and Madurai Mani Iyer, Palani Subramanya Pillai (a left handed percussionists of repute), Mugaiah (on mridangam). Solo violin concert by the legendary Dwaram Venkata Swamy Naidu was a highlighted programme. The concerts would start at 6 pm and go upto 10 pm and Madurai Mani would even go upto 11 pm and the connoisseurs would sit through till that late hour, when he would regale them with his drum like music. The lone lady Musician I heard then was D.K. Pattammal and later in the late 40s she was joined by M.L. Vasanthakumari, also giving a separate programme.

Artistes used to be brought from Madras to Bangalore on train and then to Mysore by Car. This would normally entail some delay in transit and there would be commotion among the audience some of whom would demand for a refund of their ticket value, by which time the main artiste would come and start singing. The opening programme would invariably be from Ariyakudi — who was called the Gayaka Samrat — accompanied by T. Chowdaiah and Mani Iyer. Ariyakudi and Chowdaiah used to wear diamond ear rings and would have a gold necklace hanging down the neck. In that beautiful illuminated hall, it was a pleasure to see the sparkling diamonds on the artistes.

The concerts were without the menace of loudspeakers and the whole hall would reverberate with the original voice of the artistes. The voices of female artistes like Pattammal and Vasantha Kumari would take a little time to reach the last row of people in the hall after a few seconds and the rasikas would know that the concert has started because of the sound of violin and the mridangam.

Apart from the above Bidaram, music concerts were arranged during Hanumanthotsava by Sri Devendrappa, down the same road in Srirampet and this was also a veritable dais for many local artistes of repute. Besides this in old Agrahara also there used to be concerts on Chavadi Street arranged by Sri Venkatesh Iyengar, father of legendary Veena Doreswamy Iyengar.

Thyagaraja Jayanthi used to be organised in all the Sabhas of Mysore and this programme is being continued even today. Another feature of the programmes of yore was the presence of many of the local musicians on all the days of the festival, which unfortunately is not seen today. In this connection I had the good fortune of seeing Sri K. Vasudevacharya and Rallapall Ananthakrishna Sharma in one of the programmes arranged in Sahakara Bhavana on Chamaraja Double Road by Saraswathi Sangeetha Samaja — an off shoot of Bidaram Krishnappa Ramamandira.

In addition to the above, an organisation by name “Sangeetha Kalabhivardhini Sabha” came into being under the leadership of Sri K. Vasudevacharya and Sri H. Yoganarasimham. This Sabha used to have concerts in the premises of the Sanskrit Patashala, opposite Palace Offices and went on for quite a few years before folding up.

Golden days they were really !

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Sunday, November 02nd, 2014

The last Yezdi man

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In the late 1960s, a high-ranking technician from the Jawa motorcycle company in the then-Czechoslovakia came to India. His brief was to train and guide staffers at the Mysore-based Ideal Jawa. The Czech company had a technological collaboration with the Indian firm, which manufactured its motorcycles, including the Yezdi Roadking. In Mysore, the technician, despite the barriers of language, struck up a friendship with BS Shinde, the factory foreman. One cool evening, as young motorcycle-loving men are wont to do, they debated about how fast the Roadking could actually go. The Czech technician was certain that the Roadking would struggle to breach 90kph. He knew the motorcycle inside out, he said, and had been building Jawas for the last decade or so. Shinde didn’t quite agree. He told his blond friend that he, too, had been around and among Jawas since he was a teenager, and that he had ridden it at around 120 a few times.

“He, I think his name was Vesely, couldn’t believe it,” says Shinde. “He immediately got out his stopwatch and laid a bet. If I could do 120 on the bike, he would, he said, give me a bottle of scotch. I accepted the challenge.” The two men, along with a couple of other fellow employees, rode into town. Shinde had to ride from Chamundi Hill to a certain point on the Lalith Mahal Road in a certain number of minutes, and he was to be timed by his sceptical friend. “Mysore was a lovely place to ride in those days; no traffic, very few people. I rode as fast as I could that day, and got that bottle of whisky,” says Shinde, with a mischievous twinkle in his eyes, which are clouded by cataracts.

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Shinde, a spry 84-year-old, is not fibbing. He doesn’t need to. He has accomplished greater, and, possibly, more fulfilling tasks than riding a Yezdi at great speed. He was among Ideal Jawa’s first employees, and, when the company finally shut down in the mid-1990s, he was, perhaps, the last to accept the inevitable.

To many readers of this magazine, Jawas and Yezdis might be nothing more than a rumour, a motorcycle their fathers rode, the ones that sounded too loud for the modern age. But, back in the day, and we are talking of the 1960s and ‘70s here, Jawas and Yezdis were trending in India. They were cool, quick and easy to maintain. The actor Jeetendra corralled villains on a Jawa in Humjoli (1970); Amitabh Bachchan rode a Jawa 250 in Parvarish (1977); and Farooq Shaikh romanced Deepti Naval on one in Chashme Buddoor (1981). And, the Jawas and Yezdis young men rode back in those days were probably put together, at least initially, by Shinde.

Ideal Jawa was founded by Mumbai-based motorcycle dealers and enthusiasts Rustom and Farrokh Irani in 1960. It started out by selling Jawa and CZ motorcycles, and later moved to manufacturing the motorcycles under the brand name Yezdi. (The Indian-made motorcycles were named after Yazd, in Iran, where the Iranis hail from.)  Shinde’s association with the Iranis started when he moved to Mumbai from Phaltan, near Satara, as a teenager and started working as a mechanic at their dealership, which sold Jawas, Sunbeams and BMWs. “I didn’t like the British motorcycles much, they were four-stroke, but the Jawas could really go. Two-stroke makes such a difference,” says Shinde, twisting an imaginary accelerator.

Yezdi03BF06nov2014 When the Iranis decided to scale their business and move to Karnataka – they were invited to set up shop by Jayachamarajendra Wadiyar Bahadur, the then maharaja of Mysore – Shinde was assigned the task of setting up the facility. “When I came to Mysore in the early 1960s, there was nothing. Just some barren land and me. Even the watchmen came later,” he says, pointing in the direction of the location of the erstwhile factory, which is about 3km from his home, in the Baimantap Extension, in Mysore, and which today hosts a residential complex.

For the next half a decade or so, Shinde put it all together, crank case by crank case. He was there when the first CKD consignments arrived from Czechoslovakia; he was there when the Iranis started making motorcycles under the Yezdi brand name, and he watched Ideal Jawa grow from a rudimentary assembly setup into a company that sold as many as 5,000 motorcycles a month. He was part of the Ideal Jawa factory team that raced at Sholavaram and won some hard fought victories, and he travelled the world, learning more about two-strokers. In many ways, the former mechanic was, to a bunch of Yezdi enthusiasts in 1970s Mysore, Mr Yezdi himself, and even today, his name crops up in Yezdi forums; he is “a stalwart” every Yezdi-head wants to meet.

Yezdi04BF06nov2014 “My motorcycle was the 61st bike made by the company. I rode it in the rains and in the sun, I raced, I put together motorcycles. I was so obsessed with Yezdis that if one of them passed me by on the road and didn’t sound right, I would have this urge to adjust the air screw,” he says, cupping his ear with his gnarly fingers.

Shinde’s obsessive, blind loyalty to his employer, probably, made him miss the writing on the wall. When Ideal Jawa shut down in 1996, putting around 2,000 people out of their jobs, he was on an official visit to Tanzania, and learnt about the closure, he says, only after he returned to Mysore.

Raian Irani lives in a charming bungalow in the heart of Mysore. A Great Dane and a Dalmatian lope leisurely on its lawns; the living room has period furniture, and there are portraits of horses and framed butterfly displays on its walls. Die-hard Jawa and Yezdi enthusiasts of a certain vintage, especially in sleepy Mysore, regard Irani with a certain ambivalence. They still maintain that Ideal Jawa could have been better run and more prepared for the Japanese invasion of the 1980s, and accuse the Iranis of being lackadaisical in their approach. Raian Irani is a big-built man, with a fondness for single malt and big bikes. He also owns three Yezdis, though he doesn’t ride these days. Irani, who helmed Yezdi for a brief while in the late 1980s, tells me that there was complacency both on part of the owners and the employees. “When the Japanese entered India, the scenario changed completely. It was not just about two-strokes giving way to four-strokes, they introduced this new dimension of fuel efficiency, which had gained ground after the oil crisis in the late 1970s. ‘Kitna deti hai?’ started from there.

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Could Yezdi have been saved? Would a tie-up with a Honda or a Suzuki have worked? Irani doesn’t think so. The odds, he says, were heavily stacked against the little Indian company. The Japanese ran streamlined, technology-driven operations in comparison to Ideal Jawa, which struggled with rising labour costs and the then government’s socialist policies. “A tie-up would never have worked. They needed scale, we simply didn’t have it.” The employees of Ideal Jawa, says Irani, especially those who stayed on till the end and turned down the VRS, imprudently hoped that things would get back to normal one day. The shutdown of Ideal Jawa was unfortunate, but it, says Irani, had to be done.

The Yezdi has made a comeback of sorts, especially in the last half a decade. Nearly every city in the country has a Jawa/Yezdi club, and July 13th, International Jawa Day, resonates rortily in India as well. And everyone seems to be in search of a ‘good Jawa or Yezdi’, from hipsters to software professionals. A Yezdi even featured in the recent movie Ishaqzaade, which starred Arjun Kapoor. After the closure of Ideal Jawa, Shinde, who was left with no savings of any kind, headed back home to Phaltan, and along with his brother, he started a lodge, which helped him and his family keep their heads above water. Shinde doesn’t have much to do with motorcycles these days. He mostly spends his time in Phaltan, and occasionally visits his grandson, in Mysore. But there are times, though, he tells me, when he hears that all too familiar exhaust note, and when that happens, he looks up, and looks back.

(Words: Murali K Menon, Photos: Shashank MB)

source: http://www.topgear.com / BBC Top Gear India / Home> Car-News / by Murali K. Menon, Photo: Shashank MB / November 2014

Noted film producer-distributor A.R. Raju no more

In this file photo, the then Karnataka Chief Minister B.S. Yeddyurappa is presenting Dr. Vishnuvardhan Award for lifetime contribution to Kannada cinema to producer and distributor A.R. Raju in Bangalore. Others in the picture include actress B. Saroja Devi, actor Ambareesh, Irrigation Minister Basavaraja Bommai, President of Karnataka Film Chamber Basanthkumar Patil and Home Minister R. Ashok. File Photo: K. Bhagya Prakash
In this file photo, the then Karnataka Chief Minister B.S. Yeddyurappa is presenting Dr. Vishnuvardhan Award for lifetime contribution to Kannada cinema to producer and distributor A.R. Raju in Bangalore. Others in the picture include actress B. Saroja Devi, actor Ambareesh, Irrigation Minister Basavaraja Bommai, President of Karnataka Film Chamber Basanthkumar Patil and Home Minister R. Ashok. File Photo: K. Bhagya Prakash

Sahodarara Saval, produced by him, was the first colour film of Tamil superstar Rajinikanth

Noted film producer and distributor Alluri Reddappa Raju, popularly known as A.R. Raju, (74) died here on Wednesday. He was ill for the past few days and treated at a private hospital in the city. Mortal remains of Raju’s body have been kept for public viewing at his Sanjay Nagar residence.

Born on September 30, 1940, Raju produced over 25 films and served in the film industry for more than five decades. Through his Ajanta Movies he distributed hundreds of films made in Kannada, Tamil, Telugu and Hindi.

Sahodarara Saval, produced by him, was the first colour film of Tamil superstar Rajinikanth. Vishnuvardhan acted as Rajnikanth’s brother in the film, which ran for 25 weeks. His Vijay Vikram was the first double role film in Vishnuvardhan’s film career. Besides the two, Raju had produced movies including Snehitara Saval, Simha Gharjane, Oorige Upakari, Sati Sakkubai, Pooja Phala, Belli Naga, Vajrada Jalapata, Asadhya Aliya, Simhasana.

He also served as the President of Karnataka Film Chamber of Commerce. Karnataka government honoured him with Rajyotsava award for his contribution to the Kannada film industry.

During a recent interaction with media, Raju had said that, his dream was unity of Kannada film industry and hero culture was detrimental to the growth of Kannada film industry.

source: http://www.thehindu.com / The Hindu / Home> News> National> Karnataka / by Muralidhara Khajane / Bangalore – November 05th, 2014

His fascinating musical journey from Devalapura to San Francisco Bay area

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by S.N. Venkatnag Sobers

At a time when western culture and western music has captured the world, here is a person who is on a mission to popularise folk music among the younger generation. His popularity in the recent past has grown to a level that he was invited to perform at the AKKA festival held at San Francisco Bay Area, USA, during August 2014.

Meet, Amma Ramachandra, a talented singer from Devalapura in H. D. Kote taluk. A student of Folklore at the University of Mysore, Ramachandra has reached great heights as a singer. Having been accorded with many awards, Ramachandra remains humble to his teachers and friends.

Ramachandra, who recently performed at the Yuva Sambhrama, created magic along with his group comprising Ningaraju and others. His melodious voice takes the audience to a folk music journey and back to the era when such songs were popular. The specialty of Ramachandra is that he has never undergone formal training in music nor has he consulted any of the singers. The songs have been learnt by him all on his own like Ekalavya in the epic Mahabharata.

“I always wanted to be a singer since my childhood. Having come from a rural background I grew up listening to folk songs and watching many folk arts. My mother also wanted me to become a singer. Today, if I have reached this level it is only because of my mother’s blessings and teachers who encouraged me throughout,” says Ramachandra.

The story behind Ramachandra having a prefix ‘Amma’ to his name is also interesting. Ramachandra who loves his mother Devamma added a prefix ‘Amma’ (Mother) to express his affection to his mother. Since then he is popular as ‘Amma Ramachandra.’

His affection towards folk music grew during his Pre-University days at VSS College in Ratnapuri, Hunsur Taluk. Ramachandra was supported by his teachers and friends to perform on stage and he never looked back since then. After joining Maharaja’s College, his talent got a boost with getting selected to represent the University of Mysore at South Zone Inter-University Cultural and Literary competitions organised under the aegis of Association of Indian Universities (AIU).

Ramachandra has represented the University in South Zone competitions on three occasions during which he secured gold medal once and silver in the other occasion. He was also the member of the gold medal winning team of University at the National-level.

Ramachandra, who is of a shy nature, says he felt afraid when he went on stage for the first time. “Encouragement from my teachers and friends gave me the courage and strength to perform on stage. Even today I feel butterflies in my tummy when I walk on to the stage but once I see the crowd and start singing I forget everything and continue to entertain the audience,” added Ramachandra.

Ramachandra owes a lot to his teachers Prof. Ramaswamy, Administrative Officer, University of Mysore and Dr. M. Rudraiah, Director, Directorate of Students Welfare, who have constantly encouraged him to perform at the highest level.

This talented singer was also among the top 5 contestants in Star Singer, a reality show conducted by Suvarna Channel. This apart, he is the recipient of 13 different awards including District Youth Award-2009, State Youth Award-2013-14 and so on to name a few.

According to Ramachandra, western music and film music just come and go but the folk music which originated decades back will live for centuries to come and continue to entertain people.

Amma Vasundhare Trust, started by Ramachandra, who presently resides in Bogadi, Mysore, has been working to popularise folk music among the youth. Ramachandra conducts folk and light music classes at his residence in Bogadi. He also plans to conduct folk music workshop for colleges in city on every Sunday free of cost.

With a little more encouragement from the concerned authorities, Amma Ramachandra can reach greater heights in the field of music. Every such talent must be encouraged like the University of Mysore has in the case of Ramachandra. SOM wishes him good luck.

source: http://www.starofmysore.com / Star of Mysore / Home> Features Articles  / Friday,  October 31st, 2014

Karnataka Kanmani State Award presented

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Mysore :

As part of its eighth anniversary, the city-based CREDIT-I felicitated achievers from various fields yesterday.

Rangayana Director Janardhan (Janni) presented ‘Karnataka Kanmani’ State-level award to Music Director Hamsalekha, progressive farmer from Bangalore Rural District L. Narayana Reddy and Community Development Institute, Belgaum’s Shobha Gasti at a function held at Jaganmohan Palace.

Speaking after receiving the award, Music Director Hamsalekha said he comes from a rural background and as such he is very much aware of rural problems. Pointing out that he could understand the rural life much better because of his drama background, Hamsalekha complimented the CREDIT-I for its rural development initiatives.

Observing that urban areas too have a rural background, he called upon voluntary organisations to sensitize the rural people of the various facilities extended to them by government and other agencies and to encourage them to make best use of the schemes meant for them.

Coming up with his plans for providing education and job opportunities to poor children, Hamsalekha said 100 PU failed students sensing in CREDIT-I, can join his Hamsalekha Desi College, by paying only the fees of first year, while the fees for the remaining 4 years would be borne by him. This apart, he would provide them ample job opportunities, he added.

Earlier, ZP President Dr. Pushpa Amarnath, who spoke after inaugurating the programme said unemployment and underemployment have been haunting the youth, who constitute 60 percent of the country’s population. Youth from rural areas have been migrating to urban areas in search of jobs which are less rewarding. The youth should stop this tendency and instead look at taking up progressive farming for happiness and betterment of their lives, she said.

Swami Vivekananda Youth Movement founder Dr.R. Balasubramanyam and MLA M.K. Somasekhar presided.

CREDIT-I Managing Trustee Dr. M.P. Varsha, Treasurer M.R. Manjunath, Vasantha and others were present on the occasion

source: http://www.starofmysore.com / Star of Mysore / Home> General News  / Friday,  October 31st, 2014

City’s Danseuse Pankaja elated over Rajyotsava Award

DanseusePankajaBF05nov2014

Mysore :

Danseuse Pankaja Ramakrishna is popular figure among the fine arts community in city. A resident of Vijayanagar, Pankaja started Sarveshwara Nritya Kalamandira in the year 1984 and since then she has been training students in different dance forms in both classical and folk.

Recognising her services over the past 21 years, the Karnataka State Government has accorded her with this year’s prestigious Rajyotsava Award.

Speaking to Star of Mysore, Pankaja expressed her happiness over her being recognised by State Government. “I am thankful for the State Government for recognising my services which I have done from the past 21 years. The award has increased my responsibility and I will continue to serve the society by popularising dance forms in both classical and folk”, she added.

Pankaja is currently training around 85 students in different art forms such as classical and folk dance and classical vocal. Students trained under Pankaja have settled in USA, Canada and other countries and have been conducting classes.

source: http://www.starofmysore.com / Star of Mysore / Home> General News  / Friday,  October 31st, 2014