Women as game-changers

The 8th International Women’s Conference will host women from all over the world who share the objective of a stress and violence free society

Since its first edition in 2005, the International Women’s Conference (IWC) has hosted over 375 speakers and 5,500 delegates from over 100 countries. This February (23-25) in its eighth edition, it is all set to host 500 women delegates from diverse backgrounds and professions, across the world.

“This year’s theme is ‘Life: A Mystical Journey’. In the past we have dealt with a wide variety of subjects from women in technology to women in leadership, and exploring inner beauty. This time, our chairperson, Bhanumathi Narasimhan, wanted to explore the mystical aspect, through spirituality. We will have sessions on everything from the relationship between science and spirituality to 360 degree views on behaviour patterns,” says Chinky Sen, one of the lead organisers of the conference.

The 2018 edition of the conference will feature a range of speakers from actor Rani Mukherji to environmentalist Vandana Shiva; Mridula Sinha, Governor, Goa; Adriana Marais, theoretical physicist, head of innovation at SAP Africa; Professor Maithree Wickramasinghe, founder director of Center for Gender Studies at the University of Kelaniya to Arundhati Bhattacharya, former chairman, State Bank of India; and Chetna Gala Sinha, Founder-Chairperson Mann Deshi Bank and Mann Deshi Foundation.

“Women are leading peacemakers. They work together towards creating a stress-free, violence-free society. The conference is a message in peace and unity,” says Bhanumathi Narasimhan, Chairperson, IWC.

The goal of the conference, which is hosted at the Art of Living International Centre, is individual development and collective action and to ‘facilitate partnership-building and leadership development among women leaders globally’.

“The sessions at the conference will be engaging and exciting. Among the highlights this year, is an exclusive dialogue with Sri Sri Ravi Shankar (Founder, Art of Living), called ‘Mind Matters’. There are some interesting sessions on topics such as ‘Intuition, Innovation and Creativity’; on life as a game, a play, a war; and the session on 360 degree behaviour patterns will also address how they can be changed through yoga and meditation,” says Sen.

The conference is also associated with the Art of Living’s ‘Gift A Smile’ project, which offers education to over 58,000 students in 435 free schools across 20 Indian states. Girl children comprise 48 per cent of the student demographic and 90 per cent of the students are first-generation learners.

This year the conference will also support the creation of open-defecation free districts in India. The project involves two phases. In the first phase, the organisation will work towards sensitisation and awareness, on the importance of health and hygiene. “We have already reached out to 12 gram panchayats in seven states. We will be presenting the report in the conference. We will then build toilets in the second phase.”

The organisation plans to build over 4000 toilets. In keeping with another social impact tradition, the conference will also include a signature campaign on violence against women and on gender equality.

The IWC in its previous editions, has worked on initiatives such as constructing homes for the underprivileged, creating awareness on environmental care, organising a movement to stop violence against women, and empowering women through skills training. It has also worked with the World Bank Institute to develop empowerment schemes for women in vulnerable nations and expanded vocational training for widows in Iraq.

The 8th International Women’s Conference will take place between February 23 and February 25 at the Art of Living International Centre on Kanakapura Road. For details visit artofliving.org/iwc.

source: http://www.thehindu.com / The Hindu / Home> Society / by Harshini Vakkalanka / February 20th, 2018

Theatre Olympics comes to Bengaluru

24 world-class performances to be staged over 15 days from Tuesday

As the city is gearing up for the weeklong Bengaluru International Film Festival (Biffes) from Thursday, it is all set for a mega theatre event. The 8th Theatre Olympics, organised by the National School of Drama (NSD) along with the Department of Kannada and Culture, will be held for 15 days here from Tuesday.

This is for the first time the country is hosting the largest international theatre festival, and Bengaluru is one of the co-hosts. Plays will be staged at Ravindra Kalakshetra and at Kalagrama, Mallathahalli Road, Jnana Bharati campus, from 7 p.m. till March 6.

The event will provide people of the State a chance to watch 24 stimulating world-class performances, including six specially invited plays from renowned theatre maestros — Kabeer (Shekhar Sen), Esranga Rod (Pranjal Saikia), Madaiah the Cobbler (Ramaswamy Prasanna), Gunamukha (C. Basavalingaiah), Parindey(Satish Anand), Krapp’s Last Tape (Jaroslaw Fret, Poland) — and international productions The Method of National Constellations (Michal Stankiewicz), Women of Passion, Women of Greece (Tatiana Ligari, Greece), and Arrived(Adrian Schvarzstein, Lithuania).

The other plays that will be staged include Kuthirai Muttai (Sanmugaraja), Karnabharam (Chandradasan), Abayab (Nebakumar Banarjee), Allasani Peddana(Akella), Jathegiruvanu Chandra (Hulugappa Kattimani), Actress Are Not Allowed (V. Arumugham), Moment Just Before (Liju Krishna), Laagi Chhute Na(Veena Sharma), Mahabharath (Anurupa Roy), Prof. Kelfa’s Factory (Ranhang Choudhury), Tansen (Govind Singh Yadav), Dhaubar Ratani (Bidyut Kr. Nath), and Antariksha Sanchar (Jayalakshmi Eshwar), Indur O Manushi (Bebashis Biswas), and Naganandam (Kavalam Padmanabhan).

C. Basavalingaiah
C. Basavalingaiah

The 8th edition of Theatre Olympics, according to C. Basavalingaiah, director of NSD Bengaluru chapter, is “a celebration of universal friendship and human values by showcasing theatre traditions of India and the world. It is an attempt to bridge the borders across countries through the call of theatre and engage in creating a global village.”

Over 450 performances

The Theatre Olympics, which opened in Delhi on Saturday, will span 17 Indian cities with over 450 performances, seminars, and youth forums in which 25,000 artistes from 31 countries will participate, said Mr. Basavalingaiah.

The festival, spread over 51 days, will be held in cities including Mumbai, Kolkata, Patna, Imphal, Varanasi, Chandigarh, and Thiruvananthapuram.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Special Correspondent / February 18th, 2018

Kalaburagi gets State’s first smart pole Wi-Fi

Congress Leader in Lok Sabha M. Mallikarjun Kharge inaugurating the State’s first smart pole providing high speed wi-fi services on the municipal corporation premises in Kalaburagi on Wednesday.
Congress Leader in Lok Sabha M. Mallikarjun Kharge inaugurating the State’s first smart pole providing high speed wi-fi services on the municipal corporation premises in Kalaburagi on Wednesday.

As part of the State government’s initiative to provide free Wi-Fi services to people at select places, a Wi-Fi smart pole was inaugurated on the premises of Kalaburagi City Corporation by Congress Leader in the Lok Sabha M. Mallikarjun Kharge on Wednesday.

Speaking on the occasion, Minister for Information Technology and Bio-Technology and Tourism Priyank Kharge said that the smart pole was the first of its kind in the State and 12th in the country.

“With this smart pole Wi-Fi, one can have unlimited browsing and 100 MB download a day with a data transfer speed of 1 mbps. We are planning to shortly establish similar smart poles in 18 other places in the city,” he said.

Mr. Priyank said that as per the announcement made in the last budget, work to provide free Wi-Fi services in 2,500 gram panchayats was under way. “The task would be completed by the end of March,” he said.

Indus Tower Karnataka is implementing projects to establish smart poles in association with the government. Subbu Ayyar, a representative of the company, said that each pole cost about IRs. 5 lakh.

“The smart pole is so powerful that it can offer free Wi-Fi service up to 300 m,” he said.

Medical Education Minister and Kalaburagi in-charge Sharanprakash Patil, Mayor Sharankumar Modi, Deputy Commissioner R. Venkatesh Kumar, Corporation Commissioner Raghunandan Murthy, District Congress Committee president Jagadev Guttedar and others were present.

source: http://www.thehindu.com / The Hindu> News> States> Karnataka / by Staff Reporter / Kalaburagi – February 15th, 2018

Railways introduces mobile app for buying unreserved tickets

The number oftickets booked through mobile booking app UTS is steadily increasing. File photo: V. Ganesan
The number oftickets booked through mobile booking app UTS is steadily increasing. File photo: V. Ganesan

SWR is the only zone of Indian Railways where all stations are covered by utsonmobile

Indian Railways, to make unreserved travel easier, has come out with an app ‘utsonmobile’ to help passengers book an unreserved ticket, without waiting in long queues at railway stations.

Through the app, one can book season tickets and platform tickets too. While the app is available for suburban sections of Southern, Central, Western, Eastern, South Eastern, South Central and non-suburban sections of Northern Railway, it is available for the entire South Western Railway Zone after its launch by Railway Minister Piyush Goyal in Belagavi on February 10.

About 5 lakh people undertake unreserved journey in SWR daily.

The app is available for free on Android and Windows platforms. It offers twin ticketing options: paperless and paper tickets. Upon registration, one can recharge the rail wallet either through UTS counters or through www.utsonmobile.indianrail.gov.in.

One has to be within a 5-km radius of the station from where the journey commences to book a paperless ticket with a GPS-enabled smartphone.

The journey has to commence within three hours of booking and one has to open “show ticket” window to show the ticket to a ticket examiner.

The paperless ticket cannot be cancelled.

On the other hand, a paper ticket can be booked even while inside a station and a printout has to be taken from ATVM after providing mobile phone number and booking number. Paper ticket can be cancelled.

A senior official from SWR told The Hindu that all stations of SWR have been mapped with GPS and tickets can be booked from any station to any other within the SWR network. Booking tickets to or from stations outside SWR zone may be done if the station outside SWR is mapped with GPS, the official said.

The official said utsonmobile would be a boon to season ticket travellers as they need not spend a day to buy or renew the ticket. Others doing unreserved travel too would get benefited, the official added.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Mangaluru / by Anil Kumar Sastry / Mangaluru – February 14th, 2018

Cake-craft from another era

CakeCraftBF28feb2018

All made-to-order at home, in the hands of an expert who enjoyed what he did

He was a master creator of wedding cakes that enhanced the sweet start to a marriage… Naidu, tall, dignified and gentle with greying hair, hailed from the Austin Town area of Bengaluru. My parents living in Fraser Town engaged his cake-crafting services for each of the four weddings in the family during the 1960s and 1970s.

Mum would purchase the ingredients and ensure the fruits and nuts were washed, cleaned and dried in advance. Embarking on his task, Naidu meticulously hand-chopped the dry fruit/nuts with such speed and aplomb, one feared for the safety of his fingers. The resulting material was generously sprinkled in with dose measures from the rum or brandy bottle and left to soak for a month before he’d actually blend in the other ingredients, such as flour, butter, sugar, eggs, baking powder and vanilla essence along with a few pinches of ground spices for additional flavour. He’d fold in all of it, so seemingly effortlessly, as he used the wide span of his hands and the flexibility of his long fingers to get the mix just right for baking.

No clumps of fruit dare ruin it. The enabling gadgets of today that fluidly spin everything around just did not exist. Caramelising sugar to the right degree of deep colour and consistency was another art.

As a teenager I would watch in awe as he deftly ploughed through the mixing to dissolve lumps or clumps that might leave a blemish in it. The usual wooden stirrer with a rounded head piece used as a cake-mixer or masher in the kitchen was like a toy before this huge quantity. Hence Naidu used his hands. The vessel containing the raw mixture was enormous and he’d have it carted in a cycle-rickshaw to be bakery oven elsewhere.

Once done, he’d return with the layers and props to start on the icing, also prepared to a fine consistency by him. Layering it on the top and the sides of the cake so evenly, he’d confidently complete the job — perhaps with a wide knife to smoothen the finish. There were no spatulas in those days.

Then followed the dainty decorations, like flowers and hearts pierced by an arrow, doves or whatever, plus a lacy edging. Naidu handcrafted the paper icing cones by cutting out the required sizes and shapes from brown paper. Not likely butter paper was available at that time, as baking tins too were papered with cut-to-shape newspaper, dabs of butter applied to avoid burning! Non-stick cookware was unheard of. Naidu’s incredibly artistic skills would work with a flourish and precision as he effectively brought the cakes to life with figurines. The only off-the-shelf product then available, sugared silver-coloured balls, would be affixed here and there to complete the process.

The plywood trick

The base layers were dummies, fashioned from thin plywood and iced over, with just one triangle of real cake inserted in between and carefully marked out by special borders in the lowest layer to be cut into by the wedded couple: woe if they misjudged the spot!

For the next wedding, the icing would be scraped off and fresh icing applied; the decorative bits would of course disappear into the mouths of eager kids attending the wedding, or perhaps be preserved as souvenirs by the newlyweds. Single slices for distribution to guests were cut and wrapped by him in cellophane paper. And finally the taste of the marvellous almond iced fruit cake was to be enjoyed in the eating.

Naidu was a maestro! He extended his endeavours to theme cakes for birthdays and short eats too; it was well worth observing his technique, the way he fashioned the pastry cases for baking, later filled with exotic contents. While a party was on, he’d be busy in the background turning out round after round of dainty hors d’oeuvres like cheese boats, dainty tarts and plenty else that melted away in eager mouths.

An old photograph in my collection made me recall this unique cake-creator of a half century ago…. He worked hard by himself, self-effacing, skilled to the core!

jacolaco7@gmail.com

source: http://www.thehindu.com / The Hindu / Home> Opinion> Open Page / February 11th, 2018